SKU: A0.866120

This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta� for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.

SKU: A0.634109

Piano Background for famous Song Prelude In E Minor by Frederic Chopin for Flute & Piano (Jazz/Pop Version)
Plus Version at SMP: S0.352395
The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
Additional Information regarding my arrangements at SheetMusicPlus:
https://www.facebook.com/arrangementsofsheetmusic/

SKU: A0.1046388

An arrangement of one of Puccini’s greatest arias for Flute & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.

SKU: A0.763420

This much loved melody by Chopin is also remembered in the classic 1917 song recorded by Judy Garland, I'm Always Chasing Rainbows. In this arrangement for flute and piano the piano provides a gentle accompaniment to the flute, and the phrasing is there to encourage a legato 'cantabile' performance. Ideal repertoire for High School students working at home, the performance duration is two and a half minutes and the full score has individual parts attached. Enjoy browsing my many instrumental duet arrangements of this and other popular classic melodies - all available on SMP.

SKU: A0.736175

Composed sometime between 1843 and 1848. Waltz in A Minor is Chopin's 19th waltz but was not published until after the composers death. This arrangement for flute and piano is ideal for the early intermediate performer and would also be suitable for violin too!

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SKU: A0.734974

Chopin's Waltz in A Flat Op. 69, No. 1 Arranged for solo flute with piano accompaniment.

SKU: A0.735585

Ten solos of varying difficulty arranged for flute and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:

Anitra’s Dance from Peer Gynt by Edvard Grieg

Chanson nuit by Edward Elgar

Danse Macabre by Camille Saint-Saens

Voices of Spring by Johann Strauss Jr.

Gnossienne No. 1 by Erik Satie

Mazurka in F Minor by Anatoly Lyadov

Pavane Op. 50 by Gabriel Faure

Prelude in E Minor by Fredric Chopin

Romance Op. 17 by Carl Reinecke

Valse Impromtu by Edvard Greig

This collection of pieces is also available for: oboe, cor anglais, clarinet, soprano sax, alto sax, tenor sax and bassoon.

SKU: A0.1366608

Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.

1. Prélude
2. Scherzo
3. Menuet
4. Romance
5. Finale.

SKU: A0.555423

Nocturne Op.9 No.2, Nocturne, op, cello, easy cello, easy, piano, solo, chopin, frederic, classical, classical piano, france, french, score, sheet music, music, set of part, parts, part, score+part, nocturne flutem chopin flute, chopin nocturne flute, easy flute.