Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588846 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,Multicultural,World. Score and parts. 6 pages. David McKeown #6017075. Published by David McKeown (A0.588846). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Alto Flute.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo.  7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1506552 By The Tornados. By Joe Meek. Arranged by P. R. Frederick. Pop. Score. 7 pages. P. R. Frederick #1081916. Published by P. R. Frederick (A0.1506552). Telstar is a 1962 instrumental hit by the English band The Tornados, written and produced by Joe Meek. The song was named after the Telstar communications satellite, which was launched on July 10, 1962, marking a significant milestone in global communications. The satellite's ability to transmit television signals across the Atlantic captivated the public and inspired Meek to create a piece that embodied the excitement of the space age and technological advancement.Here is a flute duet of this timeless classic! A score and individual parts are provided.See my other flute duets here

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1472705 Composed by Sebastian de Yradier. Arranged by P. R. Frederick. Folk,Traditional. Score. 7 pages. P. R. Frederick #1050358. Published by P. R. Frederick (A0.1472705). “La Palomais a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. Iradier was to die in obscurity within few years, never to learn how popular his song would become.There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish songHere it is arranged as a flute duet. A score and separate parts are provided.See all of my flute duets here

Instrumental Duet Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.549925 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and parts. 91 pages. Jmsgu3 #4303101. Published by jmsgu3 (A0.549925). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874 (Моде�т Петрович Му�орг�кий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto    page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                                                              4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando   page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы  Largo page 46    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�ад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.

Flute - Intermediate - Digital Download Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg