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Flute,Piano - Level 1 - Digital Download SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758729. Published by Woods Only, Arrangements (A0.1158443). This arrangement adapted for flute e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
Symphony No. 7 by Beethoven for Flute
Flûte traversière et Piano

$1.99 1.9 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1296421 By Alex North Alex. By Alex North. Arranged by Popnroll 1976. 20th Century,Film/TV,Jazz. Score and part. 16 pages. Popnroll 1976 #886632. Published by Popnroll 1976 (A0.1296421). Spartacus Love Theme - Bill Evans & Jeremy Steig (Lead Sheet for Piano & Flute)This is a complete transcription of the theme section of the 1969 recording Spartacus - Theme of Love with jazz pianist Bill Evans and flutist Jeremy Steig.The last theme is also available. Flute, piano and bass (including 2 choruses of ad-lib parts) are also taken.The interaction between the two (Bill & Jeremy) is wonderful. The solos are not one by one, but more like a conversation. Eddie Gomez's bass guitar also joins in between the solos. Please enjoy the beautiful dialogue of sound.PDF format, 16 pages. Contents: Score 5 pages, Parts: Flute & Piano 4 pages, Flute 2 pages, Piano 3 pages, Bass 2 pages.Composed by Alex North Performed by:Bill Evans, piano Jeremy Steig, flute Eddie Gomez, bassAlbum: What's New (1969)Discog link:https://www.discogs.com/ja/master/271066-Bill-Evans-With-Jeremy-Steig-Whats-New.
Spartacus - Love Theme
Flûte traversière et Piano
Alex North Alex
$19.99 19.1 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1351255 By David Archuleta. By John Lennon. Arranged by Alex Nunes Rodrigues. Pop,Rock. Score and part. 4 pages. Alex Rodrigues #936104. Published by Alex Rodrigues (A0.1351255). Imagine is a song written by English musician John Lennon in 1971. It is one of the most famous and performed songs in the world and is about a world without war, hunger, or poverty. It is a message of peace, love, and equality that transcends time and place. You will be moved and inspire everyone with this unforgettable melody. Acquire your Imagine sheet music now and fulfill your dream of playing one of the most beautiful songs in music history.
Imagine
Flûte traversière et Piano
David Archuleta
$4.99 4.77 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1239846 By Celine Dion. By Irving Berlin. Arranged by Alex Nunes Rodrigues. Patriotic. Score and part. 2 pages. Alex Rodrigues #835242. Published by Alex Rodrigues (A0.1239846). God Bless America is an iconic American patriotic song, written by Irving Berlin. With a captivating melody and lyrics that express love and pride for the country, the music evokes a sense of national unity and hope. It resonates in the hearts of Americans, highlighting values such as freedom, equality, and gratitude for the natural beauties of America. Performed in various musical styles, God Bless America remains a powerful symbol of love for the nation and its unifying strength.
God Bless America ®
Flûte traversière et Piano
Celine Dion
$4.99 4.77 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1351252 By David Archuleta. By John Lennon. Arranged by Alex Nunes Rodrigues. Pop,Rock. Score and part. 4 pages. Alex Rodrigues #936101. Published by Alex Rodrigues (A0.1351252). Imagine is a song written by English musician John Lennon in 1971. It is one of the most famous and performed songs in the world and is about a world without war, hunger, or poverty. It is a message of peace, love, and equality that transcends time and place. You will be moved and inspire everyone with this unforgettable melody. Acquire your Imagine sheet music now and fulfill your dream of playing one of the most beautiful songs in music history.
Imagine
Flûte traversière et Piano
David Archuleta
$4.99 4.77 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano

$19.95 19.06 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano

$19.95 19.06 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Flute & Piano
Flûte traversière et Piano

$32.95 31.49 € Flûte traversière et Piano PDF SheetMusicPlus






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