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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1394363 Composed by Camille Saint-Saens. Arranged by Helene Schulthess. 19th Century,Chamber,Children,Classical,Halloween. Score and part. 11 pages. Helene Schulthess #977844. Published by Helene Schulthess (A0.1394363). Open configuration optionsDanse macabre (op. 40) is a symphonic poem for orchestra. However, the first version was a song with piano accompaniment. Saint-Saëns himself later made two versions for violin and piano and for two pianos. Further transcriptions were added by other composers, e.g. for solo piano and organ etc. Giuseppe Gariboldi wrote a Fantaisie-Transcription for the flute.The composition is based on the poem by Henri Cazalis. In the 19th century, piano songs with dance of death stories had a special significance. (e.g. F. Schubert: The Death and the Maiden)According to legend, Death appears at midnight every year on Halloween. He calls forth the dead from their graves to dance for him. The skeletons dance for him until the cockerel crows at dawn, then they must return to their graves until the next year.
Camille Saint-Saëns / Giuseppe Garibaldi – Danse macabre Fantaisie transcription
Flûte traversière et Piano

$18.00 17.23 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1466915 Composed by Martin Luther. Arranged by Carolyn Kelley. Christian,Christmas,Praise & Worship,Religious,Sacred. Score and part. 32 pages. Carolyn Kelley #1045476. Published by Carolyn Kelley (A0.1466915). The texts and tunes of Martin Luther's hymns have a timeless quality, and Lutherans of every age know these hymns well. The arranger has collected 6 well known hymns written by Martin Luther and arranged them for advanced flute and piano. Musicians will find parts that will demand strengths in every register, expect technical fluidity, and musical expression, particularly for the flutist. The arrangements are designed for a professional flutist, or an advanced college student. Even the most skilled flutist should be able to praise their Lord with their skills that were given to them, rather than being forced to play arrangements far below their best first fruits.This collection includes: Dear Christians, One and All, Rejoice (NUN FREUT EUCH, LIEBEN CHRISTEN); From Heaven Above to Earth I Come (VOM HIMMEL HOCH); Lord, Keep Us Steadfast in Your Word (ERHALT UNS, HERR); A Mighty Fortress (EIN FESTE BURG); Our Father, Who from Heaven Above (VATER UNSER IM HIMMELREICH, DER DU); and Savior of the Nations, Come (NUN KOMM, DER HEIDEN HEILAND).
Sola Scriptura: The Hymns of Martin Luther
Flûte traversière et Piano

$14.99 14.35 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.1198378 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #797561. Published by Samuel Sequeira (A0.1198378). When I Get There - Pink - FlutePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Sure thing! Here's the revised version of the description for the flute and piano accompaniment with chords:Immerse yourself in the emotional depth and beauty of Pink's When I Get There with this expertly crafted arrangement for flute with piano accompaniment and chords. The arrangement features the key of D Major, which perfectly captures the essence of the song and allows the flute to shine.The flute part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. The piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the arrangement. The arrangement includes chord symbols above the piano accompaniment, allowing you to add guitar or other chordal accompaniment to enhance the harmony and depth of the arrangement.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're a flutist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant.Experience the power of When I Get There by Pink in a whole new way with this flute and piano accompaniment with chords arrangement in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Flûte traversière et Piano
Pink
$4.99 4.78 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.551494 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306283. Published by jmsgu3 (A0.551494). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
Grieg: Peer Gynt Suite Complete for Alto Flute & Piano
Flûte traversière et Piano

$59.95 57.38 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
James Strauss
$29.99 28.71 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download SKU: A0.844400 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and part. 3 pages. Phil Beaman #3015665. Published by Phil Beaman (A0.844400). This is a setting of a Guatemalan folk song designed to be the first 'recital piece' after just a few weeks of learning.  Solo part covers the range of 1 octave of the first learned notes of that instrument.  Beginning students will appreciate the repeated notes before you have to find the next one.  There is a lilting piano accompaniment with fresh descriptive harmony, especially those occasionally dissonant chords when the parrot squawks!  A short piece of just 20 bars (but has a full repeat), it comes with the full score plus instrument solo part.  Also available for many other basic instruments.  Great fun piece for lessons or the classroom to mark those first successful notes. 
Pancho, the Parrot - flute/piano
Flûte traversière et Piano

$2.99 2.86 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1296421 By Alex North Alex. By Alex North. Arranged by Popnroll 1976. 20th Century,Film/TV,Jazz. Score and part. 16 pages. Popnroll 1976 #886632. Published by Popnroll 1976 (A0.1296421). Spartacus Love Theme - Bill Evans & Jeremy Steig (Lead Sheet for Piano & Flute)This is a complete transcription of the theme section of the 1969 recording Spartacus - Theme of Love with jazz pianist Bill Evans and flutist Jeremy Steig.The last theme is also available. Flute, piano and bass (including 2 choruses of ad-lib parts) are also taken.The interaction between the two (Bill & Jeremy) is wonderful. The solos are not one by one, but more like a conversation. Eddie Gomez's bass guitar also joins in between the solos. Please enjoy the beautiful dialogue of sound.PDF format, 16 pages. Contents: Score 5 pages, Parts: Flute & Piano 4 pages, Flute 2 pages, Piano 3 pages, Bass 2 pages.Composed by Alex North Performed by:Bill Evans, piano Jeremy Steig, flute Eddie Gomez, bassAlbum: What's New (1969)Discog link:https://www.discogs.com/ja/master/271066-Bill-Evans-With-Jeremy-Steig-Whats-New.
Spartacus - Love Theme
Flûte traversière et Piano
Alex North Alex
$19.99 19.13 € Flûte traversière et Piano PDF SheetMusicPlus


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