By The Rolling Stones. By Mick Jagger and Keith Richards. For Lead Sheet. Pop/Rock. 2 pages. Published by Alfred Music. Digital Sheet Music

C Instrument - Level 4 - Digital Download

SKU: A0.1041858

Composed by Benny Golson. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #646640. Published by John Fries (A0.1041858).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Whisper Not is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group. Golson's early version was on his 1957 album Benny Golson's New York Scene. By 1960, John S. Wilson, critic at The New York Times, had labelled the song, together with another Golson composition, I Remember Clifford, an established part of the jazz repertory. It has been recorded by hundreds of musicians, becoming a jazz standard.

C Instrument - Level 4 - Digital Download

SKU: A0.1034493

Composed by Hubert Giraud, Jean Drejac, and Kim Gannon. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #639858. Published by John Fries (A0.1034493).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The album with this song was recorded in Paris, and Quincy Jones led an orchestra of both American and French musicians in the studio. In the liner notes from the original album, jazz critic Nat Hentoff quotes the description of the recording of the album that Williams gave. Our first session was for 9:00 p.m., and I was all set to record. At 9:30 some musicians were still arriving. After about an hour, we had finished one song. The sound was wonderful, and I was very happy. At this point, I was informed that the orchestra has to have a 15 minute break. The musicians vanished to a local café for some wine. About 45 minutes later, they began arriving back in the studio. We got one more song recorded before the contractor stood up and, in perfect English, said, 'Overtime'.