Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.975466 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Thomas J. Dawson, Jr. Contemporary. 10 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247659. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975466). I had no trouble (at all) making my choice for personal favorite of the ten great tunes John offers up… his rendition of Summertime is THE most mellow performance of that classic jazz tune I have ever heard… the vocals just SHIMMER, folks! (Dick Metcalf, Contemporary Fusion Reviews)Rising Star John Redmon, Hollywood Actress/Jazz Singer Linda Purl and Music Legend Thomas Dawson Jr. team up with an arrangement of Summertime that would make even the biggest jazz critic applaud. This piano/vocal arrangement by Dawson takes this delectable Gershwin tune and turns it into a gourmet feast in which you can’t get enough. The chords are delicious!This version of Summertime would be fitting as background music, jazz bars and night clubs, theatrical spaces, concerts, and jazz festivals.Summertime appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.The recorded version is just a little over 4 1/2 minutes.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook:  https://m.facebook.com/johnredmonmusic/Instagram:  https://www.instagram.com/johnredmonmusic/Twitter:  https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/

Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1308011 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. 21st Century,Baroque,Historic,Romantic Period,Singer/Songwriter. 4 pages. Richard deCosta #897288. Published by Richard deCosta (A0.1308011). Haunting electronica rendition of Poe's To One in ParadiseEmbark on a melodious journey through Edgar Allan Poe's To One in Paradise with this captivating vocal duet. The neo-Baroque intricacies entwined within the score escort the listeners back to a time of ornate expressions and profound emotions. The composition is laden with melodious arcs that ascend to euphoric peaks and descend into contemplative valleys, echoing the poignant essence of Poe's verses. The vocalists, enveloped in a tender dialogue, weave through the stanzas, their voices entwining with grace, and delving into the sorrow and hope inked in the poet's words. This piece is a heartfelt ode to the ethereal beauty of cherished memories and the melancholy of lost love. A timeless narrative that resonates through the ages, waiting to be unveiled by the emotive prowess of passionate performers.To One in ParadiseBy Edgar Allan PoeThou wast that all to me, love,For which my soul did pine—A green isle in the sea, love,A fountain and a shrine,All wreathed with fairy fruits and flowers,And all the flowers were mine.Ah, dream too bright to last!Ah, starry Hope! that didst ariseBut to be overcast!A voice from out the Future cries,“On! on!�—but o’er the Past(Dim gulf!) my spirit hovering liesMute, motionless, aghast!For, alas! alas! with meThe light of Life is o’er!No more—no more—no more—(Such language holds the solemn seaTo the sands upon the shore)Shall bloom the thunder-blasted tree,Or the stricken eagle soar!And all my days are trances,And all my nightly dreamsAre where thy grey eye glances,And where thy footstep gleams—In what ethereal dances,By what eternal streams.

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric� Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]�. She enclosed the corresponding verses with the letter and “for fun� also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment� (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.�The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1357651 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Christian,Christmas,Contemporary,Contest,Festival,Holiday. 11 pages. Cathy Stamegna #942190. Published by Cathy Stamegna (A0.1357651). “Joy exploded here, it’s Christmas!�  The lyrics capture the excitement and thrill we experience when the lights, music, and decorations usher in the Christmas season.  The lyrics transition from “decorate the halls…� to decorate your hearts…�  A slower, peaceful passage follows:  “We are Christmas lights.�  A return to the A section with “Joy exploded here, on Christmas!� speaks of the Christ Child who brought us joy from heaven.  Appropriate for concert, recital, or contemporary worship.  Key of F. Major, modulating to G.  Performance Time: approx. 3:00.

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.780846 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. 5 pages. Cathy Stamegna #5712985. Published by Cathy Stamegna (A0.780846). We’ll Meet Again (Duet for Soprano/Alto Solo, Chords, Piano Accompaniment). Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map. Her performances uplifted many during World War II. The lyrics and flowing melody still provide hope and comfort today. Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms. Chords added for mallet percussion or guitars to play along. Other vocal/instrumental arrangements available, including vocal solos in two keys.  Arranged during a time of social distance because of the coronavirus pandemic.

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.780850 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. 5 pages. Cathy Stamegna #5713333. Published by Cathy Stamegna (A0.780850). We’ll Meet Again (Soprano/Tenor Duet, Chords, Piano Accompaniment). Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map. Her performances uplifted many during World War II. The lyrics and flowing melody still provide hope and comfort today. Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms. Chords added for mallet percussion or guitars to play along. Other vocal/instrumental arrangements available, including vocal solos in two keys.  Arranged during a time of social distance because of the coronavirus pandemic. 

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.780849 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. 5 pages. Cathy Stamegna #5713005. Published by Cathy Stamegna (A0.780849). We’ll Meet Again (TB Duet, Chords, Piano Accompaniment). Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map.  Her performances uplifted many during World War II.  The lyrics and flowing melody still provide hope and comfort today.  Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms. Chords added for mallet percussion or guitars to play along.  Other vocal/instrumental arrangements available, including vocal solos in two keys.  Arranged during a time of social distance because of the coronavirus pandemic.

