Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.576721 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and individual part. 5 pages. David Warin Solomons #90401. Published by David Warin Solomons (A0.576721). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for alto flute and piano. The pdf file contains score and separate alto flute part. A version for alto flute and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this siteIf you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707255

Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.1024260 Composed by Chris Coster. Contemporary. Score and parts. 12 pages. Sheet Music Plus.com/costermusicpress #4623127. Published by Sheet Music Plus.com/costermusicpress (A0.1024260). A contemporary classical duet written for Piano & Flute. .

Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.

Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download SKU: A0.962366 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 31 pages. Sergio Roberto de Oliveira #6086241. Published by Sergio Roberto de Oliveira (A0.962366). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.