Flute,Piano - Digital Download SKU: A0.771815 Composed by Gregory Hamilton. 20th Century,Contemporary. Score and part. 10 pages. Dr. Gregory Hamilton #2917017. Published by Dr. Gregory Hamilton (A0.771815). Autumnal Picture for Flute and Piano by Gregory Hamilton...is a lyrical work that should be played always cantabile and with expression.Versions for oboe, clarinet and Srtings are on this site as well.www.gregoryhamilton.org

Flute,Piano - Level 2 - Digital Download SKU: A0.1175997 Composed by Traditional. Arranged by Joan Bujacich. Easter,Holiday,Praise & Worship,Religious,Sacred. Score and part. 4 pages. Joan Bujacich #776123. Published by Joan Bujacich (A0.1175997). That Easter Day With Joy Was Bright,  also titled That Eastertide With Joy was Bright, arranged for Flute with an easy, Junior level Piano accompanimnet in the hymnal key of D major.This ancient Hymn is performed at Easter. The beautiful tune is labeled PUER NOBIS and is a melody from a fifteenth-century manuscript from Trier. However, the tune probably dates from an earlier time and may even have folk roots. PUER NOBIS was first altered in Spangenberg's Christliches GesangbUchlein (1568), in Petri's famous Piae Cantiones (1582). Most hymnals have it in the key of D, so that is the key I arranged it in. The lyrics are noted with the music for verse.  The accompaniment supports the melody allowing the flute to phrase and interpret without too much complexity.  Though the harmony is somewhat reduced from the hymnal , 4-part version, it still has  color and interest and works nicely accompanying  the solist. Adult beginners will also get satisfaction from this arrangement, the 4 part writing in hymnals are usually to hard for this level player, that is why I arranged it so more people can enjoy this lovely Easter song. For more Easter arrangements, I also have a nice arrangement of On This Day Earth Shall Ring (A bit harder), Mary Did You KNow (Great both at Christmas and Easter)  and the secular Easter music, Easter Parade and Peter Cottontail, all available here on Sheet Music Plus!

Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Flute,Piano - Level 3 - Digital Download SKU: A0.1075681 By Jon Raybould. By Jon Raybould. Classical,Contemporary,Pop. Score and part. 19 pages. Jon Raybould Music #679866. Published by Jon Raybould Music (A0.1075681). This is a fast, lively piece composed for flute and piano, inspired by the amazing acrobatic performances and physical gymnastics seen in circus acts. The difficulty level is intermediate. Play with lots of energy and enthusiasm! FREE Audio tracks (Performance and Backing tracks) can be downloaded from HERE: https://drive.google.com/drive/folders/1cx_XEssinXs9rqac8DwSINMYREC-2xYi?usp=sharing.

Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508.  Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Flute,Piano - Level 4 - Digital Download SKU: A0.1038721 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643710. Published by budaful music (A0.1038721). This haunting tune, arranged for piano and solo instrument, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page flute part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.

Flute,Piano - Level 3 - Digital Download SKU: A0.727647 Composed by Isaac Watts. Arranged by Carol Troutman Wiggins. Christian,Classical,Early Music,Easter,Sacred. Score and part. 1 pages. Carol Troutman Wiggins #6348225. Published by Carol Troutman Wiggins (A0.727647). Author: Isaac Watts (1719) Tune: DUKE STREET Published in 1677 hymnals Jesus shall reign reflects an 18th-century vision of the world church. Based on Psalm 72, Isaac Watts (1674-1748) paraphrased this psalm to reflect the rise of the British Empire. Easy instrumental part Intermediate piano accompaniment Beautiful contemporary harmonies Rehearsal track available

Flute,Piano - Level 5 - Digital Download SKU: A0.740010 Composed by Philip Bliss. Arranged by Len Rhodes. Christian,Praise & Worship,Sacred. Score and part. 7 pages. Len Rhodes Music #5741189. Published by Len Rhodes Music (A0.740010). It Is Well With My Soul - music by Philip Bliss; now available in a new contemporary instrumental arrangement for flute and piano.The hymn was first published in 1876, and has become possibly the most influential and enduring in the Bliss repertoire, appearing in many hymnals. Download includes piano score and separate flute part.

Flute,Piano - Digital Download SKU: A0.1065710 Composed by Joseph Webster and S. Fillmore Bennett. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Gospel,Sacred. Accompaniment. Duration 131. Carol Troutman Wiggins #4757829. Published by Carol Troutman Wiggins (A0.1065710). IN THE SWEET BY and BY Piano TrackFlute & PianoThis very popular hymn of the nineteenth century, soon became a Gospel standard and has been performed by many musicians. It has been included in many hymnals. It is frequently used for funerals. Composer Bennett refers to this hymn as his autobiography.Excellent for intermediate musicians.Sweet, flowing melody line interchanges with a gentle accompaniment.

Flute,Piano - Digital Download SKU: A0.1065819 Composed by Isaac Watts. Arranged by c. Christian,Sacred. Full Performance. Duration 113. Carol Troutman Wiggins #6348227. Published by Carol Troutman Wiggins (A0.1065819). Author: Isaac Watts (1719) Tune: DUKE STREET Published in 1677 hymnals Jesus shall reign reflects an 18th-century vision of the world church. Based on Psalm 72, Isaac Watts (1674-1748) paraphrased this psalm to reflect the rise of the British Empire.   Easy instrumental part Intermediate piano accompaniment Beautiful contemporary harmonies Rehearsal track

Flute,Piano - Level 3 - Digital Download SKU: A0.727520 Composed by Joseph Webster and S. Fillmore Bennett. Arranged by Carol Troutman Wiggins. Christian,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4757827. Published by Carol Troutman Wiggins (A0.727520). IN THE SWEET BY and BYFlute & PianoThis very popular hymn of the nineteenth century, soon became a Gospel standard and has been performed by many musicians. It has been included in many hymnals. It is frequently used for funerals. Composer Bennett refers to this hymn as his autobiography.Excellent for intermediate musicians.Sweet, flowing melody line interchanges with a gentle accompaniment.Piano Rehearsal Track on this site.

Flute,Piano - Level 1 - Digital Download SKU: A0.548741 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415207. Published by jmsgu3 (A0.548741). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia  

Flute,Piano - Level 1 - Digital Download SKU: A0.548732 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415187. Published by jmsgu3 (A0.548732). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia  

Flute,Piano - Level 2 - Digital Download SKU: A0.1096284 Composed by Johann Sebastian Bach. Arranged by Jane Frasier. A Cappella,Baroque,Chamber,Classical. Score and part. 3 pages. Jane Frasier #700250. Published by Jane Frasier (A0.1096284). This flute solo would be perfect for a young player. It is included in Schemellis Gesangbuch (Schemelli's hymnal), the common name of a collection of sacred songs titled Musicalisches Gesang-Buch (Musical song book) published in Leipzig in 1736 by Georg Christian Schemelli.