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Flute,Piano - Level 3 - Digital Download

SKU: A0.596527

Composed by Juan María Solare. 20th Century,Contemporary,Standards,Wedding. Score and part. 11 pages. Juan Maria Solare #3624873. Published by Juan Maria Solare (A0.596527).

WaltzApp is a simple, innocent and uncomplicated waltz that can remind to Erik Satie. The title reflects the modern times...

The composition of WaltzApp began in Bremerhaven in 2006 (first theme) and was completed ten years alter in Bremen (both cities are in North Germany). Duration: ~ 2'30

Trivia: during those ten years between the composition of the first and the second theme, the working title was Valsecillo (and with that title circulated in internet as PDF for a while).

 Original version: for piano solo. There are also versions for the following chamber music combinations (all tested by the composer at concert!):

 

- for alto saxophone and piano (plus double bass ad libitum)

- for clarinet and piano (plus double bass ad libitum)

- for violin and piano (plus double bass ad libitum)

- for clarinet, accordion, cello and piano

- for flute and piano (plus double bass ad libitum)

- for instrumental nonet (flute, clarinet, trombone, accordion, violin, viola, cello, double bass and piano)

 

The piano version of WaltzApp is included in the album Sombras blancas [White Shadows], by Juan María Solare (piano): https://open.spotify.com/track/5egCqXp6jR3tBQw8ndFAZ2

 

Video of the solo piano version (filmed in Java, Indonesia):

https://www.youtube.com/watch?v=InFlC1V7Oyo

 

Video of the version for saxophone and piano (Duo Antipoden: Yu Han, saxophone, and Juan María Solare, piano; live at MIKADO, Prinzhöfte, Germany):

https://www.youtube.com/watch?v=uWGyP9pRrL0

 

Find the score and parts at SMP, SheetMusicPlus:

http://www.sheetmusicplus.com/publishers/juan-maria-solare/3582?aff_id=565049

 

 

Juan María Solare

31 August 2018

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WaltzApp [Flute & Piano] Flûte traversière et Piano

$3.50 3.31 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Instrumental Solo,Piano - Digital Download

SKU: A0.1027495

Composed by Till MacIvor Meyn. Contemporary,Jazz,Latin,World. Score and individual part. 44 pages. Till MacIvor Meyn #550251. Published by Till MacIvor Meyn (A0.1027495).

Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Force of Nature’ is a three-movement sonata for flute and piano that considers natural forces that are unseen, but whose powerful effects are nonetheless evident. In the first movement, Prevailing Winds, the piano presents a flurry of chord clusters that yield to an introductory flute melody. Ostinato patterns, prevalent throughout most of the movement in the piano, support the flute lines with a rhythmic drive. An extended flute cadenza explores motives presented to close the movement. The middle movement, Reflection/Refraction, reveals a slowly building spectrum of string and wind colors. Dissonance Tango continues and amplifies the push and pull of tensions, focusing on the power of passion as it develops in the heat of the Latin dance.

Force of Nature
Flûte traversière et Piano

$22.00 20.79 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download

SKU: A0.548487

Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387051. Published by jmsgu3 (A0.548487).

Silent Night arranged for Flute & Piano with new harmony for verse three. Score: 2 pg. Part: 1 pg.

Silent Night

Origins

Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night.

First Performance

Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg.

Original Score

Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten.  Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818.

Popularity

Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies.

Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com

 

 

 

Silent Night for Flute & Piano
Flûte traversière et Piano

$28.95 27.36 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.1488844

Composed by Ferdinand Ries. Arranged by Uwe Grodd. Classical. Score and part. 29 pages. Artaria Editions #1065698. Published by Artaria Editions (A0.1488844).

Artaria Editions AE438

This edition is based on Ries' autograph score. It is, for the most part, carefully written and presents few difficulties to the editor. Nonetheless, there are instances where dynamic markings and articulations are ambiguous and, in some places, where the pitches are unclear. In order to facilitate performance, the style and notation of articulation and dynamic markings have been standardized throughout, and, where missing from the autograph, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets.

Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are places within brackets. Uwe Grodd's research for this edition was made possible with the support of a grant from the University of Auckland Research Committee UARC.

Allan Badley, Uwe Grodd.

Sonata for Pianoforte with Flauto Obbligato, Op.87 (for flute and piano)
Flûte traversière et Piano

$30.00 28.35 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.549375

Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375).

Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from Xerxes
Suitable for any venue requiring meditative music. Excellent choice for a recital encore.

Xerxes

Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score.

Handel Background

George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.

Career in England

It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera.

Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.

Legacy

Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.

 

Handel: Largo from Xerxes for Flute & Piano
Flûte traversière et Piano

$32.95 31.13 € Flûte traversière et Piano PDF SheetMusicPlus






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