Composed by Folk. Arranged by Phil Beaman. Classroom, Folk. Score, Solo Part. 3 pages. Published by Phil Beaman (S0.196983). - Score,Solo Part - Classroom,Folk - Phil Beaman

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.844743 Composed by Streabbog/Beaman. Arranged by Phil Beaman. Romantic Period. Score and part. 6 pages. Phil Beaman #5330515. Published by Phil Beaman (A0.844743). This playfully artistic Scherzo of Chasing Butterflies invokes the aimless flitting about of the butterflies, the careful quiet observation of the delicate creatures, then the spirited chase, and the butterflies dramatically flitting away. Besides being lots of fun to play, this piece builds technique with the many markings of articulation and dynamics.  

Clarinet,Piano - Level 3 - Digital Download SKU: A0.844740 Composed by Streabbog/Beaman. Arranged by Phil Beaman. Romantic Period. Score and part. 6 pages. Phil Beaman #5330491. Published by Phil Beaman (A0.844740). This playfully artistic Scherzo of Chasing Butterflies invokes the aimless flitting about of the butterflies, the careful quiet observation of the delicate creatures, then the spirited chase, and the butterflies dramatically flitting away. Besides being lots of fun to play, this piece builds technique with the many markings of articulation and dynamics.  

Clarinet,Piano - Level 2 - Digital Download SKU: A0.844507 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489037. Published by Phil Beaman (A0.844507). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.  2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free

Clarinet,Piano - Level 3 - Digital Download SKU: A0.845286 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6681663. Published by Phil Beaman (A0.845286). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts.  solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes

Clarinet,Piano - Level 3 - Digital Download SKU: A0.845248 Composed by Phil Beaman. Concert,Jazz,Latin. Score and part. 8 pages. Phil Beaman #6497499. Published by Phil Beaman (A0.845248). Habanera Sunrise is a contemporary Latin Jazz solo that evokes the latent energy of a sunrise. The piano accompaniment is a pure milonga rhythm which is derived from tango and habanera. As one music scholar says milonga is an excited habanera. The melody is influenced by the African rhythms of cinquillo and tresillo which are also at the core of habaneras. This fusion sets up cross-rhythms and a challenging polymetric feel within a brisk 5/8 time signature. The accompaniment is mostly 3+2, but the melody is constantly shifting between 2+3, or 3+2, or 5 equal.  Habanera Sunrise is for fun vibes, technique practice, rhythm challenges, and crowd-pleasing performances.Solo part has a 2 octave rangemarked Intermediate; notes are Early Intermediate, keeping the shifting 5/8 rhythm is Advanced Intermediate for some6 page score, 2 page part  3:10 minutes

E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.845145 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213689. Published by Phil Beaman (A0.845145). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.  

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1049325 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653697. Published by Phil Beaman (A0.1049325). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Bb Clarinet and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.

E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.845333 Composed by Z Noskowski. Arranged by Phil Beaman. Romantic Period,Wedding. Score and part. 7 pages. Phil Beaman #6759845. Published by Phil Beaman (A0.845333). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period.  Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship.  Also well suited for Wedding music. Solo range - nearly 2 octaves (14th)5 page score, 2 page part2:35 minutes

Clarinet,Piano - Level 1 - Digital Download SKU: A0.844522 Composed by Phil Beaman. 20th Century,Concert,New Age. Score and part. 4 pages. Phil Beaman #3493127. Published by Phil Beaman (A0.844522). Papa's New Shoes is a catchy old-time melody that will stay in your head. The accompaniment has modern chord progressions which makes it a 20th century style piece with a touch of New Age and hints of Ravel.   It begins fairly traditional and gets progressively more unsettled. It is really quite simple, yet sounds delightfully pleasant.  3 pages score, 1 page solo; 2 minutes

B-Flat Clarinet,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1349238 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933983. Published by Phil Beaman (A0.1349238). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Clarinet,Piano - Level 2 - Digital Download SKU: A0.844628 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413091. Published by Phil Beaman (A0.844628). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

Clarinet,Piano - Level 3 - Digital Download SKU: A0.845318 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 7 pages. Phil Beaman #6753011. Published by Phil Beaman (A0.845318). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period.  Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship.  Also well suited for Wedding music. Solo range - nearly 2 octaves (14th)5 page score, 2 page part2:35 minutes

Clarinet,Piano - Level 3 - Digital Download SKU: A0.844537 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Romantic Period,Sacred,Standards. Score and part. 7 pages. Phil Beaman #3509433. Published by Phil Beaman (A0.844537). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Pleasant Landscape, which I have freely arranged for accompanied Instrumental Solo. I have slowed it down considerably from the original and marked it with passionate energy. The beauty and interest is created by the shaping and phrasing of this beautiful melodic line. It has a rubato feeling throughout with constant tempo changes like rall, molto rall, freely, accel, etc. In keeping with the characteristics of the Romantic period my arrangement is full of interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. The equally beautiful piano part provides great interplay of expressive harmony and countermelody. A beautiful piece to show your expressive musicianship and impress them in either concert or audition. Marked Intermediate due to the plethora of markings to observe, musicianship that is required for a mature performance, and a 2 octave range that will push the limits of some instruments.3:10 minutes, 5 page score, 2 page solo partTemporary recording of a piano reduction of total score.