Clarinet,Piano - Level 2 - Digital Download SKU: A0.862328 Composed by Leopold Mozart. Arranged by Nick M Lacanski. Classical. Score and part. 7 pages. Theupperstaff #468825. Published by theupperstaff (A0.862328).

B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.1207623 Composed by James M. Wardell. Chamber,Classical,Contemporary,Contest,Festival,Instructional. Score and part. 14 pages. Evensong Press #805788. Published by Evensong Press (A0.1207623). The Sonatina for Clarinet and Piano is a challenging piece that features intricate interplay between the two instrumentalists. Written for advanced high school players, college students, and professional players, the Sonatina is appropriate for recitals, auditions, competitions, and festivals.

Clarinet,Piano - Level 3 - Digital Download SKU: A0.635378 By Chet Baker. By Frank Sinatra, Jack Wolf, and Joel Herron. Arranged by F & N Enterprise. Jazz. Score and part. 7 pages. F & N Enterprise #5032387. Published by F & N Enterprise (A0.635378). An excellent arrangement of the famous Instrumental I'm A Fool To Want You for Clarinet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://www.youtube.com/watch?v=ZJt4nTbrg98

Piano Accompaniment, Clarinet - Digital Download Composed by Pauline Viardot, Gabriel Fauré, Cécile Chaminade, Claude Debussy, Marc Delmas, Arthur Coquard, Paul Jeanjean, Augusta Holmès. Etudes and Exercises, Repertoire, Classroom, European, Recital. 64 pages. Published by TUX People's Music

Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

By Christina Aguilera. Arranged by James M. Guthrie. Score, Solo Part. 13 pages. Published by jmsgu3 (H0.265609-50470). - Score,Solo Part - - jmsgu3

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508.  Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Clarinet,Piano - Level 4 - Digital Download SKU: A0.534746 Composed by Alexandre Glazunov. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #6607889. Published by Musik Fabrik Music Publishing (A0.534746). A lyrical work by the Romantic Russian  composer. In the original key.

Piano Solo, Clarinet, clarinet solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Neo-Classical, Sacred, Wedding, New Age. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP

Piano Solo, Clarinet, clarinet solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Neo- Classical, Sacred, Etudes and Exercises, Repertoire, Wedding. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP

Clarinet,Piano - Level 3 - Digital Download SKU: A0.1045417 Composed by Muzio Clementi. Arranged by Nick M Lacanski. Classical. Score and part. 8 pages. Theupperstaff #649997. Published by theupperstaff (A0.1045417). This arrangement comes from the piano repertoire. It is the second movement of the second sonatina from a set of six listed as Op. 36 dated from 1797. It was originally in G major and is transposed to A flat major to facilitate performance for the advancing clarinetist. I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one.

Clarinet in Bb and Piano - easy - Digital Download SKU: S9.Q48866 From: Méthode de Clarinette. Composed by Jean-Xavier Lefevre. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q48866. Published by Schott Music - Digital (S9.Q48866). Key: B flat major. German • English • French.Born in Switzerland, Jean Xavier Lefèvre (1763-1829) was a sought-after clarinetist and one of the first clarinet professors at the Paris Conservatory. He is still known today for his Clarinet School (1802), which became a standard work in France and beyond. From this textbook comes the popular Sonata no. 1 with its catchy melody that encourages light playfulness. The piece is graded here as level 2. Also available: Sonata No. 2 g minor (SE 1039). Lefèvre wrote the piece originally for the then common C-Clarinet. For use in the classroom, this edition omits the transposition of the clarinet part into the B tuning. The accompanying bass voice of the original was transferred to the piano and supplemented with some suggestions on dynamics and articulation. Hints and tips from publisher Rudolf Mauz (Die fröhliche Klarinette) offer students assistance in the preparation of the work. This edition is part of the Schott Student Edition series, which offers a diverse repertoire of lessons, concerts and exams of varying degrees of difficulty (from easy to difficult). To this end Schott continues to publish popular standard works from music history in a modern and clear edition. For many pieces an audio file of the piano accompaniment is available for download. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1316712 Composed by Bach-Gounod. Arranged by James M. Guthrie. Chamber,Christmas,Contest,Festival,Religious,Traditional. Score and part. 11 pages. Jmsgu3 #905408. Published by jmsgu3 (A0.1316712). This arrangement features the controversial Schwencke measure (ms. 27) initially introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. They are based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1, and well suited for church meditations, school programs, or recital encores. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach's Prelude No. 1 from Well-Tempered Clavier I. This and Schubert's versions have become essential at weddings, masses, and funerals.Bach OverviewFirst, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most striking, though, are the St. John Passion and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival              Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.