Flute,Piano - Digital Download SKU: A0.1071461 Composed by Richard Roderick Jones. Contemporary. Accompaniment. Duration 626. Jacominus Publishing #3603485. Published by Jacominus Publishing (A0.1071461). Alicia Dine (flute) with Richard Roderick Jones (piano)Persephone Dances is a lyrical, free-flowing single movement piece for flute and piano lasting 10 minutes 24 seconds. There are five main sections. Persephone was the ancient Greek goddess of Spring who spent six months with Hades under the earth and the other six upon the earth. The sections describe these periods. The first pits the piano with its explosions against the flutes melodic line - the piano's sustaining pedal held down above which the flute meditates and cascades. The second is more gentle.with the flute and piano intertwined. There are elements of freedom for the players in the third section.The fourth section is like the first with the piano reprise of the gentle flute and piano writing of the second section and the peace ends peacefully.  www.richardroderickjones.com

Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.

Flute,Piano - Level 4 - Digital Download SKU: A0.532624 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and part. 7 pages. Amadeus Music #6630191. Published by Amadeus Music (A0.532624). 2 alternative violin 1 parts included: sul G/low and easy unornamented part.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.

Flute and piano - difficult - Digital Download SKU: S9.Q46579 Selections of the suite for orchestra (1945). Composed by Igor Stravinsky. Arranged by Kyle MacLeod. This edition: score and part. Il Flauto traverso. Eine Auswahl der Orchestersuite. Downloadable, Score and part. Duration 11 minutes. Schott Music - Digital #Q46579. Published by Schott Music - Digital (S9.Q46579). Igor Stravinsky’s musical setting of the Slavonic fable of The Firebird, L’Oiseau de feu, is one of the pioneering orchestral works from the beginning of the 20th century. Reviews of the first performance of the ballet at the Théâtre National de l’Opéra in Paris in 1910 lauded Stravinsky’s “dazzling music in all shades of colour� such that Stravinsky composed two orchestral suites of his ballet. A further version followed in 1945 which has in part provided the basis for the following arrangement for flute and piano.