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Flute,Piano - Level 4 - Digital Download

SKU: A0.533323

Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323).

Sonate pour piano et flûte
I. Andantino spirituoso
II. Pas trop lent
III. Vif
Dates de composition : décembre, 1926 - octobre, 1927

The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.

The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement is
dated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a working
copy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.

Jacques Leguerney: Sonate for piano and flute
Flûte traversière et Piano

$19.95 19.16 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Instrumental Solo,Piano - Digital Download

SKU: A0.1027495

Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part. 44 pages. Till MacIvor Meyn #550251. Published by Till MacIvor Meyn (A0.1027495).

Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Force of Nature’ is a three-movement sonata for flute and piano that considers natural forces that are unseen, but whose powerful effects are nonetheless evident. In the first movement, Prevailing Winds, the piano presents a flurry of chord clusters that yield to an introductory flute melody. Ostinato patterns, prevalent throughout most of the movement in the piano, support the flute lines with a rhythmic drive. An extended flute cadenza explores motives presented to close the movement. The middle movement, Reflection/Refraction, reveals a slowly building spectrum of string and wind colors. Dissonance Tango continues and amplifies the push and pull of tensions, focusing on the power of passion as it develops in the heat of the Latin dance.

Force of Nature
Flûte traversière et Piano

$22.00 21.13 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.636040

Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and part. 5 pages. F & N Enterprise #6139099. Published by F & N Enterprise (A0.636040).

An excellent arrangement of the famous Song A Sad Journey to Desire Destination for Flute and Piano-Jazz/Pop Version.

The video for Violin and Piano: https://youtu.be/tlbSIX1T6SM

The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.

"A Sad Journey to Desire Destination" for Flute and Piano-Video
Flûte traversière et Piano

$1.99 1.91 € Flûte traversière et Piano PDF SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download

SKU: A0.1021619

Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619).

Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.

The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.

The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.

The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.

I. Moderato con gioia
II. Lamento sostenuto
III. Scherzo

Composed by Tyler J. Holt
Published by TJHoltMusic
Copyright © Tyler J. Holt, Composer.

Sonata for Flute and Piano, Op. 12
Flûte traversière et Piano

$20.00 19.21 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.550397

Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397).

Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.

Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.

Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.

Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.

The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.

Vivaldi: Sonata No. 1 for Flute & Piano
Flûte traversière et Piano

$32.95 31.65 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.549643

Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643).

Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.

Sonata Pathétique Op. 13

First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music.

Beethoven Background

Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio.

Beethoven Overview

First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period.

First Period

Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13.

Second Period

His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio.

Third Period

In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.

 

 

Register for free lifetime revisions and updates at www.jamesguthrie.com
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano

$24.95 23.96 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.549636

Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636).

Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.

Sonata Pathétique Op. 13

First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music.

Beethoven Background

Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio.

Beethoven Overview

First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period.

First Period

Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13.

Second Period

His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio.

Third Period

In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.

 

 

Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano

$24.95 23.96 € Flûte traversière et Piano PDF SheetMusicPlus

Flute and piano - advanced - Digital Download

SKU: S9.Q585488

Composed by Emile Naoumoff. Die Sonate für Flöte und Klavier von Emile Naoumoff, Schüler von Nadia Boulanger, besteht aus fünf Sätzen, in eine Toccata mündend. Die Komposition ist Pflichtstück beim Internationalen Flötenwettbewerb Ferdinand W. Neess 2024 in Wiesbaden. Downloadable, Score and part. Duration 10' 55. Musikverlag Zimmermann - Digital #Q585488. Published by Musikverlag Zimmermann - Digital (S9.Q585488).

Die Sonate für Flöte und Klavier von Emile Naoumoff besteht aus fünf Sätzen, in eine Toccata mündend. Die Komposition ist Pflichtstück beim Internationalen Flötenwettbewerb Ferdinand W. Neess 2024 in Wiesbaden. Naoumoff wurde 1962 in Sofia geboren. Als Achtjähriger begann seine Karriere als Pianist und Komponist; zehn Jahre lang war er bis zu deren Tod Schüler von Nadia Boulanger. Mit zehn Jahren komponierte und spielte Naoumoff sein eigenes Klavierkonzert unter der Leitung von Yehudi Menuhin. Es folgten zahlreiche Preise, Ehrungen und Auftritte als gefeierter Pianist. Heute lebt und arbeitet Naoumoff als Associate Professor an der School of Music der Indiana University in Bloomington. Er gibt Meisterkurse in den USA, in Europa und Japan und leitet eine Musikakademie.

Sonata
Flûte traversière et Piano

$15.99 15.36 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 2 - Digital Download

SKU: A0.1449516

By Gene Wilder. By Anthony Newley and Leslie Bricusse. Arranged by André Alberto Santos. Chamber,Christmas,Film/TV,Holiday,Wedding. Score and part. 7 pages. Soul - Musical Creations #1029272. Published by Soul - Musical Creations (A0.1449516).

Enter the Magical World of Pure Imagination with Our PDF Sheet Music!

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Why Pure Imagination?

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The Convenience of PDF

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Reasons to Purchase:

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Perfect for All Musicians

Whether you are an experienced musician or a beginner, Pure Imagination offers something special for all skill levels.

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Pure Imagination
Flûte traversière et Piano
Gene Wilder
$4.99 4.79 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.1099382

Composed by Johann Anton André. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score and part. 9 pages. Piacere Music Sheets #703268. Published by Piacere Music Sheets (A0.1099382).

Opus/Catalog Number: Op. 34, No. 2, movement 1
Key/Tone: G Major
Movements/Sections: 1/2: Moderato
Year/Date of Composition: 1817
Difficulty: Grade 5/12 (Intermediate)
Obs.: This piece is the second of the 6 Sonates progressives, Op. 34 by Johann Anton André. This Moderato is the first movement of this two-movement sonatina.
It is a Classical sonatina movement in A-B-A' form.
This score contains the first movement, marked Moderato of the sonatina. The second movement, marked Allegretto is sold separately.
This is an arrangement for Flute with piano accompaniment.
Included: Full score and separated parts for each instrument.

André - Moderato from Sonatina No. 2 Op. 34 in G Major - Intermediate
Flûte traversière et Piano

$5.95 5.71 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.857515

Composed by Anthony Giamanco. Contemporary,Contest,Festival,New Age,Wedding. Score and part. 11 pages. Whole Tone Press #464006. Published by Whole Tone Press (A0.857515).

A wistful 'serenade' for flute and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.

SERENATA - flute and piano
Flûte traversière et Piano

$4.25 4.08 € Flûte traversière et Piano PDF SheetMusicPlus






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