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B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
Trombone et Piano

$19.99 18.69 € Trombone et Piano PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano

$9.99 9.34 € Trombone et Piano PDF SheetMusicPlus

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
Trombone et Piano

$6.00 5.61 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.792690 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 12 pages. Gordon Cherry #5760077. Published by Gordon Cherry (A0.792690). Armand Russell's Perplexing and Perilous Pieces for Trombone and Piano is in two contrasting movements. The first movement Perplexing Prelude is slow, sad, gloomy, worried and moody. The second movement Perilous Pursuit is fast with many different 4-note Bartokian modal-like scales and quite playful in mood. It gets going faster and faster, finally slowing right down and becoming quiet at the end like an exhausted child, but giving one surprise last gasp of a Hoorah to conclude. This work of a bit over 5 minutes in length is appropriate for intermediate performers and is all in bass clef.
Perplexing and Perilous Pieces for Trombone and Piano
Trombone et Piano

$17.50 16.36 € Trombone et Piano PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.796612 By Demi Lovato. By Andrew Goldstein, Demi Lovato, Emanuel Kiriakou, and Lindy Robbins. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and part. 11 pages. DR GARY D BELSHAW #3024563. Published by DR GARY D BELSHAW (A0.796612). 4 minutes. 10 pages, not including sample part page. Demi Lovato's 2015 hit song is arranged here for Trombone and piano. This would be a great addition to a recital, or for performing for community events. (Next time someone asks if you'll play a song or two for the Chamber of Commerce banquet, smile big and say, Absolutely! But, don't play this for a wedding, right?) Ms. Lovato sings some complicated rhythms, so you may have to spend time practicing slowly with a metronome; it will pay off big-time. Your teacher or director will be glad for the energy and conviction you'll have to have to play this well.
Warrior
Trombone et Piano
Demi Lovato
$4.99 4.67 € Trombone et Piano PDF SheetMusicPlus






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