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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
Quarry Songs
Voix duo, Piano

$51.06 44.77 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 5 - Digital Download SKU: A0.1019286 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Instructional. 2 pages. Geoff R Thomson #3129925. Published by Geoff R Thomson (A0.1019286). These two poems #TheFamineandTheFeast by C.J.Dennis are about hens and their laying of eggs. The two related poems have been combined into one song with melody, chords and piano accompaniment by Geoff Rod Thomson. THE FAMINE ends in the minor key, whereas the excitement of THE FEAST is mirrored (again in the conventional way) by a change to the more exuberant Major key. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact:  #Geoffspianosongs or GeoffRodThomson@gmail.com.
"THE FAMINE" and "THE FEAST". lead sheet& #CJDennis words AND piano
Voix duo, Piano

$1.99 1.75 € Voix duo, Piano PDF SheetMusicPlus

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
Hänsel und Gretel
Voix duo, Piano
the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles
$23.99 21.04 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.878264 Composed by Angela Fox. Children,Concert,Instructional,Standards. 43 pages. Angela Fox #3687615. Published by Angela Fox (A0.878264). Looking for recital songs that sound great and are fun to sing, but are at a beginner level? Look no further! The Healthy Vocal Development Duet Series is designed for private voice lessons. Clever arrangements make students sound even more amazing than they already are! Even better, students get to sing songs they can relate to. No love songs here! All the subject matter is age appropriate and is about feelings and situations they (and also most adults!) can identify with. Piano accompaniment tracks available at angelafoxmusic.com.
Healthy Vocal Development: Duet Performance Book Level 1
Voix duo, Piano

$8.99 7.88 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.877837 Composed by Deborah Johnson. Children,Contemporary,Latin,Musical/Show. 10 pages. Deborah Johnson #6099275. Published by Deborah Johnson (A0.877837). Dear Old Dad is a duet between LACEY (protagonist) and MILLER (her dad) in STILTZ the Musical. For more songs, get the complete piano/vocal score. You will love playing and singing through all the songs! 10 pgs.STORY: On three separate days, our damsel in distress is imprisoned in Office Number Seven by the evil Mr. Devlin and ordered to raise money to save her dad. She makes a pact with STILTZ, but may lose the man she truly loves! A modern adaptation of the wonderful tale of Rumpelstiltskin.  You can view all the videos and find out more at http://StiltzTheMusical.com. Music & Lyrics by Deborah Johnson. (Additional lyrics on Hacker Crew by book-writer, Paula Miller) Full Playlist: https://www.youtube.com/playlist?list=PL3067ABDF8C8ADBB5DEBORAH JOHNSON, is a National Recording Artist, Composer, National Speaker and published Author of 4 books. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. Her music has been up for multiple Grammy Awards.  See more at https://DJWorksMusic.com and https://GoalsForYourLife.com 
Dear Old Dad-STILTZ the Musical
Voix duo, Piano

$6.99 6.13 € Voix duo, Piano PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.784920 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. 8 pages. DF McCorkle Music and eBook Publications #6110747. Published by DF McCorkle Music and eBook Publications (A0.784920). Key: Bbm, Range: F3 to Db5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com.
The Window - Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bbm
Voix duo, Piano

$7.95 6.97 € Voix duo, Piano PDF SheetMusicPlus






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