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Flute,Piano - Level 3 - Digital Download SKU: A0.633866 By Steve Tyrell. By John Frederick Coots. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #3470808. Published by F & N Enterprise (A0.633866). An excellent arrangement of famous Song Santa Claus Is Comin' To Town for Flute and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
Santa Claus Is Comin' To Town
Flûte traversière et Piano
Steve Tyrell
$4.99 4.26 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    Register for free lifetime revisions and updates at www.jamesguthrie.com
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano

$24.95 21.29 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flûte traversière et Piano

$24.95 21.29 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute. 
Valse - Scherzo op.34 for flute and piano
Flûte traversière et Piano

$11.99 10.23 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Digital Download SKU: A0.1071461 Composed by Richard Roderick Jones. Contemporary. Accompaniment. Duration 626. Jacominus Publishing #3603485. Published by Jacominus Publishing (A0.1071461). Alicia Dine (flute) with Richard Roderick Jones (piano)Persephone Dances is a lyrical, free-flowing single movement piece for flute and piano lasting 10 minutes 24 seconds. There are five main sections. Persephone was the ancient Greek goddess of Spring who spent six months with Hades under the earth and the other six upon the earth. The sections describe these periods. The first pits the piano with its explosions against the flutes melodic line - the piano's sustaining pedal held down above which the flute meditates and cascades. The second is more gentle.with the flute and piano intertwined. There are elements of freedom for the players in the third section.The fourth section is like the first with the piano reprise of the gentle flute and piano writing of the second section and the peace ends peacefully.  www.richardroderickjones.com
Persephone Dances for Flute and Piano
Flûte traversière et Piano

$4.00 3.41 € Flûte traversière et Piano PDF SheetMusicPlus

Flute and piano - easy to intermediate - Digital Download SKU: S9.Q11638 Composed by Guenther Johannes Schmitz. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q11638. Published by Schott Music - Digital (S9.Q11638). This 'Fairy Tale Suite' is a cycle of pieces very varied in style and – like film music – even their titles suggest a story. From an elf prince to a dream and a sea voyage, then on to a (captive?) princess and a battle with a Cyclops, a feast for mice and then a homecoming, no limits are set to the imagination of the player and listener. The pieces are of easy to medium difficulty. The inclusion of modern musical techniques makes these pieces highly suitable for school and youth music competitions, where pieces from the contemporary repertoire are often preferred. The musical techniques involved should be within the capabilities of every student. Challenging passages are always set in an appealing musical context and never presented as an end in themselves. The Fairy Tale Suite provides attractive pieces for teaching, concerts and competitions.Der Zyklus „Märchensuite“ besteht aus stilistisch sehr unterschiedlichen Stücken, die – ähnlich einer Filmmusik – auch durch ihre Titel eine Geschichte erzählen. Durch den behutsamen Einsatz moderner Spieltechniken sind diese Stücke vorzüglich geeignet für Schülerwettbewerbe wie „Jugend musiziert“, da hier oft Stücke aus dem zeitgenössischen Repertoire verlangt werden. Ansprechende und motivierende Stücke für Unterricht, Vorspiel und Wettbewerb.
Fairy Tale Suite
Flûte traversière et Piano

$16.99 14.5 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 1 - Digital Download SKU: A0.1096079 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700029. Published by M das Melodias (A0.1096079). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Flute. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
Have You Ever Seen The Rain?
Flûte traversière et Piano
Creedence Clearwater Revival
$4.99 4.26 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
Sonata for Flute No. 1 (Piano Score Only)
Flûte traversière et Piano

$10.99 9.38 € Flûte traversière et Piano PDF SheetMusicPlus






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