Flute,Piano - Level 3 - Digital Download SKU: A0.549776 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3535031. Published by jmsgu3 (A0.549776). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.

Flute,Piano - Level 2 - Digital Download SKU: A0.1267700 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Nicolaus. 20th Century,Broadway,Film/TV,Musical/Show. Score and part. 7 pages. John Nicolaus #860244. Published by John Nicolaus (A0.1267700). If I Were A Rich ManTevye's song from the musical Fiddler On The RoofArranged by John NicolausFlute and pianoduration: 3:45 min.

Flute,Piano - Interactive Download SKU: HX.472421 Composed by Peter Ilyich Tchaikovsky. This edition: Interactive Download,scorch. Christmas,Classical,Holiday. Score and part. 4 pages. Hal Leonard - Digital #132243. Published by Hal Leonard - Digital (HX.472421).

Flute & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Christmas, Fairy Tales, Recital. Score, Set of Parts. 11 pages. Published by jmsgu3

Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the  'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society

Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q45640 Composed by Peilei Shang. This edition: performance score. Downloadable, Performance score. Duration 6 minutes. Schott Music - Digital #Q45640. Published by Schott Music - Digital (S9.Q45640). With her composition Yin, Peilei Shang won the first prize at the Harald Genzmer Composition Competition 2016: Reminiscent of traditional Chinese music, Yin creates an individual and expressive atmosphere by means of sound effects embedded unobtrusively in the overall context. Special techniques are used in the flute and piano parts to produce the sound of the Chinese traditional instruments Xiao (like a bamboo flute) and Qin (a plucked instrument). A demanding and highly fascinating work for concerts and competitions. Shang, who earned her bachelor's degree in Beijing in 2014 and now studies in the composition class of Professor Manfred Stahnke at the Hamburg University of Music and Theatre as an exchange student, has composed a large number of small pieces for various instruments and music genres and has already won several international prizes for her compositions.

Flute,Piano - Level 3 - Digital Download SKU: A0.1277452 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 6 pages. Benzaiten Editions #869151. Published by Benzaiten Editions (A0.1277452). Hey there! Are you a flute player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate Flute Sheet Music with piano accompaniment and chords The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate flute arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your flute. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play.  Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.

Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.559258 Composed by William Henry Monk and Giacomo Puccini. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Traditional,Wedding. 19 pages. John A. Dempsey #168694. Published by John A. Dempsey (A0.559258). This trio for flute, alto sax and piano contains both dramatic bursts of praise and quiet, prayerful moments of reflection.  Recommended for church services and other worship events, as a prelude, postlude, an offertory or special music.  This arrangement, a unique mix of the classic hymn Abide with Me and Puccini's lavish Nessun Dorma (from Turandot), also shines as a wedding prelude as well as a performance piece for concerts and recitals.  15 pages of music (that includes separate two-page parts for flute and alto sax).  Concert Key: C major.  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate

Flute,Piano - Level 3 - Digital Download SKU: A0.523568 Composed by Leo Delibes. Arranged by John A. Dempsey. Concert,Opera,Romantic Period,Wedding,World. Score and part. 12 pages. John A. Dempsey #3548521. Published by John A. Dempsey (A0.523568). Leo Delibes' celebrated aria Flower Duet (from Lakmé)  sparkles and flows as a luminous romantic duet for flute and piano.  Recommended for recitals and concerts, this arrangement also shines as wedding music (a prelude, unity candle accompaniment and/or a bridesmaid processional).  Key: C major.  8 pages of music (that includes a separate two-page pullout flute part).  Flute Level: Intermediate.  Piano Level: Late Intermediate  .

Flute,Piano - Level 3 - Digital Download SKU: A0.1277450 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 6 pages. Benzaiten Editions #869148. Published by Benzaiten Editions (A0.1277450). Hey there! Are you a flute player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate Flute Sheet Music with piano accompaniment The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate flute arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your flute. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play.  Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.

Small Ensemble Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.524330 Composed by Leo Delibes. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. Score and parts. 16 pages. John A. Dempsey #5304331. Published by John A. Dempsey (A0.524330). Leo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows in a luminous romantic trio for flute, cello and piano.  Recommended for recitals and concerts, this arrangement also shines as wedding music (a prelude, unity candle accompaniment, a bridal march, bridesmaid processional or wedding recessional).  Key: C major.  12 pages of music (that includes separate two-page parts for flute and cello).  Flute/Cello Level: Intermediate.  Piano Level: Late Intermediate.

Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.524393 Composed by Leo Delibes. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. Score and parts. 16 pages. John A. Dempsey #5707543. Published by John A. Dempsey (A0.524393). Leo Delibes' celebrated aria Flower Duet (from Lakmé) sparkles and flows in a luminous romantic trio for flute, alto sax and piano.  Recommended for recitals and concerts, this arrangement also shines as wedding music (a prelude, unity candle accompaniment, a bridal march, bridesmaid processional or wedding recessional).  Concert Key: F major.  12 pages of music (that includes separate two-page parts for flute and alto sax).  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate.

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).

Flute,Piano - Level 5 - Digital Download SKU: A0.1046219 Composed by An-lun Huang. 20th Century,Classical,Contemporary. Score and part. 17 pages. DoReMi Edition #650720. Published by DoReMi Edition (A0.1046219). Created by An-lun Huang, “Poem for Dance� is a special music form for musicians and ballet dancers together appearing on a stage. Of course, the music could be performed itself as an instrumental piece, too. Huang’s three “Poem for Dance� have been quite successful. The Taste of Chinese color with the giving play to the Flute and Ballet skill, the “Poem for Dance#1� has been put on the stage of the National Ballet of Canada in 1984. It has also been also appointed as the official piece of the National Flute Competition of China, in 1984. The attached mp3 was a performance by the Moscow master Elmann and Feiping Hsu 2001. 舞詩第一號 长笛與鋼�的二�� 黃安倫 作�三�一號之一 �一�八零 ─八二﹞ 黃安倫所作的《舞詩》是為器樂��與芭蕾雙人舞所用的一種特殊曲體，演出時，��家與舞蹈家�時在舞�上出�，而作�亦�作為單�的器樂��。黃安倫這類作�已�得相當�績，並�已由音樂出版社出版：《舞詩》第一號�長笛與鋼�, Op.31, No.1﹞�僅�為中國第一屆長笛比賽的決賽曲目，由�學全�鮑蕙蕎錄�唱片，更由加拿大國家芭蕾舞團�上舞�。.