Flute,Piano - Level 2 - Digital Download SKU: A0.1284620 Composed by Colin Kirkpatrick. Holiday,Instructional,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #875795. Published by Colin Kirkpatrick Publications (A0.1284620). This is a lovely reflective piece for flute and piano. All the notes are within easy reach of the early intermediate player. The technical level is about Grade 3 - 4 (UK ABRSM) The range covers low C (only twice, and well prepared) to the E (E6) above the staff. The flute part makes considerable use of quarter note triplets and tied notes. The piece has long lyrical phrases, beginning in G major/E minor and ending in C major. It is ideal for developing a sustained tone and for encouraging players to practise the low C. The piece is rewarding to perform and the piano part has been kept fairly straightforward throughout. With a running time of 02:44, this piece would make an excellent and popular addition to a student recital.

Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.

Flute,Piano - Level 3 - Digital Download SKU: A0.764004 Composed by Barbara Arens. Celtic,Concert,Contemporary,Instructional,Standards. Score and part. 4 pages. Barbara Arens #6417263. Published by Barbara Arens (A0.764004). Dreaming of Clunie Water In the Eastern Highlands of Scotland is the village of Braemar, on the banks of the Clunie River – it’s a magically beautiful place I love to dream about. To evoke an authentic Scottish sound, I’ve used the ‘Scotch Snap’ a lot. The ‘Scotch Snap’ is very typical for Scottish music and consists of an accented short note followed by a long note – you’ll see this twice in the first bar. Sometimes this is played very energetically – but in this piece it is more graceful and dreamy.

Flute,Piano - Level 5 - Digital Download SKU: A0.886662 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score and part. 25 pages. Panagiotis Theodossiou #3057501. Published by Panagiotis Theodossiou (A0.886662).  Hellenic Dances, for flute and piano (2010)    I.Dance of the Youngsters, Pentozalis (traditional tune from Crete)    II.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris)   III.Dance of the Past, Dance (traditional tune from Heipiros)   IV.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa  from Pontos)    Transcription of four parts by Hellenic Suite for viola and piano. Tranciptions for clarinet and piano, oboe and piano, alto saxophone and piano, tenor saxophone and piano, flugelhorn and piano and wind quintet are available.    The work is dedicated to Stathis Kiosoglou for whom is written and has been performed by Stathis Mavrommatis and Christina Panteli at Pera Multipurpose Hall, Konstantinople in 2011 and twice  by O Ihos os Ehei wind quintet in municipality of Larisa, Greece, 2014).