Flute,Piano - Digital Download SKU: A0.503223 Composed by Johann Sebastian Bach. Arranged by Pedro Brochado. Baroque. Score and part. 3 pages. Published by Pedro Brochado (A0.503223). Bach Chorales harmonizations are very important references in the study of Harmony, and this arrangement offers a straightforward way to get into his music. The work is arranged for flute and piano accompaniment with the original bass and inner voicings simplified. And the pieces are transposed to the keys of C major or A minor (depending on the piece tonality). This edition can be very helpfull for the musician who wants to play some good music togheter.

Flute,Piano - Digital Download SKU: A0.503224 Composed by Johann Sebastian Bach. Arranged by Pedro Brochado. Baroque. Score and part. 3 pages. Published by Pedro Brochado (A0.503224). Bach Chorales harmonizations are very important references in the study of Harmony, and this arrangement offers a straightforward way to get into his music. The work is arranged for flute and piano accompaniment, with the original bass preserved and the inner voicings simplified. And the pieces are transposed to the keys of C major or A minor (depending on the piece tonality). This edition can be very helpfull for the musician who wants to play some good music togheter.

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1332092 Composed by Gustav Holst. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Multicultural,World. Score and part. 7 pages. Sheet Music To Play Editions #918869. Published by Sheet Music To Play Editions (A0.1332092). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1332089 Composed by Gustav Holst. Arranged by César Madeira. 19th Century,20th Century,Classical,Multicultural,Romantic Period,World. Score and part. 7 pages. Sheet Music To Play Editions #918866. Published by Sheet Music To Play Editions (A0.1332089). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for Flute and Piano. With Full Score and Individual Parts with Chords. Enjoy it!Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Flute,Piano - Level 2 - Digital Download SKU: A0.1251127 Composed by Franz Joseph Haydn. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival,Wedding. Score and part. 7 pages. Flute Files Publishing #845398. Published by Flute Files Publishing (A0.1251127). St. Anthony Chorale flute solo sheet music.  Composed by Joseph Haydn.  Arranged by Lynette Auberjeunois for late beginner/early intermediate level.  Digital download in the key of C includes a one page flute solo and a three page piano score.  Range: G1 to G2.  Flute Files Publishng (CL60-1081).

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).

Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1266648 By Fabio Eduardo de Oliveira. By Johann Sebastian Bach. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #859324. Published by Fabio Eduardo (A0.1266648). FREE Mp3 Backing TrackJesu, Joy of Man's Desiring is the most common English title of a piece of music derived from a chorale setting from the cantata Herz und Mund und Tat und Leben, BWV 147 (Heart and Mouth and Deed and Life), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata.

Flute,Piano - Level 5 - Digital Download SKU: A0.749859 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Score and part. 7 pages. Evelyn R Larter #5362559. Published by Evelyn R Larter (A0.749859). This is an extended, fantasia like setting of the Passion Chorale for solo flute and piano. The original version was for solo violin and organ (also available on SMP Press) While the organ part could mostly be played on a piano,  this version incorporates the organ pedal notes more clearly. The chorale melody was used by Bach in his St Matthew Passion, and is also in many hymn books as O Sacred Head Sore Wounded. For advanced performers, it is suitable as Prelude music throughout Lent, perhaps especially at a Tenebrae service. It could also be programmed as part of a recital. It is over five minutes in length. A MIDI recording is provided, and a performance with violin and organ is available in that version's listing. More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Feedback always welcome!

Flute,Piano - Level 2 - Digital Download SKU: A0.1349686 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934455. Published by SCORE EDITIONS (A0.1349686). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Flute and Piano by Harry Walker.

Flute,Piano - Level 1 - Digital Download SKU: A0.964367 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320687. Published by Leyandder Trustworthy (A0.964367). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Flute along with a piano accompaniment that comes with the product.

Flute,Piano - Level 1 - Digital Download SKU: A0.1047117 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651646. Published by Woods Only, Arrangements (A0.1047117). This easy arrangement for flute and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.

Alto Saxophone,Flute,Piano - Level 4 - Digital Download SKU: A0.1337649 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Sarah Coles. Jazz,Latin,Standards. 30 pages. Choral Seas Press #923414. Published by Choral Seas Press (A0.1337649). Tico Tico arranged as a trio for flute, alto saxophone, and piano.  Great fun for a chamber group performance.

Flute,Piano - Level 4 - Digital Download SKU: A0.1151183 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 10 pages. Roger Wallace #751362. Published by Roger Wallace (A0.1151183). Flute Solo with Piano Accompaniment. Can also be played by Oboe/Violin and Pitched Percussion (ex: Marimba).Package includes parts for Clarinet/Soprano Sax/Trumpet and Alto Sax. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano). The audio sample (“Listen�) represents a Clarinet solo. The YouTube sample (“Watch�) represents a Violin solo.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.

Instrumental Solo,Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.630278 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Jazz,Standards,Traditional. Score and individual part. 11 pages. Exultet Music #6430681. Published by Exultet Music (A0.630278). The traditional Christmas song has been freshly arranged for a Flute or Violin solo with Piano accompaniment. This arrangement starts like a tender chorale with very lush, jazz harmonies and then picks up to a lively big band/jazz accompaniment. Accessible and appropriate for any school, church or concert setting. An accompaniment track is also available.  .