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Flute,Piano - Level 4 - Digital Download SKU: A0.1452605 Composed by Michael Davis. 21st Century,Classical. Score and part. 25 pages. Michael Davis Music #1031910. Published by Michael Davis Music (A0.1452605). Harley Moon’s Spring (2024) for flute and piano by Michael Davis.About the piece: My wife and I have the best herd of equines, and no, I am not biased. Spending time with them in their pasture during the spring when everything is blooming is like entering a magical wonderland away from the stresses of daily life. Our miniature horse, Harley (affectionately called Harley Moon), loves frolicking in the tall grass and flowers in the pasture. Harley Moon’s Spring is inspired by his daily frolic. About the composer: Michael Davis is an educator, performer, and composer specializing in classical saxophone. They earned saxophone performance degrees from the University of Iowa (BM) and the University of North Texas (MM, DMA). They are committed to collaborating with and promoting people from historically underrepresented groups, with a particular focus on LGBTQ individuals.
Harley Moon's Spring
Flûte traversière et Piano

$15.00 14.41 € Flûte traversière et Piano PDF SheetMusicPlus

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
Flûte en suite
Flûte traversière et Piano

$55.99 53.78 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download SKU: A0.883223 Composed by Antonio Vivaldi, Franz Joseph Haydn, Franz Schubert, George Frideric Handel, Johannes Brahms, Ludwig van Beethoven, Michel Corrette, Peter Ilyich Tchaikovsky, Robert Schumann, and Wolfgang Amadeus Mozart. Arranged by Eugenia Goldman. Baroque,Classical,Instructional,Romantic Period,Standards. Score and part. 43 pages. Eugenia Goldman #5968545. Published by Eugenia Goldman (A0.883223). Classics in Color is a collection of themes from famous classical music compositions edited for beginner instrumental players. The pieces were selected for their melodic beauty and playability, and organized in the order of progressive difficulty. In addition, all pieces in the collection contain references to the extra-musical content, thus allowing to add the visual dimension to the musical experience. Students and music enthusiasts of all ages are invited to engage with music through several types of activities:learning basic facts about the composers and the pieces, playing the melodies,and coloring the artwork on the music pages. Suitable for individual and group instruction. Coloring can be done on paper or on an electronic device using a free style pen. Beginner/easy level.
Classics in Color (Flute)
Flûte traversière et Piano

$12.95 12.44 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.1161465 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Michael Ware. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score and part. 9 pages. Michael Ware Music #761817. Published by Michael Ware Music (A0.1161465). 10,000 Reasons is a popular worship song by Matt Redman and Jonas Myrin based on the first verse of Psalm 103. Give your church family opportunity to reflect on the Lord’s goodness in a contemplative time of instrumental worship. This setting for flute with piano accompaniment is perfect for an offertory or prayer response. This solo arrangement is also available for clarinet, oboe, soprano sax, and flugelhorn. This download includes the full accompaniment score and separate flute part.
10,000 Reasons (bless The Lord)
Flûte traversière et Piano
Matt Redman
$7.99 7.67 € Flûte traversière et Piano PDF SheetMusicPlus






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