Flute,Piano - Digital Download SKU: A0.489919 By Billie Eilish. By Finneas O'Connell. Arranged by Robin Hood Editions. Christmas,Pop,Rock,Wedding. Score and part. 5 pages. Robin Hood Editions #106022. Published by Robin Hood Editions (A0.489919). Ocean Eyes for Flute and piano. Ocean Eyes is the debut single by American singer Billie Eilish from her debut EP Don't Smile at Me, and the soundtrack album Everything, Everything. It was written and produced by Eilish's brother, Finneas, originally for his band. This score, for flute and piano, comprises the melody of the song, as well as an accompaniment proposition for the piano and the chords of the song. The song was transposed to the key of b minor, to better sound in the flute register. With this score, you will be able to interpret this beautiful song in an accessible way ! Do not hesitate to seek out Robin Hood Editions works for more quality arrangements and sheet music.

Flute,Piano - Level 3 - Digital Download SKU: A0.1230344 By The Byrds. By Book of Ecclesiastes and Pete Seeger. Arranged by David Evan Thomas. Chamber,Contemporary,Folk,Praise & Worship,Rock. Score and part. 10 pages. Davidevanthomas.com #826067. Published by davidevanthomas.com (A0.1230344). One of the classics of 60s rock, Turn! Turn! Turn! rides the line between youth anthem and song of faith. This arrangement for flute and piano retains the structure and much of the original guitar figuration from the version by The Byrds. Alternate suspended or emphatic ending. Part bundled with score. Suitable for concert or worship. Moderate difficulty.

Flute,Piano - Level 3 - Digital Download SKU: A0.548296 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233891. Published by jmsgu3 (A0.548296). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.

Flute,Piano - Level 3 - Digital Download SKU: A0.821931 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by K J Rickells. Contemporary,Pop,Rock,Wedding. Score and part. 8 pages. Kacie Rickells #6290699. Published by Kacie Rickells (A0.821931). An arrangement of the popular Bryan Adams song for flute and piano accompaniment. Perfect for a wedding, party, or other performance! Enjoy playing!

Flute,Piano - Level 3 - Digital Download SKU: A0.548305 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233919. Published by jmsgu3 (A0.548305). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.

By Johann Johannsson. Arranged by Ludovica Lanaro. Score, Set of Parts. 11 pages. Published by Ludovica Lanaro

Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute. 

Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM452 Composed by Allan Herbie Jones. Flute and Piano. Score and part. 9 pages. Forton Music - Digital #FM452. Published by Forton Music - Digital (F2.FM452). ISBN 9790570483518.The Ballad Of John is basically an exercise in tuning and tone control. Make the most of the 'ad lib' instruction throughout the piece; the player should be able to feel where more rubato must be used. It's not always marked, but rubato plays a big part in the performance of this piece. Particular attention should be paid to dynamic markings, phrasing and articulation. The flourish at the end can use as much ad lib and improvisation as the player and accompanist require. Inspired by a late uncle, who took his time at doing almost everything, but could show a burst of energy when it was needed.

Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.

Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210087. Published by Kazys Daugela (A0.935497). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.

Flute,Piano - Level 4 - Digital Download SKU: A0.1452605 Composed by Michael Davis. 21st Century,Classical. Score and part. 25 pages. Michael Davis Music #1031910. Published by Michael Davis Music (A0.1452605). Harley Moon’s Spring (2024) for flute and piano by Michael Davis.About the piece: My wife and I have the best herd of equines, and no, I am not biased. Spending time with them in their pasture during the spring when everything is blooming is like entering a magical wonderland away from the stresses of daily life. Our miniature horse, Harley (affectionately called Harley Moon), loves frolicking in the tall grass and flowers in the pasture. Harley Moon’s Spring is inspired by his daily frolic. About the composer: Michael Davis is an educator, performer, and composer specializing in classical saxophone. They earned saxophone performance degrees from the University of Iowa (BM) and the University of North Texas (MM, DMA). They are committed to collaborating with and promoting people from historically underrepresented groups, with a particular focus on LGBTQ individuals.

Flute,Piano - Level 5 - Digital Download SKU: A0.950860 Composed by Moshe Knoll. 20th Century,Contemporary,Folk. Score and part. 97 pages. ArtsAhimsa #5024469. Published by ArtsAhimsa (A0.950860). This is a Sonata Concertante, built on a variety of typically American musical idioms, particularly on pentatonic melodies, and also on a few harmonic and rhythmic patterns from the Pop/Rock styles of the 60' and 70's.There are no quotations of existing material, everything has been through composed, down to the the hymn-style tunes.Far from being a mere nostalgia tour, the different musical elements interact with each other in a dramatic fashion, the very definition of the classical Sonata.

Flute,Piano - Level 4 - Digital Download SKU: A0.721574 Composed by Joplin., Scott. Arranged by Anne Christopherson GRSM ARCM. Concert,Ragtime,Wedding. Score and part. 18 pages. Music-Scores.com #4806185. Published by Music-Scores.com (A0.721574). The Easy Winners theme is a gently swaying ragtime melody, illustrating how some people just win everything, so easily!Duration about 3 minutes, 40 seconds with repeats.Arranged for flute and piano.Arranged by Anne Christopherson GRSM ARCM at www.music-scores.com

Flute,Piano - Level 2 - Digital Download SKU: A0.1468445 By Hoyong Lee. By Hoyong Lee. Arranged by Hoyong Lee. Chamber,Praise & Worship,Religious. Full Performance. Duration 111. Hoyong Lee #1046764. Published by Hoyong Lee (A0.1468445). Praise the Lord Praise the Lord is CCM instrumental which was composed by Hoyong Lee. Based on the harmony of the piano, flute and pad, this chill instrumental represents the grace and everlasting love of Jesus with calm and mellow vibe. After having a hard time due to the side effects of the COVID-19 vaccine, everything in composer's life changed and it made him decide to express and share the grace and peace of the Holy Spirit. He truly hopes you're at peace in love of God, with this music.

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.