Flute,Instrumental Solo,Piano - Digital Download SKU: A0.1027540 Composed by Brenda Meether. Contemporary. Score and individual part. 5 pages. Brenda Meether #1910789. Published by Brenda Meether (A0.1027540). Original composition for two flutes & piano.

Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1195895 Composed by Marcia L. McKenna. Celtic,Contemporary,Irish. Full Performance. Duration 151. Marcia L. McKenna #795068. Published by Marcia L. McKenna (A0.1195895). This recording is a companion to the sheet music The Luck of the Irish for piano and 2 flutes by Marcia L. McKenna.  This is a fun piece to listen to during Celtic celebrations or on St. Patrick’s Day.  The flute parts are interesting with a question-and-answer motif, after which the piano takes over the melody while the flutes play long tones together in harmony.

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1364102 Composed by Helen Lemmel. Arranged by arr. by Clifton Davis, ASCAP. Christian,Contest,Festival,Praise & Worship,Sacred. Score and part. 9 pages. Clifton Allen Davis Music, ASCAP #948377. Published by Clifton Allen Davis Music, ASCAP (A0.1364102). This reflectful setting of Helen Lemmel's beloved hymn, Turn Your Eyes Upon Jesus, works well in worship and recital settings.  The piano introduces a short counter theme answered with the verse and chorus played by the flute.  After a related interlude, the piano takes the theme for a restful moment.  The flute returns with flourishes including optional flutter tonguing, before a grand chorus extends into a final gentle reflection.  This arrangement is also useful as a teaching etude with a variety of ranges and articulations.

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1249151 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Children,Film/TV,Latin,Pop. Score and part. 4 pages. Joan Bujacich #843613. Published by Joan Bujacich (A0.1249151). We Don't Talk about Bruno, FLUTE and Piano and lyrics. Simplified rhythm for Flute, Elementary/Junior level. Arranged by Joan Bujacich. Clean, easy to read. From Encanto, the Movie.  Ms. Bujacich arranged this most popular song for flute and piano where the flute plays the main melody and the piano part does the answer melodies. The difficult syncopated rhythms in the main melody for Flute,  were simplified to make it more accessible for students on the earlier levels.  Family members, friends, classmates, can now enjoy this fun tune together. Ms. Bujacich also has many solo and duet versions of this piece available here on SMP. And if you are looking for more Flute and Piano arrangements be sure to check out all of Ms. Bujacich's arrangements on here publisher's page: https://www.sheetmusicplus.com/search?Ntt=joan+bujacich.

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.