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Flute,Piano - Level 4 - Digital Download SKU: A0.1502544 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 8 pages. Roger Wallace #1078291. Published by Roger Wallace (A0.1502544). Flute Solo with Piano Accompaniment.Can also be played by Recorder/Oboe/Violin.Package includes a part for Clarinet/Soprano Sax.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Flute solo.Full and Piano Accompaniment demonstrations (in MP3) of the Flute solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
Lo! How a Rose E'er Blooming (Flute & Piano)
Flûte traversière et Piano

$5.99 5.19 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.1151183 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 10 pages. Roger Wallace #751362. Published by Roger Wallace (A0.1151183). Flute Solo with Piano Accompaniment. Can also be played by Oboe/Violin and Pitched Percussion (ex: Marimba).Package includes parts for Clarinet/Soprano Sax/Trumpet and Alto Sax. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano). The audio sample (“Listenâ€) represents a Clarinet solo. The YouTube sample (“Watchâ€) represents a Violin solo.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
Lo! How a Rose E'er Blooming
Flûte traversière et Piano

$3.99 3.46 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part. 91 pages. Bruno Tapia #3860097. Published by Bruno Tapia (A0.924602). Versión completa de la colección Ires y venires, que tiene una historia propia. Una colección de seis piezas para piano y flauta.Historia de Ires y venires.1) Flores y pájaros: La princesa, como es costumbre, salió a pasear por los jardines cercanos al castillo. Un día soleado, se le apareció un pequeño pájaro. Mayúscula sorpresa se llevó al enterarse de que ese pájaro era en realidad un dragón cambiaformas. Ella quedó cautivada por él.2) Mariposa del invierno: El dragón se hace humano y se le declara a la princesa. Le dice que la ama. Ella le contesta que lo ama, pero que su mano está prometida, y que su matrimonio traería estabilidad política al reino. No podía corresponder al amor del dragón, pero aún así estuvieron juntos un rato.3) Vals Bizarre: Tras haber sufrido el frío beso de la mariposa del invierno, el dragón había agonizado y visto su muerte. Se logró salvar y recuperarse gracias a su amor por ella. No obstante, ella ya no estaba. El vals Bizarre suena en sus encuentros y desencuentros.4) Tango del diablo: Las tensiones entre ambos son cada vez mayores. Ella ya no puede estar con él, el tiempo la sofoca. Entonces, el dragón y la princesa bailan el apasionado tango del diablo, persiguiéndose con miedo a encontrarse.5) Himno de despedida angelical: El dragón se queda en la montaña, y de repente los ángeles lo encuentran. Los ángeles, como tributo a Dios, pretenden matarlo para que no amenace a la humanidad. Empieza entonces una batalla frenética con los ángeles volando por todos lados, tratando de atacar a un dragón que recibía y repartía mucho daño. Todos los ángeles murieron tras cantar su himno. El dragón quedó herido de gravedad.6) Marcha fúnebre: La princesa se iba en tren a otra ciudad a casarse. Habían pasado meses desde que dejó de ver al dragón. La última vez que vio algo fue meses atrás. Tuvo miedo por él. Por su parte, el dragón no tenía fuerzas y estaba muy herido. Se acurrucó y se preparó para dormir. Entrando al sueño, comienza a viajar, a proyectarse y encontrar a su amada princesa. Ella, cabeceando, sintió en su cabeza la voz de su amado dragón. Le contó que estaba herido, y que encontraba que la vida no tenía sentido. Que los dragones revivían cada cierto tiempo, y que sin ella nada sería lo mismo. Ella le cantó a su vez que lo amaba, y que tenía que salvarse. Pero el dragón fue claro. Dormiría cientos de años, y nadie iba a detenerlo.A la distancia, la princesa alcanzó a ver la última llamarada en señal de despedida.
Ires y venires
Flûte traversière et Piano

$25.00 21.68 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.544882 Composed by Various. Arranged by Cindy Blevins. Christmas. 109 pages. Cindy Blevins #4289563. Published by Cindy Blevins (A0.544882). This book is a collection of 14 beautifully arranged Christmas songs for piano and Native American flute (mid-A flute). With this download, you receive the scores, the piano parts and the flute parts. The flute adds a delightful voice, adding melody, harmony, and counter-melody to the piano part. There are several sample score pages for you to view. The audio sample is an excerpt from Pat-a-pan. The included songs are: Away In a Manger, Greensleeves, Here We Come A-Wassailing, In Dulci Jubilo, In the Bleak Midwinter, Infant Holy, It Came Upon the Midnight Clear, Lo, How a Rose E'er Blooming, O Holy Night, Pat-a-pan, Silent Night, Sussex Carol, The First Noel and The Son of Mary.My website: https://www.blevinsmusic.com
Piano and Native American Flute, Christmas Collection (14 Arrangements)
Flûte traversière et Piano

$16.95 14.7 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
James Strauss
$29.99 26 € Flûte traversière et Piano PDF SheetMusicPlus






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