Alto Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.918895 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Recorder Ensemble. 20 pages. Jubal's Lyre Music Publishers #6361319. Published by Jubal's Lyre Music Publishers (A0.918895). This beloved work by J. S. Bach is arranged here as a duet for Alto Recorders with optional Soprano/Tenor Recorder. An extra early intermediate level keyboard part is included as is an optional part for Cello/Bassoon. It is perfect for weddings, concerts, or solo/ensemble repertoire. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.

Alto Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.918894 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Recorder Ensemble. 21 pages. Jubal's Lyre Music Publishers #6361317. Published by Jubal's Lyre Music Publishers (A0.918894). This beloved work by J. S. Bach is arranged here as a duet for Soprano or Tenor Recorders with optional Alto Recorder. An extra early intermediate level keyboard part is included as is an optional part for Cello/Bassoon. It is perfect for weddings, concerts, or solo/ensemble repertoire and is able to be used with the Choral Edition, which provides a new translation. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.

Recorder - Level 4 - Digital Download SKU: A0.736659 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Recorder Ensemble. 7 pages. Chicory Music #6679345. Published by Chicory Music (A0.736659). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Descant / Soprano Recorder Quartet remains faithful to the original.Performance Time Approx. 1 minute 25 seconds

Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.1414159 Composed by Edvard Grieg (1843-1907). Arranged by Clive Lane. 19th Century,Classical. Recorder Ensemble. 10 pages. Clive Lane #995930. Published by Clive Lane (A0.1414159). The death of AÌ?se is from Grieg's Peer Gynt Suite No. 1, Op. 46, which was extracted from the incidental music to Henrik Ibsen's play, Peer Gynt. The five-act drama concerns a young Norwegian lad named Peer Gynt, who dreams of becoming emperor of the world. His sundry adventures are the stuff of high drama and adventure, and are rough and isolated in a way that is peculiarly Nordic. Grieg captures this tone perfectly with his music.The death of AÌ?se  was intended to be played as a prelude to the third act. Peer Gynt has returned home to his mother Ase, only to find that her days on earth have come to an end. A slow and sad piece.Full score, and individual parts.