Flute,Piano - Level 2 - Digital Download SKU: A0.1396066 By Celine Dion. By Carlsson and Lundin. Arranged by Louis Drummond. Latin,Pop,Rock. Score and part. 13 pages. Louis Drummond Van Rensburg #979448. Published by Louis Drummond Van Rensburg (A0.1396066). I'm Alive is a song recorded by Celine Dion for her seventh English-language album (2002). It became a worldwide hit, reaching the top ten in many countries. It was certified platinum in Belgium, and gold in France, Denmark, United Kingdom and Germany.In my arrangement for piano and flute the piano provides an appropriate accompaniment for the flute player with a simple bass line in the LH and rhythmically chords in the RH. My arrangement with rhythm section accompaniment is also available.

Flute,Piano - Level 3 - Digital Download SKU: A0.740604 Composed by Ellen Macpherson. Concert,Jazz,Latin. Score and part. 9 pages. Ellen Macpherson #3372541. Published by Ellen Macpherson (A0.740604). TAUSI (Bossa Nova) - Flute and PianoTausi is an original composition composed for Flute Solo accompanied by Rhythm Section. This beautiful melody captures the essence of the Bossa Nova. This piece can be used for gigs, weddings, functions, and Flute recitals.Tausi is an excellent resource for flute teachers wanting to give their developing students experience playing Bossa Nova.Here is the you tube link https://youtu.be/Cbu_iKpraHgIncludes Score, Flute Part, Piano Accompaniment

Flute,Piano - Level 3 - Digital Download SKU: A0.1272972 Composed by John Henry Hopkins Jr. Arranged by T. Davis. Christmas,Jazz. Score and part. 6 pages. Antares Heart Music #865160. Published by Antares Heart Music (A0.1272972). This intermediate arrangement presents a Dave Brubeck styling of the classic Christmas carol. It is in a jazz waltz feel and plays easily once you are in the groove. Bring the cool jazz feel to your holidays with an arrangement that is fun to play and entertaining for your audience. A rhythm section accompaniment track is also available.Accompaniment Track

Flute,Piano - Level 2 - Digital Download SKU: A0.1112077 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 9 pages. Phil Thrift #714249. Published by Phil Thrift (A0.1112077). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the flute + keyboard edition (in a different key) of the original recording for trombone and rhythm section, which you can hear on SoundCloud.

Flute,Piano - Level 3 - Digital Download SKU: A0.573753 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Love,Pop,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5999955. Published by James M Stevens Music ASCAP (A0.573753). This is a flute solo with piano accompaniment and a full rhythm section on the recording in a smooth jazz style in the lower range. The track is available under Celebration Romance Accompaniment Track. There is a separate flute part in the score. A perfect selection for weddings, receptions, dinner music, and outdoor events.

Flute,Piano - Level 3 - Digital Download SKU: A0.573751 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Love,Pop,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5999895. Published by James M Stevens Music ASCAP (A0.573751). This is an alto flute solo with piano accompaniment and a full rhythm section on the recording in a smooth jazz style.  The track is available under Celebration Romance Accompaniment Track. There is a separate Alto Flute part in the score. A perfect selection for weddings, receptions, dinner music, and outdoor events.

Flute,Piano - Level 3 - Digital Download SKU: A0.1168400 By Housefires. By Brett Younker, Karl Martin, Kirby Kaple, Matt Redman, and Pat Barrett. Arranged by Clifton Davis, ASCAP. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Clifton Allen Davis Music, ASCAP #768732. Published by Clifton Allen Davis Music, ASCAP (A0.1168400). A setting for intermediate flute and keyboard of the popular praise song Good, Good Father by Pat Barrett and Anthony Brown. Flexible length makes it ideal for instrumental underscores in the worship service like the serving of communion/eucharist.Useful for worship and recital settings. Arranged by Clifton Davis, ASCAP. This arrangement could also work with congregation singing and/or a rhythm section as long as the song sequence/key is the same!

Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.

Flute and Piano - Advanced - Digital Download SKU: F2.FM195 Composed by Geoff Warren. Score and parts. 20 pages. Forton Music - Digital #FM195. Published by Forton Music - Digital (F2.FM195). ISBN 9790570480944.A concert piece for flute and piano by Geoff Warren. With its modern jazz tinged harmonies and shifting rhythms, this is a great way to introduce some jazz stylings to the concert platform. Rhythmically complex, and reaching up to top B, one for the more advanced players. There is also the optino to use the included chord sequence to improvise over the middle section, of there is a written out solo for the less adventurous!

Flute,Piano - Level 4 - Digital Download SKU: A0.796761 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. Score and part. 17 pages. DR GARY D BELSHAW #5968179. Published by DR GARY D BELSHAW (A0.796761). For the Advanced Intermediate flautist. 5 pages. Duration: less than 4 minutes. In the key of E-flat Major, this arrangement is also available in the original key of E Major.First released as a single in 2012, Brave was included in josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up. Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better.Of course, it would be a great show-piece for social and civic events; its inspiring message would even serve in church-related functions. It may take a bit longer to get under the fingers, as anything worth showing off would demand. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image.Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1281917 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #873271. Published by Diego Marani (A0.1281917). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for flute with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.

Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pages. Mary Ellen Haupert #905095. Published by Mary Ellen Haupert (A0.1316354). “Breeze� for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze� was written for flutist Iva Ugr�ić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze� is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons� pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze� in a balanced ABA’ form.

Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze� for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze� was written for flutist Iva Ugr�ić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze� is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons� pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze� in a balanced ABA’ form.