Flute,Piano - Level 4 - Digital Download SKU: A0.577323 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Halloween. Score and part. 21 pages. David Warin Solomons #3586675. Published by David Warin Solomons (A0.577323). A mysterious piece in Octatonic mode inspired by dusk one day.

Flute,Piano - Digital Download SKU: A0.926136 Composed by Cesar Peredo. 20th Century,World. Score and part. 12 pages. Cesar Martin Peredo Medina #5777963. Published by Cesar Martin Peredo Medina (A0.926136). Introducción, tema y variaciones sobre un tema pentatonico tonal N° 1 Op 18 para flauta y piano.

Flute,Piano - Digital Download SKU: A0.1059759 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 141. David Warin Solomons #3924939. Published by David Warin Solomons (A0.1059759). Score:

Flute,Piano - Level 4 - Digital Download SKU: A0.921447 Composed by Mat Kim. Contemporary. Score and part. 3 pages. Mat Kim #3896155. Published by Mat Kim (A0.921447). The fourth in a series of explorations of tonality that is missing a specific diatonic scale degree. In this piece, a flute and two pianos avoid the leading tone of the tonic scale.

Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music.  Attached music file is recorded by Violin and Piano, it's just for a reference.

Flute,Piano - Digital Download SKU: A0.1035225 Composed by Theophilus Bucher (1802 - 1871). Arranged by James Strauss. Concert,Halloween,Romantic Period. Score and part. 29 pages. James Strauss #5806083. Published by James Strauss (A0.1035225). The flutist, composer and professor of music Theophilus Bucher had a settled and successful life after his immigration to England, where he is reported as newly arrived in 1831. We are lucky to have a monument at his grave in Edinburgh (in the Dean Cemetery) which gives both his date and place of birth, as well as the date and place of his demise. Theophile Bucher was born at Schlestadt, Alsace, on March 13, 1802, and died at Edinburgh, December 20, 1871.  The obituary published in Signale für die Musikalische Welt, in March 1872, which states he came from Naples, from French parents. That obituary, although in German, gives his name in the French form of Theophile Boucher, the only source which gives this spelling for his surname. Certainly, his early successes and earliest publications seem to be in Naples, although he is reported in other parts of Italy as well. Grand fantasia and brilliant variations: for the flute, on Paganini's air The witches dance, with an accompaniment for the pianoforte. Composed & dedicated to his friend G. Rudall Esqre., by T. Bucher.This publication was listed as new in the last month in October 1832 in the Harmonicon. George Rudall, (1781-1871), founder of Rudall and Rose in 1821. An arrangement of Paganini’s Witches Dance (his op. 8) was already published in volume one of the Flutonicon (1834).

Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.860555 Composed by Sandra Lynch. Contemporary,Instructional,Standards. Score and individual part. 3 pages. Sandra Lynch #1999239. Published by Sandra Lynch (A0.860555). This little kitten is lost! Don't worry, I think his owner will come looking for him very soon! An easy 8 bars to begin then with a few modulations back to the tonic of A minor. A lovely piece at early intermediate level.

Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.

Flute,Piano - Level 5 - Digital Download SKU: A0.834104 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559975. Published by EMK Music (A0.834104). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen.  Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist.    In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.

Flute,Piano - Level 3 - Digital Download SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1.  A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2.  A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3.  Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano.  5:00    Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published.  Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions.  Ms. Louke has also been the recipient of annual ASCAP awards since 2004.  Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded.  She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company.  Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications.  For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/

Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #804401. Published by Han-Ki Kim (A0.1206204). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm.  For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.

Flute,Piano - Level 3 - Digital Download SKU: A0.573855 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding,World. Score and part. 8 pages. James M Stevens Music ASCAP #6098967. Published by James M Stevens Music ASCAP (A0.573855). Written October 24, 2020 this is an original flute and piano composition with ambient orchestration in the bright key of A major and draws all the notes from the pentatonic scales of A major and D minor with gives it a certain Asian feeling. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard can be found under Peaceful Times Accompaniment Track.

Flute,Piano - Level 3 - Digital Download SKU: A0.573360 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Wedding,World. Score and part. 8 pages. James M Stevens Music ASCAP #5324869. Published by James M Stevens Music ASCAP (A0.573360). Written March 24, 2020, this is an original flute & piano composition in relaxing and romantic style with gentle use of the pentatonic scale with Asian overtones in bright key of A major. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under Cherry Blossoms Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

Flute,Piano - Digital Download SKU: A0.573935 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Wedding,World. Score and part. 7 pages. James M Stevens Music ASCAP #6197847. Published by James M Stevens Music ASCAP (A0.573935). Written December 12, 2020, this an original flute & piano composition in the key of A major and an etude on the use of the A major and D minor pentatonic scales and the harmonic use of perfect 4ths and 5ths. There is a separate flute part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard is available under Sails in a Philippine Sunset Piano Track.

Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.