SKU: A0.1335564

Too Much For Our Thirst
by Alexander Burdiss
Arranged for Trombone and Piano
Dedicated to Courtney Carmack
Performance Time: approx. 7:00

This is an adaptation for trombone of a piece originally written for tuba.
 
The Eyes of the Poor from Paris Spleen
Written by Charles Baudelaire, Translated by Arthur Symons
 
Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found.
 
We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none.
 
In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age.
 
The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy.
 
Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away?
 
So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!

SKU: A0.1255758

Trombone or euphonium players will be able to show off their beautiful tone and lyrical playing skills with this arrangement of Bless this House. The first verse presents the tune, calling for a controlled yet expressive style of playing. During verse two, the soloist demonstrates the beauty of their instrument with musical embellishment over the melody which is now taken by the pianist. The ending allows the soloist to hold the audience in the palm of their hands as they come to a strong and sure finish.

Suitable for concerts big and small, this lovely piece of yesteryear will appeal to the older members of your audience, but the strong melody also is easy to listen to and sounds great to perform in resonant buildings.

The mp3 sample gives the lead in to verse two.