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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright Ā© Tyler J. Holt, Composer.
Sonata for Flute and Piano, Op. 12
Flūte traversičre et Piano

$20.00 17.54 € Flūte traversičre et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.1101451 Composed by Jon Raybould. Classical. Score and part. 9 pages. Jon Raybould Music #704833. Published by Jon Raybould Music (A0.1101451). This is a fairly slow, reflective piece which starts quite simply and after a key-change, the melody is given more variety and increases in complexity, before a reflectively calm ending. It was composed in the height of the 2020 Covid-19 world pandemic and the title reflects the sentiment that One Day Soon (maybe) ... the world will kick coronavirus and we'll all be able to meet and play music in groups again. FREE performance track and piano backing track can be downloaded here: https://drive.google.com/drive/folders/1upxaB3nKU9hyUwNh0BwSwHNL8Jdz4Prn?usp=sharing Hope you enjoy playing it! Jon Raybould 29th December 2020.
One Day Soon (maybe)
Flūte traversičre et Piano

$6.00 5.26 € Flūte traversičre et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.577155 Composed by Hart Pease Danks. Arranged by David Warin Solomons. 20th Century. Score and part. 3 pages. David Warin Solomons #2101409. Published by David Warin Solomons (A0.577155). Arrangement for flute and piano of this sentimental song with music by H P Danks. The pdf file contains the piano score and separate flute part. The sound sample is an electronic preview. The words of the original song (by Eben E Rexford) begin: Darling, I am growing old, Silver threads among the gold, Shine upon my brow today, Life is fading fast away. But, my darling, you will be, Always young and fair to me, Yes, my darling, you will be Always young and fair to me. Chorus: Darling, I am growing old, Silver threads among the gold, Shine upon my brow today; Life is fading fast away.....
Silver Threads among the Gold for flute and piano
Flūte traversičre et Piano

$6.00 5.26 € Flūte traversičre et Piano PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download SKU: A0.548672 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410429. Published by jmsgu3 (A0.548672). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de NoĆ«l The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de NoĆ«l. Ā Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Ā  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Ā Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Ā Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. Ā He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the MarseillaiseĀ of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Ā  Ā 
Cantique de Noël for Flute & Piano
Flūte traversičre et Piano

$24.95 21.88 € Flūte traversičre et Piano PDF SheetMusicPlus






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