SKU: A0.999257

Flute and piano duets book 1 Please also look at my Jazz Flute Duet book 3, jazz Flute duets book 2, jazz Flute duets book 1, Jazz and classical Flute duets, jazz Flute duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. These books were created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.

SKU: A0.877918

Brahms' lovely lullaby helps beginners breathe life into their tone! If a student has mastered the lessons from Flute 101 listed below, they can play the part! In addition, this trio works well with only the Flute 2 and 3 parts if you need a duet rather than a trio.
Flute 1: Lesson 16.
Flute 2: Lesson 9.
Flute 3: Lesson 7.

About Ensembles by the Book:
Beginners will have a blast with these ensemble arrangements leveled to correlate with popular flute method books! Each part is correlated with a specific lesson in the Flute 101 series, but the Blocki Flute Method and Trevor Wye Beginner's Book follow roughly the same progression and students taking lessons from them will also easily be able to perform these ensembles in their first year. 
*Please note that these arrangements correlate with method books meant for private lessons, which typically begin with the notes B, A, and G, rather than band methods, which start students less beginner-friendly flute notes.

SKU: A0.1038128

Jazz Flute duets If you would like to play with the other instruments in the band such as trumpet or viola. Just buy the book for the other instrument as well. I.E. trumpet then happily play together. This duet book can be played with my other jazz duet book 1 books for other instruments.

SKU: A0.865251

, This early intermediate collection provides Christmas cheer for secular settings. These duets (or even the melody line) can accompany carols) since these selections are within reasonable vocal ranges. Enjoy the Christmas cheer as you play carols that cover at least three centuries. Find a little merriment as the tune from Jolly Old St. Nicholas pairs nicely with several measures of Pachelbel’s cannon, for instance. Other books in this series are transposed for clarinet-trumpet, alto sax, French horn and trombone-baritone-bassoon. Since all are written in the same concert key, they can be mixed and matched for duet purposes. The songs and their concert keys are as follows:

The Boar’s Head Carol, B-flat

Carol of the Flutes, G Minor

Christmas is Coming, E-flat

Deck the Halls, E-flat

Good King Wenceslas, F

Here We Come A-Caroling, C

Jingle Bells, C

Jolly Old St. Nicholas Visits Pachelbel, F

Oh Christmas Tree, F

Toyland, F

Up on the Housetop, C

Wassail Song, F

We Wish You a Merry Christmas, F

SKU: A0.796714

2018 Holiday Contest Entry
Key of B-flat Major
The famous Traditional English Carol is here arranged for two Early Intermediate level flautists. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.

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SKU: A0.811771

The set of 6 sonatas for two flutes were first published by John Walsh in London, a clear indication that Robert enjoyed a Europe wide reputation as a composer and performer. They are in the Baroque style written for two equal players of intermediate ability.

The dynamic markings are few as the custom of contrasting dynamics on repeated sections was well known. The dynamics in parentheses ( ) are suggestions only as are the dashed phrasings. The original publication was of separate part books. The repeated sections were only indicated in part two which probably caused some initial confusion! The current edition is in playing score format. The sonatas are also suitable for pairs of oboes or violins.