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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1255758 By Annette Butters. By May H. Brahe. Arranged by Annette Butters. 20th Century,Sacred. Score and part. 4 pages. Annette Butters #849267. Published by Annette Butters (A0.1255758). Trombone or euphonium players will be able to show off their beautiful tone and lyrical playing skills with this arrangement of Bless this House. The first verse presents the tune, calling for a controlled yet expressive style of playing. During verse two, the soloist demonstrates the beauty of their instrument with musical embellishment over the melody which is now taken by the pianist. The ending allows the soloist to hold the audience in the palm of their hands as they come to a strong and sure finish. Suitable for concerts big and small, this lovely piece of yesteryear will appeal to the older members of your audience, but the strong melody also is easy to listen to and sounds great to perform in resonant buildings. The mp3 sample gives the lead in to verse two.      
Bless This House
Trombone et Piano
Annette Butters
$8.00 7.64 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.1091727 By Flo Rida. By Johan Carlsson, Marco Borrero, Ross Golan, Roy Hammond, and Tramar Dillard. Arranged by Lawrence H Underwood. Hip-Hop,Pop,R & B. Score and part. 7 pages. Lawrence H Underwood #695884. Published by Lawrence H Underwood (A0.1091727). This hit anthem from Flo Rida is now available to perform as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
My House
Trombone et Piano
Flo Rida
$5.99 5.72 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.792155 Composed by Durrant, Matthew. Concert,Contemporary. Score and part. 52 pages. Gordon Cherry #3680195. Published by Gordon Cherry (A0.792155). Matthew Durrant's Sonata for Trombone and Piano is written in three movements and has a rich, lyrical and dramatic style to it. This new work for advanced performers of about 17 minutes in length can be a major work on your program.Born in 1985, Matthew R. Durrant was brought up in a musical household and began seriously composing in while still in high school. He holds a Bachelor of Music degree in both composition and piano performance from Boise State University and is currently pursuing a Master of Music degree in composition at the University of Utah. Matthew has played the Piano for more than 20 years and the Trombone for more than 13. While he has written for other instruments the bulk of his works are for woodwinds, brass, and piano.
Sonata for Trombone & Piano
Trombone et Piano

$20.00 19.11 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Digital Download SKU: A0.1027975 Composed by Patrick Houlihan. Contemporary. Score and part. 40 pages. River Island Music #3120561. Published by River Island Music (A0.1027975). Milsons Point is on Sydney Harbour, directly across from the Sydney Opera House. With its spectacular views of the Harbour Bridge, opera house, and CBD, it’s a favorite location for photographers. It’s also home to Luna Park, an amusement park quite unlike those that I’m accustomed to in the U.S. This piece draws upon my memories of the contrasting emotions from an evening at Milsons Point. The work is in two movements: a calm, mysterious opening and a fast second movement that gets rather frantic at times. 
At Milsons Point
Trombone et Piano

$18.00 17.2 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 2 - Digital Download SKU: A0.1175533 Composed by Georgia Turner and Bert Martin. Arranged by Samuel Sequeira. Pop,Rock,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #775675. Published by Samuel Sequeira (A0.1175533). House of the Rising Sun - ScorePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.More arrangements on the link: Sam'S arrangementsHouse of the Rising Sun - for Trombone - with play along on youtube linkTrombone and Piano with chords Sheet music and Trombone part avaiable on this saleContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
House of the Rising Sun - for Trombone - with play along
Trombone et Piano

$1.99 1.9 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Digital Download SKU: A0.962341 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and part. 21 pages. Sergio Roberto de Oliveira #4717969. Published by Sergio Roberto de Oliveira (A0.962341). Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
Humana
Trombone et Piano

$13.80 13.19 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410439. Published by jmsgu3 (A0.548678). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com
O Holy Night for Trombone & Piano
Trombone et Piano

$24.95 23.84 € Trombone et Piano PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano

$9.99 9.55 € Trombone et Piano PDF SheetMusicPlus






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