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Flute,Piano - Level 3 - Digital Download SKU: A0.587606 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403648. Published by David McKeown (A0.587606). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Flute and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Wedding March by Mendelssohn, for Solo Flute and Piano
Flûte traversière et Piano

$4.60 3.95 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.587906 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042573. Published by David McKeown (A0.587906). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Flute and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Flute and Piano
Flûte traversière et Piano

$4.60 3.95 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Flute & Piano
Flûte traversière et Piano

$32.95 28.29 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
Bach: Wachet auf BWV 140 for Flute & Piano
Flûte traversière et Piano

$26.95 23.14 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                 Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
Bach: Wachet auf for Alto Flute & Piano
Flûte traversière et Piano

$24.95 21.42 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part. 13 pages. Mark Reeves #3029515. Published by Mark Reeves (A0.748673). Erik Satie's Trois Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. These arrangements for flute with piano accompaniment would fit nicely into a school concert programme and are also perfect for wedding ceremonies. Performance time for each piece is approximately 2.5 to 3 minutes. Breath marks are not indicated, as the long phrases should ideally be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger with years of experience. More of his arrangements can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
Trois Gymnopedies for Flute and Piano
Flûte traversière et Piano

$14.99 12.87 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1364102 Composed by Helen Lemmel. Arranged by arr. by Clifton Davis, ASCAP. Christian,Contest,Festival,Praise & Worship,Sacred. Score and part. 9 pages. Clifton Allen Davis Music, ASCAP #948377. Published by Clifton Allen Davis Music, ASCAP (A0.1364102). This reflectful setting of Helen Lemmel's beloved hymn, Turn Your Eyes Upon Jesus, works well in worship and recital settings.  The piano introduces a short counter theme answered with the verse and chorus played by the flute.  After a related interlude, the piano takes the theme for a restful moment.  The flute returns with flourishes including optional flutter tonguing, before a grand chorus extends into a final gentle reflection.  This arrangement is also useful as a teaching etude with a variety of ranges and articulations.
Turn Your Eyes Upon Jesus (Lemmel) for solo flute and keyboard
Flûte traversière et Piano

$5.50 4.72 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pages. Mark Reeves #3022545. Published by Mark Reeves (A0.748672). Erik Satie's Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. This arrangement for flute with piano accompaniment would fit nicely into a school concert programme and is also perfect for wedding ceremonies. Performance time is approximately two and a half minutes. Breath marks are not indicated, as the long phrases should be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. More arrangements by Mark Reeves: www.sheetmusicplus.com/publishers/Mark-Reeves/1850 Facebook: www.facebook.com/MarkReevesPianist Twitter: https://twitter.com/MarkReeves001 Website: www.markreeves.co.uk Email: info@markreeves.co.uk
Gymnopedie No 2 for flute and piano
Flûte traversière et Piano

$3.99 3.43 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.1503622 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. Score and part. 5 pages. Iury Cardoso #1079085. Published by Iury Cardoso (A0.1503622). Beautiful easy FLUTE and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach  (Score and flute part: 5 pages)    This arrangement presentes a new adaptation solution to transform the original piece (composed for string orchestra) into an easier version for FLUTE and PIANO, with an easy-to-follow score to be played by music students. This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and in this arrangement, the long melody line spins out its cantilena against a walking bass line and easy-to-play contrapuntal commentary played by the piano.    The chord symbols are present in the sheet music, allowing the duet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.    Other features of this sheet music:  - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).  - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.  - This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).  - Other versions available: On this site, there is a version of this arrangement for SOLO FLUTE and also versions for WOODWIND QUARTET/QUINTET (with or without piano accompaniment).    See more arrangements by Iury Cardoso, thank you so much!    air bach for flute and piano  air on the G string bach easy flute and piano   Orchestral Suite No.3 in D major, BWV 1068   air bach sheet music    easy air on the G string for flute and piano  easier air on the G string for flute and piano      air bach flute and piano sheet music    air bach easy flute and piano    air on the G string flute for beginners    easy flute and piano chamber music    air bach but on flute and piano    air on the G string bach flute and piano version    air on the G string bach easy flute and piano arrangement    air bach flute and piano best arrangement    easy flute and piano baroque sheet music    easy piano  easy flute    air bach easier version    air on the G string sheet music    air bach best arrangement for flute with piano    air on the G string arrangement for flute with piano    air bach for easy flute with piano    easy baroque sheet music for flute with piano    easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for flute piano duet  easy air bach sheet music    easy version of Air on the G string for flute piano    easy air bach flute piano sheet music    bach easy flute piano    air for flute and piano beginners    bach for flute students    air bach best easy arrangement for piano and flute  air bach easy version for flute piano    bach easy sheet music for flute piano    bach best easy arrangement for flute and piano    bach arrangement for solo piano and flute  bach for flute and piano.
"Air - on the G string" (Bach) - Beautiful EASY version for FLUTE and PIANO (chord symbols).
Flûte traversière et Piano

$5.99 5.14 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.1503625 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christmas,Classical,Wedding. Score and part. 5 pages. Iury Cardoso #1079091. Published by Iury Cardoso (A0.1503625). Beautiful easy FLUTE and PIANO arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach  (Score and flute part: 5 pages)    This arrangement presentes a new adaptation solution to transform the original piece (composed for string orchestra) into an easier version for FLUTE and PIANO, with an easy-to-follow score to be played by music students. This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and in this arrangement, the long melody line spins out its cantilena against a walking bass line and easy-to-play contrapuntal commentary played by the piano.    This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty.    Other features of this sheet music:  - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).  - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website (allowing the duet to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece).  - This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).  - Other versions available: On this site, there is a version of this arrangement for SOLO FLUTE and also versions for WOODWIND QUARTET/QUINTET (with or without piano accompaniment).    See more arrangements by Iury Cardoso, thank you so much!    air bach for flute and piano  air on the G string bach easy flute and piano   Orchestral Suite No.3 in D major, BWV 1068   air bach sheet music    easy air on the G string for flute and piano  easier air on the G string for flute and piano      air bach flute and piano sheet music    air bach easy flute and piano    air on the G string flute for beginners    easy flute and piano chamber music    air bach but on flute and piano    air on the G string bach flute and piano version    air on the G string bach easy flute and piano arrangement    air bach flute and piano best arrangement    easy flute and piano baroque sheet music    easy piano  easy flute    air bach easier version    air on the G string sheet music    air bach best arrangement for flute with piano    air on the G string arrangement for flute with piano    air bach for easy flute with piano    easy baroque sheet music for flute with piano    easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for flute piano duet  easy air bach sheet music    easy version of Air on the G string for flute piano    easy air bach flute piano sheet music    bach easy flute piano    air for flute and piano beginners    bach for flute students    air bach best easy arrangement for piano and flute  air bach easy version for flute piano    bach easy sheet music for flute piano    bach best easy arrangement for flute and piano    bach arrangement for solo piano and flute  bach for flute and piano.
"Air - on the G string" (Bach) - Beautiful EASY version for FLUTE and PIANO.
Flûte traversière et Piano

$5.99 5.14 € Flûte traversière et Piano PDF SheetMusicPlus


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