Composed by Stephen Binnington. Energy and repose, flowing melodic lines and conversations between the two instruments. Classical. Score and Part. 25 pages. Forton Music - Digital #FM1152. Published by Forton Music - Digital

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Yoav Talmi. For flute and piano. Level 3. 40 pages. Published by Les Editions Doberman-Yppan (digital)

Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #804401. Published by Han-Ki Kim (A0.1206204). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm.  For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.

Flute,Piano - Level 4 - Digital Download SKU: A0.1469370 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Contemporary,Instructional. Score and part. 54 pages. Barbara Arens #1047391. Published by Barbara Arens (A0.1469370). Two 4-movement works for the late intermediate/early advanced flute player & piano. (MP3 recordings are available to play along with on the composer's Youtube Channel). Evoking the atmosphere of Cafés in Paris, Madrid, Vienna, and Izmir. AND: the first notes of the flute are C A F E in each piece! Then a further set of 4 pieces describing a glorious Dawn, a hectic working day (with Caribbean daydreams!), a jazzy Twilight Waltz and a fast & furious Finale in rock style!

Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - Digital Download SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722569. Published by TK (Tim) Murray (A0.824093). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.860559 Composed by Sandra Lynch. Children,Contemporary,Instructional,Standards. Score and individual part. 4 pages. Sandra Lynch #1999245. Published by Sandra Lynch (A0.860559). You can hear the trick happening in this piece. After a small introduction the trick unfolds, layer by layer and then the clever finale! Just like a real trick!

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1208647 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. 18 pages. John A. Dempsey #806748. Published by John A. Dempsey (A0.1208647). Two splendid Italian arias combined into a piano trio for two flutes and piano, this Puccini medley includes melody augmentation, rubato, dynamic shading, and multiple time signatures as well as a lavish finale. Included: Un Bel Di (One Fine Day) from Madame Butterfly and Q'uando M'en Vo (Musetta's Waltz) from La Boheme. This soaring, romantic music is recommended for multiple venues, including concerts, recitals, weddings and more. Wedding music uses: a prelude, unity candle accompaniment, and a bridesmaid processional. 14 pages of music (that includes separate two-page parts for flute 1 and flute 2). Key: G major.  Flute Level: Intermediate.  Piano Level: Late Intermediate.

Flute,Piano - Level 5 - Digital Download SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew #5857157. Published by James Mayhew (A0.996520). *Includes the flute part on its own at the end of the file*This is a set of theme and variations in C minor (although it ends in C major) for flute and piano. The theme is a simple, melancholy melody with the first three variations on it being in C minor (and it is worth noting that the piano accompaniment is just chords for these first three variations), the fourth variation in Eb major while the fifth is the finale which includes numerous diversions from the theme and many contrasting passages of rich material, although the theme does appear in a fugato section and in another short, jig-like variation section, before it is played a couple of times near the end in the form of triumphant returns. Many passages are of an advanced level, particularly towards the end.

Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.1267847 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. 18 pages. John A. Dempsey #860394. Published by John A. Dempsey (A0.1267847). Two splendid Italian arias combined into a trio for flute, alto sax and piano, this Puccini medley includes melody augmentation, rubato, dynamic shading, and multiple time signatures as well as a lavish finale. Included: Un Bel Di (One Fine Day) from Madame Butterfly and Q'uando M'en Vo (Musetta's Waltz) from La Boheme. This soaring, romantic music is recommended for multiple venues, including concerts, recitals, weddings and more. Wedding music uses: a prelude, unity candle accompaniment, and a bridesmaid processional. 14 pages of music (that includes separate two-page parts for flute and alto sax). Concert Key: F major.  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate

Flute,Piano - Level 3 - Digital Download SKU: A0.1255794 Composed by Alan Menken and Tim Rice. Arranged by André Nusa. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. Score and part. 9 pages. Andre_Nusa #849286. Published by Andre_Nusa (A0.1255794). Embark on a musical journey with the enchanting song Me from Disney's Beauty and the Beast, expertly arranged for flute and piano. Delve into the captivating world of this beloved Disney classic as you bring the iconic melodies to life through the expressive tones of the flute, accompanied by the rich harmonies of the piano. The sheet music captures the essence of the original composition, allowing flutists of all levels to embrace the magic and charm of this timeless piece. Whether you're a beginner seeking an accessible arrangement or an experienced musician looking to add a touch of Disney magic to your repertoire, this arrangement of Me offers an engaging and rewarding musical experience. Immerse yourself in the captivating melodies, soaring phrases, and graceful nuances that define this beloved song. The flute and piano blend harmoniously, creating a delightful balance that showcases the beauty and versatility of both instruments. From the gentle opening notes to the triumphant finale, this arrangement invites you to express your musicality and capture the hearts of audiences young and old. So, step into the world of Beauty and the Beast, embrace the spirit of adventure, and let the music of Me transport you to a realm of enchantment and wonder.

Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music.  Attached music file is recorded by Violin and Piano, it's just for a reference.

Flute,Piano - Level 4 - Digital Download SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and part. 79 pages. Musik Fabrik Music Publishing #950947. Published by Musik Fabrik Music Publishing (A0.1366608). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.1. Prélude2. Scherzo3. Menuet4. Romance5. Finale.

Flute,Piano - Level 3 - Digital Download SKU: A0.549823 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3547897. Published by jmsgu3 (A0.549823). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.