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Piano,Trombone - Level 1 - Digital Download SKU: A0.548492 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387069. Published by jmsgu3 (A0.548492). Silent Night with new harmony for the final verse! Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten.  Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.  Register for free lifetime updates and revisions at www.jamesguthrie.com    
Silent Night for Trombone & Piano
Trombone et Piano

$28.95 24.75 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.1269921 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862393. Published by Benzaiten Editions (A0.1269921). Hey! Are you a trombonist who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵Vampire by Olivia Rodrigo - Intermediate Trombone Sheet Music with piano accompaniment The Benzaiten Editions Arrangement Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for trombone. Our trombone and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track. Perfect for intermediate trombone players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality. About the song Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This trombone arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords. Whether you're a devoted fan of Olivia Rodrigo or a trombone enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.
Vampire
Trombone et Piano
Olivia Rodrigo
$5.99 5.12 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 4 - Digital Download SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705825. Published by John Fries (A0.1102415). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This is a Trombone Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
Blue Skies
Trombone et Piano

$4.99 4.27 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.1269922 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Benzaiten Editions. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 7 pages. Benzaiten Editions #862394. Published by Benzaiten Editions (A0.1269922). Hey! Are you a trombonist who wants to learn how to play Vampire by Olivia Rodrigo? It's your lucky day! 🎵Vampire by Olivia Rodrigo - Intermediate Trombone Sheet Music with piano accompaniment and chords The Benzaiten Editions Arrangement Prepare to be entranced by the haunting and emotive ballad, Vampire by Olivia Rodrigo! This poignant song showcases Olivia's incredible songwriting and vocal prowess, making it a powerful and captivating piece for trombone. Our trombone and piano arrangement of Vampire allows you to embody the raw emotion and vulnerability of Olivia's performance. Through delicate melodies and expressive chords, you'll be able to convey the bittersweet essence of this mesmerizing track. Perfect for intermediate trombone players who want to explore Olivia Rodrigo's music or simply appreciate heartfelt compositions, this arrangement strikes a balance between accessibility and musicality. About the song Vampire by Olivia Rodrigo is a soul-stirring ballad that delves into themes of love, heartbreak, and emotional vulnerability. Olivia's evocative lyrics and haunting melody resonate deeply with listeners, capturing the raw essence of human emotions. This trombone arrangement allows you to embody the song's bittersweet beauty and express your own feelings through its touching melodies and chords. Whether you're a devoted fan of Olivia Rodrigo or a trombone enthusiast seeking emotive compositions, Vampire offers a powerful musical journey that speaks straight to the heart.
Vampire
Trombone et Piano
Olivia Rodrigo
$5.99 5.12 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Trombone & Piano
Trombone et Piano

$24.95 21.33 € Trombone et Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.792795 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic Period. Score and parts. 25 pages. Gordon Cherry #6519139. Published by Gordon Cherry (A0.792795). Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed on the E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone.Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family.Charles Vernon has arranged an excellent sounding edition for Contrabass Trombone and Piano of about 12 minutes in length for advanced performers.
Concertino for Contrabass Trombone and Piano
Trombone et Piano

$27.50 23.51 € Trombone et Piano PDF SheetMusicPlus

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1381341 By Emma Stone. By Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Glauco Fernandes. Chamber,Film/TV,Jazz,Wedding. Score and part. 4 pages. Glauco Fernandes #966046. Published by Glauco Fernandes (A0.1381341). We present the exclusive sheet music arrangement of the song City of Stars from the acclaimed movie La La Land. This arrangement, meticulously crafted, is ideal for musicians ranging from easy to intermediate levels, offering a delightful challenge for students seeking stimulating new repertoire.Music teachers will find this sheet music to be a valuable resource for enriching their lessons, providing students with an engaging and educational musical experience. With idiomatic writing for the instrument, this sheet music facilitates interpretation and understanding of the music, making it accessible to musicians of different levels.For professional musicians seeking versatile and high-quality repertoire, this arrangement of City of Stars is an excellent choice. Its superior editing quality ensures a smooth and precise reading experience, making it perfect for performances at a variety of events, including weddings and other special occasions.Don't miss the opportunity to acquire this exceptional sheet music, which combines practicality, quality, and musicality in one package. Add a touch of Hollywood magic to your repertoire and enchant your audience with the timeless beauty of City of Stars.If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Tags: #SheetMusic #MusicalArrangement #LaLaLand #CityOfStars #Music #MusicalChallenge #Intermediate #Beginners #MusicTeachers #SpecialEvents #Weddings #Quality #Practicality.
City Of Stars
Trombone et Piano
Emma Stone
$6.99 5.98 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.549788 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3536979. Published by jmsgu3 (A0.549788). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
Tchaikovsky: Chinese Dance from Nutcracker Suite for Trombone & Piano
Trombone et Piano

$32.95 28.17 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.792788 Composed by Frank Bridge. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 20 pages. Gordon Cherry #6447395. Published by Gordon Cherry (A0.792788). Frank Bridge's Pensiero and Allegro Appassionato was first published in 1908 for Viola and Piano. The two movements are a perfectly balanced pair of pieces, the first being elegiac in mood and the second more outgoing and dramatic. They both show Bridge's mastery of technique for piano and instrumental writing as well as chromatic harmony.This work is another example of Ralph Sauer's vision of creating arrangements of great music previously unavailable to Trombonists by magically editing the scores so they transform from unaccompanied Piano solos to chamber music for Trombone and Piano.This work of about 8-minutes in length is appropriate for moderately advanced performers.
Pensiero and Allegro Appassionato for Trombone and Piano
Trombone et Piano

$20.00 17.1 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University.  While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad).  The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital.  I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting.  I thought at the time that he had given me and my music a fine compliment.  I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor.  It alternates between assertive and more thoughtful moods.   There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end.  Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes.  Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic.  The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes.  The main theme is heard in the piano part before the soloist enters.  The mood is more lyric than in the first movement, but with dramatic episodes also.  In this movement are some definite derivations from themes in the first movement.  The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes.  Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward.  The introduction is a brief and simple preparation for the solo entry.  Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo.  Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano

$35.00 29.92 € Trombone et Piano PDF SheetMusicPlus

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1510841 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 7 pages. Sheet Music To Play Editions #1086048. Published by Sheet Music To Play Editions (A0.1510841). Promenade from Pictures at an Exhibition. Arrangement for Trombone and Piano. With Full Score and Individual Parts. Enjoy it!Modest Petrovitch Mussorgsky (1839 - 1881) was a Russian composer famous for his operas and songs. He discovered new ways of writing for the voice which were very tuneful but which also suited the Russian language. His most famous opera is Boris Godunov. Another very famous piece is called Pictures at an Exhibition. He wrote it for the piano, but many years after his death another composer called Maurice Ravel orchestrated it and this is the version people usually hear today.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Pictures at an Exhibition - Promenade - Trombone and Piano (Full Score and Parts)
Trombone et Piano

$8.99 7.69 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4803779. Published by Gordon Cherry (A0.792275). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
Three Pieces for Trombone & Piano
Trombone et Piano

$17.50 14.96 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Trombone & Piano
Trombone et Piano

$32.95 28.17 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.549609 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3513693. Published by jmsgu3 (A0.549609). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
Tchaikovsky: Scene 10 from Swan Lake for Trombone & Piano
Trombone et Piano

$38.95 33.3 € Trombone et Piano PDF SheetMusicPlus






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