Flute,Piano - Level 4 - Digital Download

SKU: A0.1369592

Composed by Lewis D. Edwards. Arranged by Rebecca Maughan. Christian,Easter,Religious,Sacred. Score and part. 8 pages. Rebecca Maughan Cook #953916. Published by Rebecca Maughan Cook (A0.1369592).

This arrangement starts quietly and the piano accompaniment has a tender line that weaves into the verse breaks.   Verse one and verse two do not do the chorus.  We wait for it- and then FINALLY when we get to the third verse we get to play the 'He Lives!' chorus.  And the flute simply states that up high on beautiful third register G while the piano finishes the phrase.  It's a touching way to testify.

The flute part dips down to low e, but to really play this well you need to be able to play a gorgeous high g.  That's the note on which you spin a beautiful vibrato.

You'll need a really good pianist.

Please listen to the recording.
I hope you feel and enjoy what this music can teach you in your soul.

Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, Easter, Lent. Score, Solo Part. 26 pages. Published by David McKeown

Flute,Piano - Level 3 - Digital Download

SKU: A0.1246834

By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Contemporary,Instructional,Jazz,Pop. Score and part. 3 pages. A.D.G. Productions #841482. Published by A.D.G. Productions (A0.1246834).

Midnight Blues Serenade For Flute and Piano is one of a collection of Blues Flute and Piano Pieces for the Intermediate Flautist. This is a medium tempo 12 bar blues with a swing rhythm in the key of F. The audio is recorded 1st. with flute and piano followed by just the piano to practice with. There is a 4 beat click as an intro.
About the Composer
Andrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.

One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.

Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.

One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.

Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.

Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.

Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.

Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:

Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. 

Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.

Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.

E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.

Composed by Various. Arranged by Gary Lanier. Christian,Christmas,Holiday,Sa cred,Spiritual. Score and part. 37 pages. The Lanier Company #898980. Published by The Lanier Company

Piano,Soprano Flute - Level 1 - Digital Download

SKU: A0.1251868

Composed by .Johannes Brahms. Arranged by Glauco Fernandes. 19th Century,Children,Classical,Instructional,Wedding. Score and part. 1 pages. Glauco Fernandes #846085. Published by Glauco Fernandes (A0.1251868).

**Simplified Arrangement for Flute and Piano of Johannes Brahms' Lullaby**

Product Description:
Introducing a delightful simplified arrangement for flute and piano of the famous song Lullaby (Berceuse) by renowned composer Johannes Brahms. This enchanting lullaby is known for its gentle and delicate melody, creating a calm and soothing ambiance. Now you can experience the beauty of this piece with the lovely combination of flute and piano!

Arrangement Features:
Our simplified arrangement for flute and piano of Lullaby is designed to be accessible to flutists of various skill levels. The flute part has been carefully adapted to ensure ease of playing while retaining the essence and beauty of the original composition. The piano part provides a supportive and harmonious accompaniment, enhancing the overall musical experience.

Musical Versatility:
Lullaby is an incredibly versatile piece suitable for various occasions. It is perfect for moments of relaxation, soothing babies, or simply enjoying a peaceful time. This arrangement allows flutists to explore the enchanting melody of Brahms' lullaby while accompanied by the expressive sounds of the piano.

Ideal for Performances and Practice:
Whether you're a student, a music lover, or a performer, this simplified arrangement for flute and piano of Lullaby offers a wonderful opportunity to showcase your musical talent. It can be performed at recitals, concerts, or even shared with family and friends. Additionally, it serves as an excellent practice piece for flutists looking to develop their skills and explore the classical repertoire.

High-Quality Sheet Music:
The sheet music for our simplified arrangement is printed in high quality, ensuring clear and legible notation for both the flute and piano parts. This makes it easy to follow along and enjoy the music as you play.

Capture the beauty and tranquility of Brahms' Lullaby with our simplified arrangement for flute and piano.

Flute,Piano - Level 1 - Digital Download

SKU: A0.548476

Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476).

Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.

Away in a Manger

Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck.

Popularity

By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone.

Other musical settings

The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther.

 

Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. 

Fl. Pft. - Intermediate-Advanced - Digital Download

SKU: F2.FM493

Composed by Ernest Tomlinson. Flute and Piano. Score and part. 33 pages. Forton Music - Digital #FM493. Published by Forton Music - Digital (F2.FM493).

ISBN 9790570483921.

All four of these pieces were arranged for concert flute and piano at the request of his daughter Hilary, who is a flautist. Pourquoi Pas? - This piece started life as a violin and piano piece written whilst Tomlinson was on active service in northern France during the Second World War serving as a wireless mechanic in the RAF. His commanding office was a good violinist and had found a local French family who had a grand piano. Hearing that Ernest was studying composition he was challenged to write a piece to entertain the French family. The piece was named after a local cafe much frequented by the troops. Chadkirk Idyll - Written in 2002, this was originally for recorder and guitar and then rescored in 2003 for recorder and string quartet. Naturally, it works very well for flute and piano so this arrangement was made at about the same time. Ernest wrote On receiving the request to write this piece, the description of Chadkirk and it's history conjured up for me an imaginary picture back in history. The mental image of a small and lonely chapel in the river valley at the base of a windswept hillside inspired the melodies around which the Idyll was shaped. Air - This piece started life as a cello and piano piece and has also been arranged for violin and piano. Linda's Dance - During the late 1950's and all through the 1960's Tomlinson wrote much orchestral music intended for use as background music in radio, films and tv. The piece was part of a suite that was eventually published as his first Light Music Suite. He always found titles a difficulty but his youngest daughter, Linda, was very fond of dancing so he simply called this movement Linda's Dance. The original orchestration was for alto flute but the composer was prevailed upon to make this concert flute and piano arrangement.

Flute,Piano - Level 3 - Digital Download

SKU: A0.736263

Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263).

PROGRAM NOTES
Reflections of Water for Flute & Piano
by Phyllis Avidan Louke

1.  A Cool Mountain Stream
http://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3

2.  A Quiet Morning on the Lake
http://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3

3.  Frolic in the Surf
http://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3

This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements.

1. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.
2. A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.
3. Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves.

Scored for flute and piano.  5:00    Level 3

Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published.  Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions.  Ms. Louke has also been the recipient of annual ASCAP awards since 2004.  Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded.  She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company.  Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications.

 For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/

Flute,Piano - Level 2 - Digital Download

SKU: A0.549839

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839).

Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.

Wachet auf, ruft uns die Stimme

(Awake, the Voice is calling us) also known as: Sleepers Awake

Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.

Fourth Movement

Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

&nb.

Flute,Piano - Level 2 - Digital Download

SKU: A0.549847

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847).

Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.

Wachet auf, ruft uns die Stimme

(Awake, the Voice is calling us) also known as: Sleepers Awake

Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.

Fourth Movement

Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival                

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

Flute,Piano - Level 2 - Digital Download

SKU: A0.550916

Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916).

This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. 

Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 Voyager

NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download

SKU: A0.549355

Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355).

This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.

Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 

Flute,Piano - Level 2 - Digital Download

SKU: A0.550917

Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888281. Published by jmsgu3 (A0.550917).

This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. 

Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 Voyager

NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Flute,Piano - Level 2 - Digital Download

SKU: A0.549354

Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354).

This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.

Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 

Flute,Piano - Level 2 - Digital Download

SKU: A0.549353

Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353).

This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.

Ave Maria

Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.