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Small Ensemble Flute,Piano,Voice - Level 1 - Digital Download SKU: A0.964467 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6329921. Published by Leyandder Trustworthy (A0.964467). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Flute, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Flute and piano with chords
Flûte traversière et Piano

$4.99 4.31 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.524753 Composed by Edward Elgar. Arranged by John A. Dempsey. Classical,Contemporary,Romantic Period,Traditional,Wedding. Score and parts. 18 pages. John A. Dempsey #6294621. Published by John A. Dempsey (A0.524753). Arranged as a trio for flute, alto sax and piano, Salut d'Amour is classic Elgar.  His music conjures a world of timeless grace and elegance, with its memorable melody that is luxurious, sweeping and transcendent of time.  Also known as Love's Greeting and Hello, Love, this romantic music is recommended for weddings (as a prelude, unity candle music, a bridal march or bridesmaid processional) as well as recitals and concerts.  14 pages of music (that includes separate two-page pullout parts for flute and alto sax).  Concert Key (Piano): Bb major.  Flute Key: Bb major.  Alto Sax Key: G major
Salut d'Amour (Love's Greeting): Trio for Flute, Alto Sax and Piano
Flûte traversière et Piano

$11.99 10.36 € Flûte traversière et Piano PDF SheetMusicPlus

Fl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM493 Composed by Ernest Tomlinson. Flute and Piano. Score and part. 33 pages. Forton Music - Digital #FM493. Published by Forton Music - Digital (F2.FM493). ISBN 9790570483921.All four of these pieces were arranged for concert flute and piano at the request of his daughter Hilary, who is a flautist. Pourquoi Pas? - This piece started life as a violin and piano piece written whilst Tomlinson was on active service in northern France during the Second World War serving as a wireless mechanic in the RAF. His commanding office was a good violinist and had found a local French family who had a grand piano. Hearing that Ernest was studying composition he was challenged to write a piece to entertain the French family. The piece was named after a local cafe much frequented by the troops. Chadkirk Idyll - Written in 2002, this was originally for recorder and guitar and then rescored in 2003 for recorder and string quartet. Naturally, it works very well for flute and piano so this arrangement was made at about the same time. Ernest wrote On receiving the request to write this piece, the description of Chadkirk and it's history conjured up for me an imaginary picture back in history. The mental image of a small and lonely chapel in the river valley at the base of a windswept hillside inspired the melodies around which the Idyll was shaped. Air - This piece started life as a cello and piano piece and has also been arranged for violin and piano. Linda's Dance - During the late 1950's and all through the 1960's Tomlinson wrote much orchestral music intended for use as background music in radio, films and tv. The piece was part of a suite that was eventually published as his first Light Music Suite. He always found titles a difficulty but his youngest daughter, Linda, was very fond of dancing so he simply called this movement Linda's Dance. The original orchestration was for alto flute but the composer was prevailed upon to make this concert flute and piano arrangement.
Selected Pieces Vol. 1
Flûte traversière et Piano

$12.95 11.19 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
Friction
Flûte traversière et Piano

$20.00 17.28 € Flûte traversière et Piano PDF SheetMusicPlus

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
Flûte en suite
Flûte traversière et Piano

$55.99 48.38 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Cello,Flute,Piano - Level 4 - Digital Download SKU: A0.524417 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 19 pages. John A. Dempsey #5727037. Published by John A. Dempsey (A0.524417). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime trio for flute, cello and piano.  Recommended for concerts, recitals and other multiple venues; especially popular as an encore!  Featured in the movie THE STING and the TV series WESTWORLD.  15 pages of music (that includes separate two-page parts for flute and cello).  Key: D major / modulates to G major.
Pineapple Rag (Trio for Flute, Cello and Piano)
Flûte traversière et Piano

$11.99 10.36 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Flute,Piano - Level 4 - Digital Download SKU: A0.524429 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 19 pages. John A. Dempsey #5733049. Published by John A. Dempsey (A0.524429). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a ragtime trio for flute, alto sax and piano.  Recommended for concerts, recitals and other multiple venues; especially popular as an encore!  Featured in the movie THE STING and the TV series WESTWORLD.  15 pages of music (that includes separate two-page parts for flute and alto sax).  Concert Key: Bb major / modulates to Eb major.
Pineapple Rag (Trio for Flute, Alto Sax and Piano)
Flûte traversière et Piano

$11.99 10.36 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Cello,Flute,Piano - Level 3 - Digital Download SKU: A0.524058 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Irish,Multicultural,Romantic Period,World. Score and parts. 18 pages. John A. Dempsey #4639453. Published by John A. Dempsey (A0.524058). You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a trio for flute, cello and piano.  The piano part is varied, expanded and embellished; there's also a bit of variation in the flute and cello parts, too.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland!  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  14 pages of music (that includes separate two-page pullout parts for flute and cello).  Key: G major.  Flute/Cello Level: Intermediate.  Piano Level: Late Intermediate.
Loch Lomond (Trio for Flute, Cello and Piano)
Flûte traversière et Piano

$11.99 10.36 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pilling. 20th Century,Classical,Contest,Festival. Score and part. 22 pages. Forsyth Brothers Ltd #1015095. Published by Forsyth Brothers Ltd (A0.1434991). These short but perfectly formed pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin. Buffoon The Cuckoo Ländler Jig Bercuse (Trio for Flute, Oboe and Piano) Sarabande (Trio for Flute, Clarinet and Piano) Pilling was a much loved figure in the Mancunian musical world, known to generations of young pianists for her imaginative piano teaching pieces. Most famous for classic 'Harmonization of Melodies at the Keyboard' series, Dorothy Pilling also composed many piano duets and solos, as well as songs and other works. According to the Voxturturis blog:'Her music remains fresh and light; characterised by strong melodies and late romantic harmony which she improvised well and the pieces are, in the main, short.  Instantly appealing to players and audiences alike, most of her work shows a high degree of compositional craft'.
Four Simple Pieces for Flute
Flûte traversière et Piano

$9.99 8.63 € Flûte traversière et Piano PDF SheetMusicPlus






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