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.780848 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. 5 pages. Cathy Stamegna #5713007. Published by Cathy Stamegna (A0.780848). We’ll Meet Again (Duet for Tenor/Bass Solo, Chords, Piano Accompaniment). Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map. Her performances uplifted many during World War II. The lyrics and flowing melody still provide hope and comfort today. Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms. Chords added for mallet percussion or guitars to play along. Other vocal/instrumental arrangements available, including vocal solos in two keys.  Arranged during a time of social distance because of the coronavirus pandemic. 

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801757 Composed by Connie Boss. Easter,Sacred. 4 pages. Connie Boss #6697085. Published by Connie Boss (A0.801757). This original song has lyrics that work great for Lent and Good Friday, but it could be sung at any time. Sometimes when we feel very low and things don't seem to going well for us or we think life isn't fair, we should think about what Jesus went through with strength and courage. Any questions or request please email me at cdboss@cvalley.netBe More Like Jesus composed by Connie BossVerse 1:Be more like Jesus in strength and courage,When they whipped Him till He bled.Be more like Jesus in strength and courage,When they placed the thorns on His head Refrain:Be more like JesusBe more like JesusBe more like Jesus, Christ Verse 2: Be more like Jesus in strength and courage,When He carried the cross to that placeBe more like Jesus in strength and courage,As the blood streamed down His face. RefrainVerse 3: Be more like Jesus in strength and courage,When they nailed His feet and His handsBe more like Jesus in strength and courage,When forgive them is what He said RefrainRefrain to end.

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.780845 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. 5 pages. Cathy Stamegna #5712979. Published by Cathy Stamegna (A0.780845). We’ll Meet Again (SA Duet, Chords, Piano Accompaniment). Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map.  Her performances uplifted many during World War II.  The lyrics and flowing melody still provide hope and comfort today.  Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms. Chords added for mallet percussion or guitars to play along.  Other vocal/instrumental arrangements available, including vocal solos in two keys.  

Piano,Voice Duet Medium Voice,Piano - Level 2 - Digital Download SKU: A0.901091 Composed by Philip Paul Bliss. Arranged by Clifford W. King. Classical,Easter,Praise & Worship,Sacred,Spiritual. 9 pages. Clifford W. King #5210815. Published by Clifford W. King (A0.901091). Duet, Sacred, Christian Also available for SATB choir and 2-part choir. This is a graceful and very accessible arrangement of the much-loved hymn. The flowing piano introduction leads into a beautiful TB duet. Unexpected harmonies lend themselves to the beautiful lyrics. SATB voicing is presented a cappella at times but usually supported by fullness in the accompaniment. Perfect for church choirs. Duration: 4:15www.cliffordwking.com

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.780707 Composed by Cathy Stamegna. Easter,Praise & Worship,Sacred. 8 pages. Cathy Stamegna #5286507. Published by Cathy Stamegna (A0.780707). For Me You Walked To Calvary (Duet for Tenor/Bass Solo, Chords, Piano Accompaniment).  A stirring addition to a Lenten, Good Friday, or Reconciliation Service.  The beginning lines of the Spiritual, Were You There, serve as a transition to verses from Isaiah 53.  The piece ends with Luke 23:42:  Jesus remember me…. Key of Cm.  Performance Time 2:41.   Chord symbols allow for guitar, bass guitar, harp, etc.  Other arrangements available. 

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.780703 Composed by Cathy Stamegna. Easter,Praise & Worship,Sacred. 8 pages. Cathy Stamegna #5286487. Published by Cathy Stamegna (A0.780703). For Me You Walked To Calvary (SA Duet, Chords, Piano Accompaniment).  A stirring addition to a Lenten, Good Friday, or Reconciliation Service.  The beginning lines of the Spiritual, Were You There, serve as a transition to verses from Isaiah 53.  The piece ends with Luke 23:42:  Jesus remember me…. Key of Cm.  Performance Time 2:41.   Chord symbols allow for guitar, bass guitar, harp, etc.  Other arrangements available. 

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.780706 Composed by Cathy Stamegna. Easter,Praise & Worship,Sacred. 8 pages. Cathy Stamegna #5286505. Published by Cathy Stamegna (A0.780706). For Me You Walked To Calvary (TB Duet, Chords, Piano Accompaniment).  A stirring addition to a Lenten, Good Friday, or Reconciliation Service.  The beginning lines of the Spiritual, Were You There, serve as a transition to verses from Isaiah 53.  The piece ends with Luke 23:42:  Jesus remember me…. Key of Cm.  Performance Time 2:41.   Chord symbols allow for guitar, bass guitar, harp, etc.  Other arrangements available. 

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.780726 Composed by Cathy Stamegna. Children,Christmas,Easter,Hanukkah,Sacred. 7 pages. Cathy Stamegna #5293165. Published by Cathy Stamegna (A0.780726). Just One Candle (SA Duet, Chords, Piano Accompaniment).  Suitable for Advent, Christmas, Lent, Hanukkah, Peace…many occasions, the one candle personifies how one person can make a difference.  It goes on to ask, Why can’t we just be nice…giving, caring…makes our lights shine.  Appropriate for Children’s Choir and older.  Chords allow for guitar, ukulele, harp to add depth to your performance.  Accompaniment track available separately. Performance Time: approx. 2:40.