Flute,Piano - Level 2 - Digital Download SKU: A0.629647 Composed by Joanna Carlson and Michael W. Smith. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Exultet Music #6358553. Published by Exultet Music (A0.629647). This celebratory Christmas anthem by Michael W. Smith & Joanna Carlson has been freshly arranged for a Flute or Violin solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.

Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.647550 Composed by Hastings, Smith. Arranged by Nick Lacanski. Christian,Sacred. Score and individual part. 6 pages. Theupperstaff #2043887. Published by theupperstaff (A0.647550). This arrangement combines two very different yet favorite hymns. Skillful arranging allows you to use both hymns independently. The transition from the intimacy of Rock to the exuberance of Love Lifted Me encompasses musically how one feels be becoming a Christian.

Flute,Piano - Level 4 - Digital Download SKU: A0.796744 By Sam Smith. By Sam Smith and Steve Mac. Arranged by Gary D. Belshaw (ASCAP). Pop,R & B. Score and part. 22 pages. DR GARY D BELSHAW #4615353. Published by DR GARY D BELSHAW (A0.796744). For the advanced flautist. 4 minutes. 22 pages. This achingly beautiful, romantic, and passionate melody translates so naturally for the solo flute. Still in the original key of C-sharp minor, the full range of the flute is thus exploited with wonderful results, while at the same time it explores the full range of emotions. Not only a solid recital closer, it will also serve well for recruiting new students and for social obligations. Free improvisations are also quite welcome and natural. Your knowledgeable classical music supporters will be caught off-guard with the nod to Impressionism as the work opens. Reward your advanced pupils with a gift of this arrangement. .

Flute,Piano - Level 5 - Digital Download SKU: A0.761755 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Contemporary. Score and part. 8 pages. Standard Time #6244547. Published by Standard Time (A0.761755). This classic 1930s swing tune is arranged for flute solo with piano accompaniment.  The flute presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with flute backgrounds. The third iteration features a composed flute solo (optional improvisation) leading to an exciting conclusion.  Please note that the recording features the alto sax version of this arrangement.