Flute,Piano - Level 1 - Digital Download SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther.   Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. 

Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.1267847 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. 18 pages. John A. Dempsey #860394. Published by John A. Dempsey (A0.1267847). Two splendid Italian arias combined into a trio for flute, alto sax and piano, this Puccini medley includes melody augmentation, rubato, dynamic shading, and multiple time signatures as well as a lavish finale. Included: Un Bel Di (One Fine Day) from Madame Butterfly and Q'uando M'en Vo (Musetta's Waltz) from La Boheme. This soaring, romantic music is recommended for multiple venues, including concerts, recitals, weddings and more. Wedding music uses: a prelude, unity candle accompaniment, and a bridesmaid processional. 14 pages of music (that includes separate two-page parts for flute and alto sax). Concert Key: F major.  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1208647 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. 18 pages. John A. Dempsey #806748. Published by John A. Dempsey (A0.1208647). Two splendid Italian arias combined into a piano trio for two flutes and piano, this Puccini medley includes melody augmentation, rubato, dynamic shading, and multiple time signatures as well as a lavish finale. Included: Un Bel Di (One Fine Day) from Madame Butterfly and Q'uando M'en Vo (Musetta's Waltz) from La Boheme. This soaring, romantic music is recommended for multiple venues, including concerts, recitals, weddings and more. Wedding music uses: a prelude, unity candle accompaniment, and a bridesmaid processional. 14 pages of music (that includes separate two-page parts for flute 1 and flute 2). Key: G major.  Flute Level: Intermediate.  Piano Level: Late Intermediate.

Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.529285 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. 18 pages. John A. Dempsey #139693. Published by John A. Dempsey (A0.529285). Two splendid Italian arias combined into a piano trio for flute, cello and piano, this Puccini medley includes melody augmentation, rubato, dynamic shading, and multiple time signatures as well as a lavish finale. Included: Un Bel Di (One Fine Day) from Madame Butterfly and Q'uando M'en Vo (Musetta's Waltz) from La Boheme. This soaring, romantic music is recommended for multiple venues, including concerts, recitals, weddings and more. Wedding music uses: a prelude, unity candle accompaniment, and a bridesmaid processional. 14 pages of music (that includes separate two-page parts for flute and cello).  Key: G major.  Flute/Cello Level: Intermediate.  Piano Level: Late Intermediate.

Flute,Piano - Level 3 - Digital Download SKU: A0.845737 Composed by Michael G. Giacchino. Arranged by Robert Newth. Contemporary,Film/TV. Score and part. 6 pages. Robert Newth #6183525. Published by Robert Newth (A0.845737). 'A Butterfly's Wings' is from the 2019 Academy Award-winning film Jojo Rabbit, which has a fantastic score by film composer Michael Giacchino. This short arrangement of around one and a half minutes would suit any flautist of intermediate ability.The PDF download includes a score, flute part, and if it is desired, the piano part on its own.If you have enjoyed this arrangement, please consider leaving a review!

Flute,Piano - Level 2 - Digital Download SKU: A0.773334 Composed by Charles Francois Gounod. Arranged by Yoel Epstein. Children,Romantic Period,Standards. Score and part. 6 pages. Yoel Epstein #4289261. Published by Yoel Epstein (A0.773334). Funeral March for a Marionette is, perhaps, composer Charles Gounod's most famous composition. This is largely because it was used as the theme song of the popular 1950s television series Alfred Hitchkok Presents. Gounod wrote the piece in 1872. The piece, originally for piano, describes the story of a marionette who is killed in a duel. In the original score, Gounod included comments in French matching the action in the story to the music: ·       La Marionnette est cassée!!! (The marionette is broken!!!) ·       Murmure de regrets de la troupe (Murmurs of regret from the troupe) ·       Le Cortège (The procession) ·       Ici plusieurs des principaux personnages de la troupe s'arrêtent pour se rafraîchir (Here many of the principal personages stop for refreshments) ·       Retour à la maison (Return to the house)  The picture on the cover is the first page of the original publication.  You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.

Flute,Piano - Level 1 - Digital Download SKU: A0.990203 Composed by Edward MacDowell (1860-1908). Arranged by BRIAN W. COPPING. Contest,Festival,Romantic Period. Score and part. 5 pages. EMK Music #595882. Published by EMK Music (A0.990203). ‘To a Wild Rose’ is one of the most popular pieces from Edward MacDowell’s ‘Woodland Sketches’ (Op.51) written in 1896. While the melody of ‘To a Wild Rose’ has a poignant and retrospective romantic simplicity, more contemporary textures are achieved through the use of more progressive chords with altered, fifths, sevenths and ninths. The overall effect is an endearing charm that has contributed to its longevity.

Flute,Piano - Level 3 - Digital Download SKU: A0.1130415 Composed by Phil Rawle. Classical,Contemporary. Score and part. 11 pages. Phillip Rawle #730784. Published by Phillip Rawle (A0.1130415). A charming, fluttering and happy piece. A work full of colourful harmonies and rhythms. Piano and flute playing together to create a joyful vista of idyllic life.

Composed by Giacomo Puccini (1858-1924). Arranged by John A. Dempsey. Classical, Multicultural, Opera, Romantic Period, Wedding, World. Score and part. 13 pages. John A. Dempsey #6665205. Published by John A. Dempsey

Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.796745 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and parts. 13 pages. DR GARY D BELSHAW #4616061. Published by DR GARY D BELSHAW (A0.796745). For the advanced intermediate flautist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo flute. Not only a solid recital closer, it will also serve well for recruiting and for social obligations. Free improvisations are also quite welcome and natural. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.

Flute Solo - Level 2 - Digital Download SKU: A0.767663 Composed by American Folk Song. Arranged by c.e. walz. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. C.E. Walz #4596003. Published by C.E. Walz (A0.767663). My friend Maestro says that Shenandoah is one of the most moving and haunting melodies to come out of American folk music. No wonder it has been associated with American patriotic music for sometime, and specifically, Memorial Day music. It is a beautiful tribute to those who gave everything for America's freedom. My arrangement is geared to early intermediate for the piano accompaniment and moderately easy for flute. The performance is 1:35 seconds and is very moving as a Memorial Day call to worship or call to prayer. Key of C, no key changes, three pages of piano accompaniment with one page of flute part at the end. .

Flute,Piano - Level 2 - Digital Download SKU: A0.593042 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415297. Published by David McKeown (A0.593042). Nothing But the Blood of Jesus is a beautiful gospel hymn arranged here for Solo Flute and Piano.Nothing But the Blood of Jesus was written in 1876 by Robert Lowry, a Baptist minister and leading light in the New Jersey revival camp meetings. He also wrote more than five hundred hymns.

Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.