Voice Duet Voice - Level 3 - Digital Download SKU: A0.616695 Composed by Philip P. Bliss. Arranged by Gary Lanier. Easter,Sacred. 13 pages. The Lanier Company #3424139. Published by The Lanier Company (A0.616695). IT IS WELL WITH MY SOUL is a Trio arrangement for Flute & Baritone Sax with Piano of a popular old hymn tune (Parts included). It works great for offertories, special music for a worship service, or for the joy of playing it in any situation where inspirational music is desired (12 pages).

Voice Duet Voice - Level 4 - Digital Download SKU: A0.893704 Composed by K.J. Murdock, based on F. Chopin. Contemporary,Instructional,Musical/Show,Romantic Period,Standards. 11 pages. Kristopher James Murdock #3097989. Published by Kristopher James Murdock (A0.893704). Music teachers -- piano, vocal, or music theatre! Are you wondering how to pique the interest of your students (and their recital audiences) in the heightened and ever shifting musical emotionalism of the Romantic style, while staying relevant to today by using a timeless story that arrests their attention? Do you need an expressive recital piece that will demonstrate your students' abilities in a wide range of expression? The solution to both of these problems is this dramatic piano-vocal arrangement of Behind The Maestro's Mask, from Revelation & Restoration's musical The Maestro's Mask: The Untold Story of the Opera Ghost.The song allows intermediate singers to moderately challenge their vocal emotional expression, and you may wish to accompany them yourself on the piano, yet it's also useful as an instrumental solo piece for a piano student. With music based on the A-C sections of Chopin's Polonaise, Op. 26, No. 1 in C# minor and Db major, but transposed and adapted in the easier keys of G minor and G major, this piece will act as a step up for your moderately advanced piano student, preparing for Chopin's work. (There are significant differences between this song and Chopin's Polonaise, particularly on pages 1 and 8-11.)Disclaimer: This piece quotes from Frédéric Chopin's public domain work, Polonaise, Op. 26, No. 1 and is part of Revelation & Restoration's musical The Maestro's Mask: The Untold Story of the Opera Ghost, which is based on a sequel to Gaston LeRoux's public domain novel Le Fantôme de l'Opéra. The musical is not a sequel to Andrew Lloyd Webber's musical version of The Phantom of the Opera. Revelation & Restoration is not affiliated with Andrew Lloyd Webber or The Really Useful Group.

Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts.  The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site.  I went out this morning along the way to work  when without warning I was faced with clouds of murk  refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds!  I went down to the station and was waiting for my train  but to my irritation the stinkers were there again.  [refrain]  Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play  or wouldn't it be jolly just to sing along with pals in a cozy pub along the way  or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death.  [refrain]  I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick  [refrain]  It's fine bright hot and sunny and I'd love to have a drink  but why spend time and money where the smokers sit and stink?  [refrain]  Wouldn't it be pleasant just to pass the time at a social do or a meeting hall  or wouldn't it be jolly to dance the night away with the one you love at a disco or ball  wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death  [refrain].

Voice Duet Voice - Level 4 - Digital Download SKU: A0.780495 Composed by Fred Rogers. Arranged by Cathy Stamegna. Children,Contemporary,Film/TV,Jazz,Pop. 6 pages. Cathy Stamegna #4978709. Published by Cathy Stamegna (A0.780495). It’s You I Like from MISTER ROGERS’ NEIGHBORHOOD (ST Duet, Chords, Piano Acc.) begins with Mister Rogers' thoughtful lyrics/traditional melody and transitions to a jazz/pop sound. Other vocal and instrumental arrangements available.  Piano accompaniment optional for three and four-part arrangements, but recommended for two-part arrangements. Graded Advanced Intermediate because of harmonies in the jazz/pop section.

Voice Duet Voice - Level 4 - Digital Download SKU: A0.780496 Composed by Fred Rogers. Arranged by Cathy Stamegna. Children,Contemporary,Film/TV,Jazz,Pop. 6 pages. Cathy Stamegna #4978711. Published by Cathy Stamegna (A0.780496). It’s You I Like from MISTER ROGERS’ NEIGHBORHOOD (Duet for Soprano/Tenor Solo, Chords, Piano Acc.) begins with Mister Rogers' thoughtful lyrics/traditional melody and transitions to a jazz/pop sound. Other vocal and instrumental arrangements available.  Piano accompaniment optional for three and four-part arrangements, but recommended for two-part arrangements. Graded Advanced Intermediate because of harmonies in the jazz/pop section.

Voice Duet Voice - Level 3 - Digital Download SKU: A0.575809 Composed by David Warin Solomons. 20th Century. 3 pages. David Warin Solomons #2028367. Published by David Warin Solomons (A0.575809). Setting of a poem by Dylan Thomas describing the fearlessness of children and the fearfulness of adults. The guitar part makes great use of the instrumental possibilities of open string against stopped string, as can be heard in the sound sample. The sound sample is performed live by the composer. Being but men, we walked into the trees afraid,