Flute,Piano - Level 3 - Digital Download

SKU: A0.549330

By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486233. Published by jmsgu3 (A0.549330).

Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]

The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]

Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]

Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Flute,Piano - Level 3 - Digital Download

SKU: A0.549341

By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486693. Published by jmsgu3 (A0.549341).

Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]

The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]

Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]

Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Flute,Piano - Level 3 - Digital Download

SKU: A0.549348

By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486737. Published by jmsgu3 (A0.549348).

Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]

The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]

Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]

Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Flute,Piano - Digital Download

SKU: A0.1065587

Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Contemporary,Sacred,Standards. Accompaniment. Duration 180. Carol Troutman Wiggins #3507819. Published by Carol Troutman Wiggins (A0.1065587).

NEARER, MY GOD, TO THEE
Flute & Piano Duet

Nearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.

Excellent for intermediate level musicians.
Great for use as a prelude, offertory, postlude, or funeral.

Flute,Piano - Level 3 - Digital Download

SKU: A0.727400

Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred,Traditional. Score and part. 6 pages. Carol Troutman Wiggins #3507817. Published by Carol Troutman Wiggins (A0.727400).

NEARER, MY GOD, TO THEE
Flute & Piano Duet

Nearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.

Excellent for intermediate level musicians.
Great for use as a prelude, offertory, postlude, or funeral.

Flute and orchestra - difficult - Digital Download

SKU: S9.Q25027

For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027).

This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann

This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann

3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).

Instrumental Solo,Piano - Level 2 - Digital Download

SKU: A0.1083450

By Stephen DeCesare. By Lowell Mason. Arranged by Stephen DeCesare. Film/TV,Praise & Worship,Sacred,Standards,Traditional. Score and individual part. 7 pages. Exultet Music #687654. Published by Exultet Music (A0.1083450).

The 19th century Christian hymn which is well known as the alleged last song the band on RMS Titanic played before the ship sank has been freshly arranged for a Flute or Violin solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.

Flute,Piano - Level 3 - Digital Download

SKU: A0.730534

By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Matthew pyeon. Pop. Score and part. 17 pages. Sungil (Matthew) Pyeon #338432. Published by sungil (Matthew) Pyeon (A0.730534).

Flute,Piano - Level 2 - Digital Download

SKU: A0.1263670

Composed by Johann Sebastian Bach. Arranged by André Nusa. Baroque. Score and part. 3 pages. Andre_Nusa #856613. Published by Andre_Nusa (A0.1263670).

Experience the profound beauty of Bach's Sarabande No.2 BWV 990 in a captivating arrangement for flute and piano. Immerse yourself in the exquisite melodies and intricate harmonies as they unfold through the interplay of two instruments. This arrangement showcases the timeless elegance of Bach's composition, capturing the essence of Baroque music. Whether you're performing in a concert hall or simply savoring the artistry of the quartet, this arrangement of Sarabande No.2 BWV 990 for flute and piano will captivate both you and your audience. Elevate your repertoire and immerse yourself in the profound musical language of Bach.

Flute,Piano - Level 3 - Digital Download

SKU: A0.747031

By Elton John. By Bernie Taupin and Elton John. Arranged by Music for all Occasions. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902601. Published by Keith Terrett (A0.747031).

Arranged for Flute  & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.

The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.

The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.

In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.

The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.

The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Flute,Piano - Level 3 - Digital Download

SKU: A0.738135

Composed by Eric Bogle. Arranged by Fiona Hickie. Contemporary,Folk. Score and part. 16 pages. Fiona Alice Hickie #4838233. Published by Fiona Alice Hickie (A0.738135).

A song by Scottish born, Australian composer, Eric Bogle. It describes the futility of war. It is about a young Australian soldier who goes off to fight in WW1 adn comes home maimed. .

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download

SKU: A0.877959

Arranged by Rebecca Bogardus. Children,Christian,Sacred. Score and parts. 9 pages. Lillwy Publishing #6234613. Published by Lillwy Publishing (A0.877959).

This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students and include:

1. Solo Flute: this part is the melody of a familiar primary song or hymn.

2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church.

3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody.

It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study.

Flute,Piano - Level 3 - Digital Download

SKU: A0.818241

By Stephen R Dalrymple. By Franz X Gruber, Josef Mohr, George Frederick Handel, Nahum Tate. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score and part. 49 pages. Stephen R Dalrymple #3396921. Published by Stephen R Dalrymple (A0.818241).

Silent Night with While Shepherds Watched Their Flocks
♫ Christmas carol arrangement for flute and piano by Stephen R Dalrymple
♫ transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello
♫ Silent Night - lyrics - Josef Mohr 1816; melody - Franz X Gruber 1820 ♫ While Shepherds Watched Their Flocks - lyrics -Nahum Tate 1700, melody - from George Frederick Handel 1728 
♫ This was the first arrangement that I wrote for Katie, my daughter and our first performance in public together. I wrote it for her Christmas public school band concert. She was in her second year of band instruction. Later, I embellished the flute part as her flute skills continued to improve. At 11 years old she demonstrated good technique and tone, and would eventually graduate from university majoring in flute performance. 
♫ Includes pdf of 14 score choices 
♫ Full Score for flute and piano letter size 
♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts,
♫ Full Score for flute and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) 
♫ A duplicate YouTube video in French is available under the title Voici noël!, O douce nuit  https://youtu.be/IboOVuY2icU

Piano,Soprano Flute - Level 3 - Digital Download

SKU: A0.1328265

By Suede. By Bernard Butler and Brett Anderson. Arranged by Anna Coughlan. 20th Century,Grunge,Pop,Rock. Score and part. 12 pages. Anna Coughlan Music #916255. Published by Anna Coughlan Music (A0.1328265).

Formed in 1989, Suede became one of the most important and genre-defining bands of the 90's alternative rock/indie scene. The piano ballad, The Next Life, is the closing track of their debut album. The song was written in memory of lead singer Brett Anderson's late mother. 

This is an arrangment for intermediate solo flute with piano accompaniment.

A piano backing track for this arrangement is available on YouTube.