Flute,Piano - Level 3 - Digital Download SKU: A0.1202564 Composed by Johann Sebastian Bach. Arranged by Christina Harmon. Baroque,Easter,Sacred. Score and part. 5 pages. Christina Harmon #801303. Published by Christina Harmon (A0.1202564). Christ Lay in the Bonds of Death - Versus III from Cantata IV, Christ lag in Todesbanden.  Scored for Flute and Organ. Performance approx. 2 1/2 minutes.

Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 pages. Published by F & N Enterprise

Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century, Film/TV, Jazz. Score and part. 5 pages. Lawrence H Underwood #695278. Published by Lawrence H Underwood

Flute,Piano - Level 4 - Digital Download SKU: A0.1236625 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832145. Published by Hoopla Sheet Music (A0.1236625). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.

Flute,Piano - Level 4 - Digital Download SKU: A0.909730 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Alison Turriff. Pop. Score and part. 11 pages. Atmosphaera Publishing #5299725. Published by Atmosphaera Publishing (A0.909730). An arrangement of Billie Eilish's Bond theme, No Time to Die, arranged for piano and flute.

Instrumental Duet,Piano Flute,Piano - Level 3 - Digital Download SKU: A0.739547 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by David Catherwood. Pop. Score and part. 7 pages. Opus 3 Music #6569521. Published by Opus 3 Music (A0.739547). No Time to Die - The latest Bond theme in an easy arrangement for Flute or Oboe solo and PianoThis is the whole song in the original key so perfect to play as a solo, accompany a singer or just play along with the original recording for fun!

Flute,Piano - Level 4 - Digital Download SKU: A0.1171466 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Robert Newth. Film/TV. Score and part. 8 pages. Robert Newth #771786. Published by Robert Newth (A0.1171466). No Time To Die, the main theme from the 2021 James Bond film of the same name, was written by Billie Eilish and her brother Finneas O'Connell, and was released to critical acclaim. This arrangement for flute and piano captures the excitement of the original song, and is challenging yet rewarding.The PDF download includes a full score and the solo flute part.If you have enjoyed this arrangement, please leave a review!

Flute,Piano - Level 2 - Digital Download SKU: A0.844641 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414795. Published by Phil Beaman (A0.844641). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.