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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
Hänsel und Gretel
Voix duo, Piano
the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles
$23.99 22.96 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730529 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Score. 42 pages. James Nathaniel Holland #6326759. Published by James Nathaniel Holland (A0.730529). PIANO VOCAL SCORE. Full Score and Individual Parts sold separately. Orchestral accompaniment also available. Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
The Banshee and the Wish, An Opera in One Act, Piano Vocal Score
Voix duo, Piano

$13.95 13.35 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.955898 Composed by George Gershwin and Ira Gershwin. Arranged by Scott S. Stewart. Contemporary. 9 pages. Scott S. Stewart #6882583. Published by Scott S. Stewart (A0.955898). Aren’t You Kind of Glad We Did? is an unused George Gershwin song recycled posthumously by brother Ira for the 1947 film The Shocking Miss Pilgrim (Dick Haymes and Betty Grable) – a story about the Women’s Suffrage movement of 1874, and equality in the workplace.  The film was a disappointment. This song didn’t get radio airplay (as recorded by Dick Haymes and Judy Garland) because censors inferred it had a too suggestive meaning.    This ‘trunk tune,’ however, found its way into the Great American Songbook. This arrangement is an (interactive conversational) duet for soprano and baritone with piano accompaniment.  Performance time: 3:38+-
Aren't You Kind Of Glad We Did?
Voix duo, Piano

$12.99 12.43 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1141154 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. 5 pages. Exultet Music #741413. Published by Exultet Music (A0.1141154). Tender song based on the words by Saint Francis Xavier Cabrini and the beautiful prayer of Lead me from death to life, from falsehood to truth. Lead me from despair to hope, from fear to trust. Lead me from hate to love, from war to peace. Let peace fill my heart, my world, my universe. Scored as a duet for a Soprano and Tenor solo with Piano accompaniment. Can be used at any church service or concert setting.
Lead Me To Peace (Duet for Soprano and Tenor solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.78 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1141152 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. 5 pages. Exultet Music #741410. Published by Exultet Music (A0.1141152). Tender song based on the words by Saint Francis Xavier Cabrini and the beautiful prayer of Lead me from death to life, from falsehood to truth. Lead me from despair to hope, from fear to trust. Lead me from hate to love, from war to peace. Let peace fill my heart, my world, my universe. Scored as a duet for a Soprano and an Alto solo with Piano accompaniment. Can be used at any church service or concert setting.
Lead Me To Peace (Duet for Soprano and Alto solo)
Voix duo, Piano
Stephen DeCesare
$4.99 4.78 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.780843 Composed by John Newton, Robert Lowry and Rev. L. A. Morris. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred. 8 pages. Cathy Stamegna #5711241. Published by Cathy Stamegna (A0.780843). This arrangement pairs Seeking a Refuge, a hymn based on Psalm 46:1 by Ohio hymn writer Lelia N. Morris, with Amazing Grace.  Seventh chords highlight the lyrics of these two compositions, beginning with Seeking a Refuge.  A modulation in key ushers in Amazing Grace.  The final section brings the lyrics of both hymns together for a quiet, contemplative resolution.   Chords added for guitar or mallet players.  Piano Accompaniment track sold separately.  Part of the Hymns of Comfort collection.
Seeking a Refuge (with "Amazing Grace") (Duet for Soprano/Tenor Solo, Chords, Piano Accompaniment)
Voix duo, Piano

$4.99 4.78 € Voix duo, Piano PDF SheetMusicPlus






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