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Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Flute & Piano
Flûte traversière et Piano

$32.95 28.51 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano

$19.95 17.26 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano

$19.95 17.26 € Flûte traversière et Piano PDF SheetMusicPlus

Flute and piano - difficult - Digital Download SKU: S9.Q46579 Selections of the suite for orchestra (1945). Composed by Igor Stravinsky. Arranged by Kyle MacLeod. This edition: score and part. Il Flauto traverso. Eine Auswahl der Orchestersuite. Downloadable, Score and part. Duration 11 minutes. Schott Music - Digital #Q46579. Published by Schott Music - Digital (S9.Q46579). Igor Stravinsky’s musical setting of the Slavonic fable of The Firebird, L’Oiseau de feu, is one of the pioneering orchestral works from the beginning of the 20th century. Reviews of the first performance of the ballet at the Théâtre National de l’Opéra in Paris in 1910 lauded Stravinsky’s “dazzling music in all shades of colour†such that Stravinsky composed two orchestral suites of his ballet. A further version followed in 1945 which has in part provided the basis for the following arrangement for flute and piano.
The Firebird (L'Oiseau de feu / Der Feuervogel)
Flûte traversière et Piano

$24.99 21.62 € Flûte traversière et Piano PDF SheetMusicPlus

Fl. Pft. - Advanced - Digital Download SKU: F2.FM641 Composed by Jonty Hall. Flute and Piano. Score and part. 22 pages. Forton Music - Digital #FM641. Published by Forton Music - Digital (F2.FM641). ISBN 9790570485406.Passchendaele, is a small village five miles north-east of Ypres. The 3rd Battle of Ypres was fought here... On 18 July 1917 the Allied troops began a heavy ten day bombardment before the main attack; 3,000 guns fired over 4 million shells. The battle commenced on the 31st of July, and stretched on until November the 10th, 1917. Heavy rain began on the day of attack, producing thick mud, which caked uniforms and clogged rifles; It became so deep that men, horses and pack mules drowned in it. The Germans, who had used chlorine gas in the 2nd Battle of Ypres, now used mustard gas which inflicted chemical burns. The offensive resulted in gains for the Allies, but it was not the great breakthrough that was hoped for; The Allies suffered 310,000 casualties, the Germans 260,000. Just south west of the village of Passchendaele is the Cemetery and Memorial - Tyne Cot. It is the resting place of 11,954 Commonwealth soldiers and is the largest Commonwealth military cemetery in the world. The Tyne Cot Memorial is a long wall which carries the names of 34,863 British soldiers who have no known grave. Pals battalions became synonymous with the towns of northern Britain; Men enlisted because they could serve alongside their friends, relatives and workmates.
Passchaendale Poeme
Flûte traversière et Piano

$9.95 8.61 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.1493878 Composed by Adolphe-Charles Adam. Arranged by Benzaiten Editions. 19th Century,Christian,Christmas,Holiday,Sacred. Score and part. 4 pages. Benzaiten Editions #1070206. Published by Benzaiten Editions (A0.1493878). Hey there! Ready to bring the enchanting and reverent melody of O Holy Night to life? Let’s make some beautiful music together!Perfect for Christmas services, holiday concerts, or a cozy evening by the fire, this arrangement captures the solemn beauty of the season. Let the timeless melody fill the room with warmth and grace.O Holy Night • Christmas Song | flute sheet music w/ piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, you'll be able to download:• Full score with all instruments of the arrangement (with piano accompaniment)• Flute part About the song | Adolphe Adam • O Holy Night O Holy Night, composed by Adolphe Adam, is a cherished Christmas carol that has been a staple of holiday music for generations. Its soaring melody and profound lyrics reflect the spiritual depth and joy of the season.Whether you're playing it for a small gathering or a large audience, this piece is sure to inspire and uplift with its powerful message and timeless appeal.
O Holy Night • Christmas Song | flute sheet music w/ piano accompaniment
Flûte traversière et Piano
purchasing our edition, you'll be able to download:
• Full score with all instruments of the arrangement (with piano accompaniment)
• Flute part

About the song | Adolphe Adam • O Holy Night

O Holy Night, composed by Adolphe Adam, is a cherished Christmas carol that has been a staple of holiday music for generations
Its soaring melody and profound lyrics reflect the spiritual depth and joy of the season
$6.99 6.05 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.1493879 Composed by Adolphe-Charles Adam. Arranged by Benzaiten Editions. 19th Century,Christian,Christmas,Holiday,Sacred. Score and part. 4 pages. Benzaiten Editions #1070207. Published by Benzaiten Editions (A0.1493879). Hey there! Ready to bring the enchanting and reverent melody of O Holy Night to life? Let’s make some beautiful music together!Perfect for Christmas services, holiday concerts, or a cozy evening by the fire, this arrangement captures the solemn beauty of the season. Let the timeless melody fill the room with warmth and grace.O Holy Night • Christmas Song | flute sheet music w/ piano accompaniment [chords] Our edition | Benzaiten Editions By purchasing our edition, you'll be able to download:• Full score with all instruments of the arrangement (with piano accompaniment)• Flute part About the song | Adolphe Adam • O Holy Night O Holy Night, composed by Adolphe Adam, is a cherished Christmas carol that has been a staple of holiday music for generations. Its soaring melody and profound lyrics reflect the spiritual depth and joy of the season.Whether you're playing it for a small gathering or a large audience, this piece is sure to inspire and uplift with its powerful message and timeless appeal.
O Holy Night • Christmas Song | flute sheet music w/ piano accompaniment [chords]
Flûte traversière et Piano
purchasing our edition, you'll be able to download:
• Full score with all instruments of the arrangement (with piano accompaniment)
• Flute part

About the song | Adolphe Adam • O Holy Night

O Holy Night, composed by Adolphe Adam, is a cherished Christmas carol that has been a staple of holiday music for generations
Its soaring melody and profound lyrics reflect the spiritual depth and joy of the season
$6.99 6.05 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.967522 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Praise & Worship,Sacred. Score and part. 10 pages. Lawrence H Underwood #6139621. Published by Lawrence H Underwood (A0.967522). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
O Come, O Come Emmanuel for Solo Flute
Flûte traversière et Piano

$5.99 5.18 € Flûte traversière et Piano PDF SheetMusicPlus






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