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Instrumental Duet Flute,Instrumental Duet,Piano - Digital Download

SKU: A0.1001501

Composed by Justin K. Reeve. Arranged by Justin K. Reeve. 20th Century,Christmas,Contemporary. Score and parts. 7 pages. Justin Kenlon Reeve #6620121. Published by Justin Kenlon Reeve (A0.1001501).

It’s difficult to know just how old The First Noel is. The song (at least the words) is thought to be of Cornish origin, and may date back as early as the 13th or 14th century. During this time, miracle plays and mystery plays - dramatic productions of Catholic saints and biblical stories - were popular in Europe. The First Noel may have its origins in some form as early as this time, though it may also be a variation on The First O Well, a very old church gallery hymn. It was first published with words in 1823, as part of William Sandys’ Carols Ancient and Modern.

The arrangement here also incorporates a variation of Prayer from the North, a tin whistle melody by Solnamoo Song.

The First Noel
Flûte traversière et Piano

$1.99 1.89 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download

SKU: A0.1101424

Composed by Jon Raybould. Classical. Score and part. 10 pages. Jon Raybould Music #704814. Published by Jon Raybould Music (A0.1101424).

All Aboard ....... - this is my new piece for flute and backing track. Get your tickets now and take your flute students (or yourself) a journey of a lifetime - through MINOR keys! Listen to the performance, and/or play along to the backing track. This is version 1, scheduled to visit the following keys: D minor to G minor, then G minor to C minor, then a middle section in F minor, leading to C minor - then C minor to F minor, then a whistle-stop tour of E flat minor, B flat minor, F minor, C minor, B flat major, and finally from D minor to G minor again! Free performance track and backing track can be downloaded from here: https://drive.google.com/drive/folders/19RQg0M2I-K03BuTk5bME3XmMkRFhdJuX?usp=sharing Further note to teachers - this would be a good way of practising double-tonguing - ignore the articulations and play it all staccato with T-K-T-K .... ... or even better, reverse double-tonguing (K-T-K-T) ... (that way you could re-name this piece Cutta-Cutta Catch The Late Train! to match my Tucca-Tucca-Toccata) ! Have fun!

Catch the Late Train
Flûte traversière et Piano

$6.00 5.69 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download

SKU: A0.1437014

By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014).

The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.

The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.

Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.

Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.
Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.
Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or B
Harmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.
If feeling super inspired sing the low register chromatically into the flute whilst fingering it.
Do a lot of legato slurred work to warm up before commencing articulation.
Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.
Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.

Rain After That
Flûte traversière et Piano
Joe Hisaishi
$6.95 6.59 € Flûte traversière et Piano PDF SheetMusicPlus






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