Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Early Intermediate - Digital Download Composed by Maurizio Leoni. Arranged by Maurizio Leoni. Jazz, Blues, Pop, Rock, RandB. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 13 pages. Published by Maurizio Leoni

B-Flat Bass Saxophone,Instrumental Solo - Level 3 - Digital Download SKU: A0.1313273 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #902059. Published by Glauco Fernandes (A0.1313273). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.1215228 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,Contest,Festival. Individual part. 2 pages. P. R. Frederick #812097. Published by P. R. Frederick (A0.1215228). Introducing Chutes and Ladders – the ultimate challenge for advanced saxophone players who want to stun their audience with their exceptional skills. With Chutes and Ladders, you will experience the thrill of mastering intricately woven melodies and technical challenges that require a skill and concentration. The show-stopping solo for saxophone is guaranteed to leave a lasting impression on your audience.To excel at Chutes and Ladders, you will need good breath control, precision fingerwork, and mastery of advanced techniques. But with regular practice and dedication, you'll be able to mesmerize your listeners with your virtuosic performances.So, if you're looking for a challenge and want to take your saxophone-playing skills to new heights, Chutes and Ladders is the perfect product for you. With this piece, you'll be able to make a lasting impression on your listeners.Check out my other solos here

Saxophone SKU: HL.4470370 Concert Band Method. Rubank Advanced Method. Instructional. Instructional book. With introductory text, instructional text, performance notes and illustrations. 72 pages. Rubank Publications #RUBL93. Published by Rubank Publications (HL.4470370). ISBN 9781423444329. UPC: 073999703702. 9x12 inches.An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a a complete pedagogy: â?¢ Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course â?¢ Melodic Interpretation Including 20 contest level duets in each book â?¢ Solo Preparation Six contest level solos included â?¢ Articulation Studies Specialized for each instrument â?¢ Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) â?¢ Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods â?? join the tradition!

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse� because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.�ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.