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Small Ensemble Cello,Flute,Piano - Level 3 - Digital Download

SKU: A0.524478

Composed by Michael William Balfe. Arranged by John A. Dempsey. Celtic,Irish,Multicultural,New Age,Romantic Period,Wedding,World. Score and parts. 17 pages. John A. Dempsey #5790745. Published by John A. Dempsey (A0.524478).

Lushly romantic, this wildly popular and poignant Irish tune is arranged here as a heartfelt trio for flute, cello and piano.  Ideal as wedding music (e.g. a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional), I Dreamt I Dwelt in Marble Halls is also recommended for concerts, recitals and Celtic-themed music events.  Popularized by Enya and Celtic Woman.  Key: D major.  13 pages of music (that includes separate two-page parts for flute and cello).

Marble Halls (Trio for Flute, Cello and Piano)
Flûte traversière et Piano

$11.99 11.39 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download

SKU: A0.524872

Composed by Michael William Balfe. Arranged by John A. Dempsey. Celtic,Irish,Multicultural,New Age,Romantic Period,Wedding,World. Score and parts. 18 pages. John A. Dempsey #6431007. Published by John A. Dempsey (A0.524872).

Lushly romantic, this wildly popular and poignant Irish tune is arranged here as a heartfelt trio for flute, alto sax and piano.  Ideal as wedding music (e.g. a prelude, unity candle music or a bridesmaid processional), I Dreamt I Dwelt in Marble Halls is also recommended for concerts, recitals, Celtic-themed music events and other multiple venues.  Popularized by Enya and Celtic Woman.  Concert Key (Piano): F major.  Flute Key: F major.  Alto Sax Key: D major.

Marble Halls (Trio for Flute, Alto Sax and Piano)
Flûte traversière et Piano

$11.99 11.39 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.523166

Composed by Michael William Balfe. Arranged by John A. Dempsey. Celtic,Irish,Multicultural,New Age,Romantic Period,Wedding,World. Score and part. 13 pages. John A. Dempsey #3240749. Published by John A. Dempsey (A0.523166).

Lushly romantic, this wildly popular and poignant Irish tune is arranged here as a heartfelt flute and piano duet.  I Dreamt I Dwelt in Marble Halls is ideal as wedding music (a prelude, unity candle music, a bridal march or bridesmaid processional).  This music is also a popular performance piece for recitals, concerts and Celtic-themed music events.  Popularized by Enya and Celtic Woman.  9 pages of music (that includes a two-page flute part).  Key: F major.

Marble Halls (Flute and Piano)
Flûte traversière et Piano

$6.99 6.64 € Flûte traversière et Piano PDF SheetMusicPlus

Alto Saxophone,Flute,Piano - Level 3 - Digital Download

SKU: A0.1299872

Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. 20 pages. John A. Dempsey #889632. Published by John A. Dempsey (A0.1299872).

Arranged as a trio for flute, alto sax and piano, Shall We Gather at the River? - the ageless hymn of love, comfort and assurance - is recommended for concerts and recitals as well as traditional church services and other worship events, including baptisms and funerals.  Effective as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  16 pages of music (that includes separate two-page parts for flute and alto sax).  Key: F major.

Shall We Gather at the River (Trio for Flute, Alto Sax and Piano)
Flûte traversière et Piano

$11.99 11.39 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.525098

Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 14 pages. John A. Dempsey #6665777. Published by John A. Dempsey (A0.525098).

Arranged as a tranquil duet for flute and piano, this ageless hymn of love, comfort and assurance is recommended for recitals and concerts as well as traditional church services and other worship events, including baptisms and funerals.  Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music.  10 pages of music (that includes a separate two-page flute part).  Key: D major.

Shall We Gather at the River (Flute and Piano)
Flûte traversière et Piano

$6.99 6.64 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.912785

By The Ventures. By Johnny Smith. Arranged by Challena Zellick. Rock. Score and part. 5 pages. Challena Zellick #6202405. Published by Challena Zellick (A0.912785).

Surf's up and the waves are high!!! This classic surf rock instrumental by the Ventures is for later beginners, early intermediate, with the speed providing a challenge, along with some syncopation and rhythm challenges. Transposed to key of F, includes full piano accompaniment. This arrangement can be played with my other arrangements of the song to create your own Ensemble. The rocking piano accompaniment uses octaves and close position chords.

Find me as @StarsongMusic on Instagram, for new released music, music musings, and anything else music that I put out there. Send me a request, and I accept commissions.

Walk Don't Run
Flûte traversière et Piano
The Ventures
$6.99 6.64 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download

SKU: A0.1426085

Composed by Duncan Druce, Edward Cowie, Michael Ball, Nicholas Marshall, and Peter Racine Fricker. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 44 pages. Forsyth Brothers Ltd #1006899. Published by Forsyth Brothers Ltd (A0.1426085).

Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument.

This volume for flute has a natural history slant. Lacerta Agilis by Duncan Druce is a portrait of a sand lizard, Michael Ball's piece takes as its cue the Greek legend of Philomel who was turned into a nightingale to escape the Wrath of Tereus, whilst Edward Cowie's A Lesson For Reed Warblers (for two flutes) is designed for one bird (or flute) to teach the other to sing. The magical solo work in the album is Two Spells by Peter Recine Fricker, and the remaining piece is Nicholas Marshall's rhythmic and jazz-influenced Jump.

Contents:
Jump by Nicholas Marshall
Lacerta Agilis by Duncan Druce
Philomel by Michael Ball
Two Spells by Peter Racine Fricker
A Lesson For Reed Warblers by Edward Cowie (Flute Duet).

Modern Wind Music - Flute
Flûte traversière et Piano

$13.99 13.29 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download

SKU: A0.1287662

By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662).

Strauss and the Dance of the Seven Veils

The Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.

The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.

The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.

Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.

James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.

Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
James Strauss
$29.99 28.49 € Flûte traversière et Piano PDF SheetMusicPlus






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