Flute,Piano - Digital Download SKU: A0.950828 Composed by Moshe S. Knoll. 20th Century,Concert,Contemporary. Score and part. 40 pages. ArtsAhimsa #3480725. Published by ArtsAhimsa (A0.950828). This should be a real treat for flutists and their audiences. It is a Neo-Baroque/Post-Modern American Fantasia that synthesizes the best loved idiomatic figures of the Baroque with elements of our musical vernacular pop. The piano part is quite difficult, and it requires a high level of finger dexterity and rhythmic control, on the level of a Mozart Concerto.The piano is an equal partner in this Fantasia quasi una Sonata.

Flute,Piano - Level 3 - Digital Download SKU: A0.769605 Composed by David D. Mason. Concert. Score and part. 6 pages. David D Mason #3382149. Published by David D Mason (A0.769605). Fantasia is a short 3.40 minutes Flute piece that will fit into any Concert or Recital. I have kept it at intermediate standard grade 3-4 and placed it in a comfortable Key (c)

Instrumental Duet Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.926125 Composed by Cesar Peredo. 20th Century,Contemporary,Folk,World. Score and parts. 17 pages. Cesar Martin Peredo Medina #5771605. Published by Cesar Martin Peredo Medina (A0.926125). Fantasia Op 80 sobre el condor pasa para flauta y piano.

Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1010592 Composed by Roberto Terreiro Prado. 20th Century,Contemporary. Score and individual part. 6 pages. Roberto Terreiro Prado #546399. Published by Roberto Terreiro Prado (A0.1010592). Fatansia for Flute and Piano by Roberto Terreiro Prado This piece was composed in the beginning of the year and was inspired by post Romantic works. Its a Fantasia, that begins in Maestoso, followed by Allegro and back to Maestoso. Enjoy!

Flute,Piano - Level 3 - Digital Download SKU: A0.795439 Composed by Gregory. Arranged by Hilltop Music Publications. Concert,Romantic Period. Score and part. 12 pages. Hilltop Music Publications #4285769. Published by Hilltop Music Publications (A0.795439). 19th century flute fantasia using themes from the opera Maritana by William Vincent Wallace.

Flute,Piano - Level 3 - Digital Download SKU: A0.795416 Composed by Gade N. Arranged by A. L. Wyver. Concert,Romantic Period. Score and part. 34 pages. Hilltop Music Publications #3372341. Published by Hilltop Music Publications (A0.795416). Arranged from the violin and piano original.

Flute & Piano - Grade 3 - Digital Download SKU: R0.49707 Composed by Jean-Francois Michel. Flute & Piano. Score and parts. 7 pages. Duration 3'37. Editions Marc Reift - Digital #49707. Published by Editions Marc Reift - Digital (R0.49707).

Flute,Piano - Level 4 - Digital Download SKU: A0.853196 Composed by Hans-Andre Stamm. 20th Century,Concert,Folk,Latin. Score and part. 14 pages. Hans-Andre Stamm #5869665. Published by Hans-Andre Stamm (A0.853196). Beginning as a dialog, in which the main theme alternates between both instruments, the piece gets its drive through the typical syncopated rhythms of Latin music, which leads to a middle section, which develops into a somewhat impressionistic landscape and then returns to the joyful mood of the beginning. Duration: 4.30 min.

Flute,Piano - Digital Download SKU: A0.816699 Composed by Guy Bunce. 20th Century,Concert,Contemporary,Romantic Period. Score and part. 12 pages. Enigma Music #4890503. Published by Enigma Music (A0.816699). Gratias Ago Thank you was written on the 14th/15th June 1998 as a thank you to Louise Bunce (nee Taylor) for page turning at a concert on the 13th, in which I played my Etude Fantasia and Gershwin's `An American in Paris`. The opening theme acts as a nucleus to the whole piece. A bridge back to the main theme is in the form of a flute cadenza which contains quotes from 'Etude Fantasia' and 'An American in Paris.'(flute part included in purchase)The romantic harmony and lyrical melody would make Gratias Ago an ideal piece for a concert.

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1307429 By L.v.Beethoven . By L.v.Beethoven . Arranged by pfkaori. Classical. Score and part. 6 pages. Pfkaorimusic #896712. Published by pfkaorimusic (A0.1307429). Composer: L.v.Beethoven Song: Piano Sonata No. 14 (op.27-2)Sonata quasi una Fantasia Orchestration: Flute & Piano *with Part score.

Flute,Piano - Level 3 - Digital Download SKU: A0.587625 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594685. Published by David McKeown (A0.587625). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Flute with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Flute,Piano - Level 5 - Digital Download SKU: A0.1451686 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 145 pages. Diana Mascari Music #1030983. Published by Diana Mascari Music (A0.1451686). Sonata for Flute and Piano is a four movement 15 minute work that explores a variety of moods as suggested by the titles of its movements: I. Urban Frenzy, II. Serenity, III. Fiesta Fantasia, IV Introduction and Finale At times the piano and flute work in partnership, unison or counterpoint. At other times, the piano accompaniment forms a rhythmic foundation above which the flute flies from here to there. Composer Diana Mascari has been a jazz pianist for more than 40 years, and her chamber music always reflects this influence.  For more information about Diana Mascari, her other compositions and her teaching, please visit: www.dianamascari.com

Flute,Piano - Level 5 - Digital Download SKU: A0.749859 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Easter,Sacred. Score and part. 7 pages. Evelyn R Larter #5362559. Published by Evelyn R Larter (A0.749859). This is an extended, fantasia like setting of the Passion Chorale for solo flute and piano. The original version was for solo violin and organ (also available on SMP Press) While the organ part could mostly be played on a piano,  this version incorporates the organ pedal notes more clearly. The chorale melody was used by Bach in his St Matthew Passion, and is also in many hymn books as O Sacred Head Sore Wounded. For advanced performers, it is suitable as Prelude music throughout Lent, perhaps especially at a Tenebrae service. It could also be programmed as part of a recital. It is over five minutes in length. A MIDI recording is provided, and a performance with violin and organ is available in that version's listing. More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Feedback always welcome!

Flute,Piano - Level 2 - Digital Download SKU: A0.735974 Composed by Henry Wood. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and part. 8 pages. Andrew Middleton #5998917. Published by Andrew Middleton (A0.735974). Composed by Henry Wood in 1905, Sailor's Hornpipe (also known as Jack the Lad) is part of his suite Fantasia on British Sea Songs. Since it's first performance, this piece has been a tradition to the Last Night of Proms and is often played numerous times on the evening!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber

Flute,Piano - Level 5 - Digital Download SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.