Flute,Piano - Level 3 - Digital Download SKU: A0.1166298 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score and part. 7 pages. Piacere Music Sheets #766677. Published by Piacere Music Sheets (A0.1166298). Opus/Catalog Number: BWV 1056 and BWV 156Key/Tone: G MajorMovements/Sections: LargoYear/Date of Composition: 1738Difficulty: Grade 6/12 (Intermediate)Obs.: This piece is arranged from the second movement (Largo) of Bach's Concerto for harpsichord No.5 in F minor, BWV 1056. It also appears in an earlier composition by Bach, as the first movement (marked Sinfonia) of the Cantata BWV 156.This score is an arrangement for Flute and piano in the key of G Major.Included: Full score and individual parts.

Flute and piano - very easy to easy - Digital Download SKU: S9.Q20872 Composed by Jeremiah Clarke. Edited by Gerda Koppelkamm-Martini. Arranged by Thomas Wagner. This edition: Sheet music. Copyright 2014 Schott Music GmbH & Co. KG, Mainz. Downloadable. 3 pages. Schott Music - Digital #Q20872. Published by Schott Music - Digital (S9.Q20872). Digital publication of the piece found in the following print music collection: Classical Music for Children - 26 Easy Pieces.

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1394376 Composed by Germaine Tailleferre. 20th Century,Classical,Contemporary. Score and part. 9 pages. Musik Fabrik Music Publishing #977857. Published by Musik Fabrik Music Publishing (A0.1394376). This sequence is in a number of scores, including Paris-Magie, Sur les Routes d'Acier, Il était un Petit Navire and other film scores. The present arrangement was conceived for one of the Caroline animated films by Marco de Gastyne during the late 1950s. Given the time period, it is probable that Tailleferre was writing this for Jean-Pierre Rampall, who performed on a number of Tailleferre film scores during this period .In Paris-Magie, the spritely musique represents a fashionable Left Bank couple shopping for antiques at the Paris Flea Market. A few dynamic markings have been added, although Tailleferre did not include many markings in her manuscript score.

Flute,Piano - Level 3 - Digital Download SKU: A0.587625 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594685. Published by David McKeown (A0.587625). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Flute with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1209770 Composed by Jeremiah Clarke. Arranged by Pedro Merendi. Baroque,Classical,Wedding. 8 pages. Pedro Merendi #807793. Published by Pedro Merendi (A0.1209770). Trumpet Voluntary (Flute Duo and Piano) - Jeremiah ClarkeThis is a Flute Duo and Piano Accompaniment arrangement of Jeremiah Clarke “The Prince of Denmark's March� commonly known as Trumpet Voluntary.This PDF contains the Full Score and the Solo Parts.Arrangement and Sheet Music by Pedro Merendi.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1209772 Composed by Jeremiah Clarke. Arranged by Pedro Merendi. Baroque,Classical,Wedding. 8 pages. Pedro Merendi #807795. Published by Pedro Merendi (A0.1209772). Trumpet Voluntary (Flute Duo and Piano) - Jeremiah ClarkeThis is a Flute Duo and Piano Accompaniment arrangement of Jeremiah Clarke “The Prince of Denmark's March� commonly known as Trumpet Voluntary.This PDF contains the Full Score and the Solo Parts.Arrangement and Sheet Music by Pedro Merendi.

Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53385 Op. 6/5. Composed by Charles Marie Widor. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Volume op. 6/5. 7 pages. Schott Music - Digital #Q53385. Published by Schott Music - Digital (S9.Q53385). English • German.Having grown up in a family of organ-builders and organists, the path of Charles-Marie Widor as an organist was predestined. In 1870 he moved from Lyon, the town of his birth, to Paris and became titular organist at Saint-Sulpice. In 1890 Widor succeeded César Franck as professor of organ studies at the Paris Conservatoire, where six years later he was appointed professor of composition, too. Alongside orchestral works, solo concertos, vocal pieces and chamber music, Widor’s most important musical achievement was his contribution to the genre of the organ symphony. His Suite op. 34 for flute and piano, structured around a Romance (1881) and composed for Paul Taffanel, may be considered as marking the beginning of the modern French flute school: here for the first time a composition makes full use of the bright tone of the Böhm flute, as introduced to the music world by Taffanel and his pupils. This Sérénade op. 65 is the arrangement of a duo for harmonium and organ. No further information about the arranger has been found. Plate no. 27148 / published in 1903.

Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.