SKU: A0.1235877

Experience the enchantment of Daughters of Triton from the beloved Disney film The Little Mermaid with this captivating piano, flute and cello arrangement. Immerse yourself in the delightful melodies of Ariel's underwater world as you embark on a musical journey filled with charm and grace. The piano sets the rhythmic foundation, while the flute and violoncello add a touch of elegance and sweetness, creating a harmonious blend that evokes a sense of wonder and enchantment. The interplay between the instruments creates a captivating and evocative atmosphere, allowing you to relive the magic of this cherished Disney song in a unique and enchanting way. Whether you're performing for an audience or simply enjoying the music in the comfort of your own home, this arrangement is sure to create an enchanting and nostalgic experience. Let the expressive melodies and harmonies of Daughters of Triton bring joy and evoke a sense of childhood wonder.

SKU: A0.836994

Marstig's Daughter is an arrangement of a very ancient Danish ballad that tells of the metamorphoses of a merman by his witch-mother into a knight, his appearance in church, courting and winning of Marstig's daughter, and their final disappearance into the sea. (Duration 1 1/2 min.).

SKU: A0.1231536

This piano and flute arrangement of Daughters of Triton from The Little Mermaid is a beautiful rendition of the original. The flute plays the main melody and the piano provides the harmonies. The piece can starts with the piano playing the introduction followed by the flute joining in with the melody.

SKU: A0.1231546

This piano and flute arrangement of Daughters of Triton from The Little Mermaid is a beautiful rendition of the original. The flute plays the main melody and the piano provides the harmonies. The piece can starts with the piano playing the introduction followed by the flute joining in with the melody.

SKU: F2.FM493

ISBN 9790570483921.

All four of these pieces were arranged for concert flute and piano at the request of his daughter Hilary, who is a flautist. Pourquoi Pas? - This piece started life as a violin and piano piece written whilst Tomlinson was on active service in northern France during the Second World War serving as a wireless mechanic in the RAF. His commanding office was a good violinist and had found a local French family who had a grand piano. Hearing that Ernest was studying composition he was challenged to write a piece to entertain the French family. The piece was named after a local cafe much frequented by the troops. Chadkirk Idyll - Written in 2002, this was originally for recorder and guitar and then rescored in 2003 for recorder and string quartet. Naturally, it works very well for flute and piano so this arrangement was made at about the same time. Ernest wrote On receiving the request to write this piece, the description of Chadkirk and it's history conjured up for me an imaginary picture back in history. The mental image of a small and lonely chapel in the river valley at the base of a windswept hillside inspired the melodies around which the Idyll was shaped. Air - This piece started life as a cello and piano piece and has also been arranged for violin and piano. Linda's Dance - During the late 1950's and all through the 1960's Tomlinson wrote much orchestral music intended for use as background music in radio, films and tv. The piece was part of a suite that was eventually published as his first Light Music Suite. He always found titles a difficulty but his youngest daughter, Linda, was very fond of dancing so he simply called this movement Linda's Dance. The original orchestration was for alto flute but the composer was prevailed upon to make this concert flute and piano arrangement.

SKU: A0.587625

The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Flute with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203