By Sam Smith. Arranged by Bob Qian. Score. 2 pages. Published by B. Qian Music (H0.130859-261499). - Score - - B. Qian Music

Composed by Francis Scott Key, John Stafford Smith. Arranged by Samuel Stokes. Fourth of July, Recital, Patriotic, Americana. 4 pages. Published by SamuelStokesMusic.com (S0.136075). - - Fourth of July,Recital,Patriotic,Americana - SamuelStokesMusic.com

B-Flat Clarinet,Piano - Level 2 - Digital Download

SKU: A0.1170664

By Sam Smith Feat. Kim Petras. By Blake Slatkin, Henry Walter, Ilya Salmanzadeh, James Napier, Kim Petras, Omar Fedi, and Samuel Smith. Arranged by Willem Aarts. Pop. Score and part. 10 pages. Willem Aarts #771009. Published by Willem Aarts (A0.1170664).

Individual parts are included.

Clarinet,Piano - Level 4 - Digital Download

SKU: A0.796756

By Sam Smith. By Sam Smith and Steve Mac. Arranged by Gary D. Belshaw (ASCAP). Pop,R & B. Score and part. 22 pages. DR GARY D BELSHAW #5358929. Published by DR GARY D BELSHAW (A0.796756).

For Clarinet in A.
For the Advanced Intermediate Clarinetist. 4 minutes. 22 pages. This achingly beautiful melody translates so naturally for the solo Clarinet. Arranged here in the original key, the full range of the clarinet is exploited with wonderful results. Not only a solid recital closer, it will also serve well for recruiting and for social obligations. Free improvisations are welcome and natural. Your knowledgeable classical music supporters will be caught off-guard with the nod to Impressionism as the work opens. Reward your advanced pupils with a gift of this arrangement, and your audience with some solid artistry.

Clarinet Solo & piano - Grade 4.5 - Digital Download

SKU: DX.118155

Composed by Mary Dana Shindler. Arranged by Dana F. Everson. Traditional. Key of d. Sacred Instrumental Music. Score and Parts. 12 pages. David E. Smith - Digital Sheet Music #118155. Published by David E. Smith - Digital Sheet Music (DX.118155).

The piece begins with the solo and descant presenting the tune in unison with few modifications. This texture continues on in this manner allowing the descant to act as a color. The next section is an question/answer form with the soloist alternating against the flute and piano. The third section pairs the solo line and descant in much the same manner as the opening. The piece comes to a subtle conclusion. The piece, as a whole depicts a bird flying and flittering about in glee.