Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.799441 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 24 pages. Drake Mabry #519749. Published by Drake Mabry (A0.799441). Cristal is written for the rare contrabass saxophone and 4 alto saxophones. The piece could be moved up in the saxophone family to be played by bass saxophone and 4 soprano saxophones. In three movements, the contrabass saxophone plays the solo part accompanied by the alto saxophones. Sometimes the soloist utilizes the typical low register of the instrument and at other times plays long melodies in the high, upper register. The work includes written and spatial notation. It was written for the French saxophone virtuoso, Daniel Kientzy and his ensemble Le Saxtuor. The duration is 12'30. This is a manuscript score, thus the reduced price.Cristal was premiered by Daniel Kientzy and Le Saxtuor at the Ecole Nationale de Musique in Blois, France on December 21, 1996.

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.

Instrumental Solo,Saxophone - Level 1 - Digital Download SKU: A0.1365308 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Individual part. 2 pages. P. R. Frederick #949626. Published by P. R. Frederick (A0.1365308). A minor based melody for the unaccompanied saxophone soloist. Can be played on any saxophone (Soprano, Alto, Tenor or Baritone). Easy to play.See my other saxophone solos here

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at the Post #747654. Published by Studio at the Post (A0.1147430). Duration: 10 – 11 minutes, 7 pp. Description: Each étude is for a different saxophone requiring the soloist to take a break and switch instruments. The first is for alto (or potentially baritone) sax, the second for either tenor or soprano. The études use a minimalist approach of adding and subtracting notes to create their continuous stream of “musical consciousness�. The composer created these études in the process of writing his de facto saxophone concerto “The Disqualification of Harry Semantix as Trial Juror for East County� (such score also available for saxophone and chamber orchestra, or saxophone and piano).

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.1179022 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,Contest,Festival. Individual part. 2 pages. P. R. Frederick #778993. Published by P. R. Frederick (A0.1179022). This unaccompanied piece for saxophone is showpiece for a talented player.  At 240 quarter notes per minute this piece flies! The key signatures are not challenging but the soloist must work to develop the proiper speed. It's fun to play!